The sounds of silence: hyper-dialogue and American Eccentricity

REFERENCES

• Amjadali, Samantha. 2008. ‘Gilmore Girls Season 7.’ Sunday Herald - Sun, 12.
   Google Scholar
• Austin, J. L.1975. How to Do Things with Words. 2nd ed.Cambridge, MA: Harvard University Press.
   Google Scholar
• Baudrillard, Jean. 1989. ‘Beyond the Vanishing Point of Art.’ In Post-pop Art, edited by PaulTaylor, 171–189. Cambridge, MA: MIT Press.
   Google Scholar
• Baudrillard, J.1994. Simulacra and Simulation. Translated by Sheila Faria Glaser. Ann Arbor: University of Michigan Press.
   Google Scholar
• Berliner, Todd. 1999. ‘Hollywood Movie Dialogue and the “Real Realism” of John Cassavetes.’ Film Quarterly52 (3): 2–16. https://doi.org/doi:10.1525/fq.1999.52.3.04a00020.
   Web of Science ®Google Scholar
• Biskind, Peter. 1999. Easy Riders, Raging Bulls: How the Sex “n” Drugs “n” Rock“n”Roll Generation Saved Hollywood. London: Bloomsbury.
   Google Scholar
• Chion, Michel. 1994. Audio-vision: Sound on Screen. Translated by Claudia Gorbman. New York, NY: Columbia University Press.
   Google Scholar
• Elsaesser, Thomas. 2004. ‘The Pathos of Failure: American Films in the 1970s.’ In Last Great American Picture Show: New Hollywood Cinema in the 1970s, edited by AlexanderHorwath, NoelKing, and ThomasElsaesser, 279–292. Amsterdam: Amsterdam University Press.
   Google Scholar
• Eshelman, R.2008. Performatism, or the End of Postmodernism. Aurora, CO: Davies Group Publishers.
   Google Scholar
• Fukuyama, Francis. 1989. ‘The End of History?” National Interest16: (Summer)15.
   Google Scholar
• Hanson, Peter. 2002. The Cinema of Generation X: A Critical Study of Films and Directors. Jefferson, NC: McFarland.
   Google Scholar
• Harris, M.2008. Pictures at a Revolution: Five Movies and the Birth of the New Hollywood. New York, NY: Penguin Group US.
   Google Scholar
• Hill, D.2008. Charlie Kaufman and Hollywood's Merry Band of Pranksters, Fabulists and Dreamers: An Excursion into the American New Wave. Harpenden: Kamera Books.
   Google Scholar
• Holt, Jennifer. 2007. ‘1989: Movies and the American Dream.’ In American Cinema of the 1980s: Themes and Variations, edited by StephenPrince, 210–231. New Brunswick, NJ: Rutgers University Press.
   Google Scholar
• Hutcheon, Linda. 1989. The Politics of Postmodernism. London; New York: Routledge.
   Google Scholar
• Huyssen, A.1986. After the Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington: Indiana University Press.
   Google Scholar
• Iglesias, Karl. 2007. ‘Subtext in Dialogue.’ Creative Screenwriting14 (3): 44–45.
   Google Scholar
• Jaeckle, Jeff. 2013. ‘Introduction: A Brief Primer for Film Dialogue Study.’ In Film Dialogue, edited by JeffJaeckle, 1–16. London: Wallflower Press.
   Google Scholar
• Jameson, Fredric. 1984. ‘Postmodernism, or the Cultural Logic of Late Capitalism.’ New Left Review, Jul-Aug (146): 53.
   Web of Science ®Google Scholar
• King, G.2002. New Hollywood Cinema: An Introduction. London: I.B. Tauris & Company Limited.
   Google Scholar
• Kozloff, Sarah. 2000. Overhearing Film Dialogue. Berkeley: University of California Press.
   Google Scholar
• Mayshark, J. F.2007. Post-pop Cinema: The Search for Meaning in New American Film. New York, NY: Praeger Publishers.
   Google Scholar
• Nelmes, Jill. 2010. ‘Realism and Screenplay Dialogue.’ In Analysing the Screenplay, edited by JillNelmes, 217–236. UK: Routledge.
   Google Scholar
• Peberdy, Donna. 2012. ‘“I'm Just a Character in Your Film”: Acting and Performance from Autism to Zissou.’ New Review of Film and Television Studies10 (1): 46–67. https://doi.org/doi:10.1080/17400309.2012.631175.
   Google Scholar
• Schatz, Thomas. 2009. ‘Film Industry Studies and Hollywood History.’ In Media Industries: History, Theory, and Method, edited by J.Holt, and A.Perren. Malden, MA: Wiley.
   Google Scholar
• Thomson, David. 2004. ‘The Decade When Movies Mattered.’ In The Last Great American Picture Show: New Hollywood Cinema in the 1970s, edited by A.Horwath, T.Elsaesser. and N.King, 73–82. Amsterdam: Amsterdam University Press.
   Google Scholar
• Vermeulen, Timotheus, and Robinvan den Akker. 2010. ‘Notes on Metamodernism.’ Journal of Aesthetics & Culture2: 1–13. https://doi.org/doi:10.3402/ljm.v2i0.5677.
   Google Scholar
• Wallace, David Foster. 1993. ‘E Unibus Pluram: Television and U.S. Fiction.’ Review of Contemporary Fiction13 (2): 151.
   Google Scholar
• White, Armond. 2004. ‘American Soul, Aisle Five.’ In New York Press. New York, NY: New York Press. http://nypress.com.
   Google Scholar