Figuring the global: on Charlie Kaufman's Synecdoche, New York

References

• Agamben, Giorgio. 1993. The Coming Community. Translated by Michael Hardt. Minneapolis: University of Minnesota Press.
   Google Scholar
• Augé, Marc. 1997. Non-places: Introduction to an Anthropology of Supermodernity, Translated by John Howe. London: Verso.
   Google Scholar
• Baudrillard, Jean. 1983. Simulations. Translated by Paul Foss, Paul Patton and Philip Beitchman. New York: Semiotext(e).
   Google Scholar
• Baudrillard, Jean. 2009. ‘The Hell of the Same.’ In Chap. 15 in The Transparency of Evil, Translated and edited by James Benedict. London: Verso.
   Google Scholar
• Bauman, Zygmunt. 2006. Liquid Modernity. Cambridge: Polity Press.
   Google Scholar
• Campora, Mathew. 2009. ‘Art Cinema and New Hollywood: Multiform Narrative and Sonic Metalepsis in Eternal Sunshine of the Spotless Mind.’ New Review of Film and Television Studies7 (2): 119–131.
   Google Scholar
• Davis, Mike. 1998. City of Quartz: Excavating the Future in Los Angeles. London: Pimlico.
   Google Scholar
• Deleuze, Gilles. 1989. Cinema 2: The Time Image. Translated by Hugh Tomlinson and Robert Galeta. London: Athlone Press.
   Google Scholar
• Deleuze, Gilles. 2000. ‘The Brain is the Screen: An Interview with Gilles Deleuze.’ In Chap. 13 in The Brain is the Screen: Deleuze and the Philosophy of the Cinema, edited by GregoryFlaxman. Minneapolis: University of Minnesota Press.
   Google Scholar
• Deleuze, Gilles. 2006. ‘The Actual and the Virtual.’ Translated and edited by Hugh Tomlinson and Barbara HabberjamChap. 5 in Dialogues II. London: Continuum.
   Google Scholar
• Deleuze, Gilles, and FélixGuatarri. 2005. A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Brian Massumi. Minneapolis: University of Minnesota Press.
   Google Scholar
• Deming, Richard. 2011. ‘Living a Part: Synecdoche New York, Metaphor and the Problem of Scepticism.’ In Chap. 10 in The Philosophy of Charlie Kaufman, edited by DavidLaRocca. Lexington: University of Kentucky Press.
   Google Scholar
• Dzialo, Chris. 2009. ‘“Frustrated Time” Narration: The Screen Plays of Charlie Kaufman.’ In Chap. 5 in Puzzle Films: Complex Storytelling in Contemporary Cinema, edited by WarrenBuckland. Malden, MA: Blackwell.
   Google Scholar
• Eagleton, Terry. 2001. ‘Nationalism: Irony and Commitment.’ In Chap. 2 in Nationalism, Colonialism and Literature, edited by SeamusDeane. Minneapolis: University of Minnesota Press.
   Google Scholar
• Guatarri, Félix. 2011. The Machinic Unconscious: Essays in Schizoanalysis. Cambridge, MA: Semiotext(e).
   Google Scholar
• Hardt, Michael, and AntonioNegri. 2001. Empire. Cambridge, MA: Harvard University Press.
   Google Scholar
• Hardt, Michael, and AntonioNegri. 2011. Commonwealth. Cambridge, MA: Harvard University Press.
   Google Scholar
• Harvey, David. 1992. The Condition of Postmodernity: An Inquiry into the Origins of Cultural Change. Cambridge, MA: Blackwell.
   Google Scholar
• Martin-Jones, David. 2006. Deleuze, Cinema and National Identity: Narrative Time in National Contexts. Edinburgh: University of Edinburgh Press.
   Google Scholar
• Martin-Jones, David. 2011. Deleuze and World Cinemas. London: Continuum.
   Google Scholar
• McHale, Brian. 1991. Postmodernist Fiction. New York: Methuen.
   Google Scholar
• McMahan, Alison. 1999. ‘The Effect of Multiform Narrative on Subjectivity.’ Screen40 (2): 146–157.
   Web of Science ®Google Scholar
• Miller, Arthur. 2000. Death of a Salesman: Certain Private Conversations in Two Acts and a Requiem. London: Penguin.
   Google Scholar
• Murray, Janet H.2000. Hamlet on the Holodeck: The Future of Narratives in Cyberspace. Cambridge, MA: MIT press.
   Google Scholar
• Smith, David L.2011. ‘Synecdoche, in Part.’ In Chap. 13 in The Philosophy of Charlie Kaufman, edited by DavidLaRocca. Lexington: University of Kentucky Press.
   Google Scholar
• Virilio, Paul. 2010. The Futurism of the Instant: Stop, Eject. Translated by Julie Rose. Cambridge: Polity Press.
   Google Scholar
• Žižek, Slavoj. 2000. The Art of the Ridiculous Sublime: On David Lynch's Lost Highway. Seattle, WA: Walter Chapin Simpson Center for the Humanities.
   Google Scholar
• Žižek, Slavoj. 2011. Living in the End Times. London: Verso.
   Google Scholar