1,401
Views
6
CrossRef citations to date
0
Altmetric
Original Articles

Sensation/investigation: crime television and the action aesthetic

References

  • Ascari, Maurizio A. 2007. A Counter-history of Crime Fiction. London: Palgrave.10.1057/9780230234536
  • Buscombe, Ed., and Roberta E. Pearson, eds. 1998. Back in the Saddle Again: New Essays on the Western. London: BFI.
  • Butler, Jeremy G. 2010. Television Style. London: Routledge.
  • Cohan, Steven. 2008. CSI. London: BFI.
  • Cuklanz, Liza M., and Sujata Moorti. 2006. ‘Television’s “New” Feminism: Prime-time Representations of Women and Victimization.’ Critical Studies in Media Communication 23 (4): 302–321.10.1080/07393180600933121
  • Fishman, Mark, and Gray Cavender, eds. 1998. Entertaining Crime: Television Reality Programs. New York: Aldine De Gruyter.
  • Gunning, Tom. 1986. ‘The Cinema of Attraction: Early Film, Its Spectator and the Avant-Garde.’ Wide Angle 3 (4): 63–70.
  • Lee, Susanna. 2003. ‘“These Are Our Stories”: Trauma, Form, and the Screen Phenomenon of Law & Order.’ Discourse 25 (1/2): 81–97.
  • Lichtenfeld, Eric. 2007. Action Speaks Louder: Violence, Spectacle and the American Action Movie. Middletown, CT: Wesleyan University Press.
  • Lotz, Amanda D. 2006. Redesigning Women: Television After the Network Era. Urbana, IL: University of Illinois Press.
  • Lyons, James. 2010. Miami Vice. Chichester: Wiley-Blackwell.10.1002/9781444319033
  • Mittell, Jason. 2004. Genre and Television: From Cop Shows to Cartoons in American Culture. New York: Routledge.
  • Mittell, Jason. 2006. ‘Narrative Complexity in Contemporary American Television.’ The Velvet Light Trap. 58 (3): 29–40.10.1353/vlt.2006.0032
  • Oliphant, James. 2004. ‘Starsky & Hutch: The Complete First Season.’ Pop Matters. Accessed 1 February, 2016. http://www.popmatters.com/review/starsky-and-hutch-season-1/.
  • Quinn, Laura. 2002. ‘The Politics of Law and Order.’ The Journal of American Culture 25 (1/2): 130–133.10.1111/jacc.2002.25.issue-1-2
  • Rapping, Elayne. 2003. Law and Justice as Seen on TV. New York: New York University Press.
  • Sadoul, Georges. 1946. ‘Early Film Production in England: The Origin of Montage, Close-ups, and Chase Sequence.’ Hollywood Quarterly 1 (3): 249–259.10.2307/1209281
  • Steenberg, Lindsay. 2013. Forensic Science in Contemporary American Popular Culture: Gender, Crime, and Science. New York: Routledge.
  • Osgerby, Bill, and Anna Gough-Yates, eds. 2001. Action TV: Tough Guys, Smooth Operators and Foxy Chicks. London: Routledge.
  • Tasker, Yvonne. 2012. ‘Television Crime Drama and Homeland Security: From Law & Order to “Terror TV”.’ Cinema Journal 51 (4): 44–65.10.1353/cj.2012.0085
  • Tasker, Yvonne. 2010. ‘Action Television/Crime Television: Sensation and Attraction.’ Flow. Accessed 1 February, 2016. http://flowtv.org/2010/10/action-television-crime-television/.
  • Villarejo, Amy. 2010. ‘TV Queen: Lending an Ear to Charles Pierce.’ Modern Drama 53 (3): 350–369.10.3138/md.53.3.350

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.