References
- Adorno, T. 1993. “Parataxis: On Hölderlin’s Late Poetry.” In Notes to Literature, edited by R. Tiedemann and S. W. Nicholsen. Vol. II, 109–149. Columbia University Press.
- Chion, M. 2012. The Thin Red Line. London: BFI Film Classics.
- Gunning, T. 1990. “The Cinema of Attraction[S]: Early Film, Its Spectator and the Avant-Garde.” In Early Cinema: Space-Frame-Narrative, edited by T. Elsaesser, 56–63. London: BFI Publishing.
- Heidegger, M. 1976. What Is Called Thinking? Translated by F. D. Wieck and J. G. Gray. New York: Harper Perennial.
- Heidegger, M. 1993. “Building Dwelling Thinking.” In Basic Writings, edited by D. F. Krell, 343–364. New York: Harper Perennial.
- Hynes, E. “Run Away: The Radical Movements of Song to Song.” Film Comment, March 22, 2017.
- Martin, A. 2007. “Approaching the New World.” In The Cinema of Terrence Malick: Poetic Visions of America, edited by H. Patterson, 212–221. New York: Wallflower Press.
- Martin, A. 2007. “On Earth as It Is in Heaven.”. DVD of Days of Heaven (1978), 6–11. New York: Criterion.
- Michaels, L. 2009. Terrence Malick. Urbana: University of Illinois Press.
- Patterson, H., ed. 2007. The Cinema of Terrence Malick: Poetic Visions of America. New York: Wallflower Press.
- Rossouw, M. 2017. “There’s Something about Malick: Film-Philosophy, Contemplative Style, and Ethics of Transformation.” New Review of Film and Television Studies 15 (3): 279–298. doi:10.1080/17400309.2017.1332845.