References
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- Bassan, Raphaël. 1989. “Trois néo-baroques français.” La revue du cinéma 449: 45–53.
- Billig, Michael. 1995. Banal Nationalism. London: Sage.
- Cardonne-Arlyck, Elisabeth. 2008. “Espaces muets et intimité perverse: de Muriel (Resnais, 1962) à Caché (Haneke, 2005).” Contemporary French and Francophone Studies 12(2): 265–275.10.1080/17409290802058162
- De Certeau, Michel, Giard Luce and Giard Michel. [1980] 1994. Mayol, L’invention du quotidien II: habiter, cuisine. Paris: Gallimard Folio.
- Conley, Tom. 2007. Cartographic Cinema. Minneapolis, MN: University of Minnesota Press.
- Freud, Sigmund. 2003. The Uncanny (trans. David Mclintock). London: Penguin.
- Gildea, Robert. 1994. The Past in French History. New Haven, CT: Yale University Press.
- Girardet, Raoul. 1995. L’idée coloniale en France de 1871 à 1962. Paris: Hachette.
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- Grabner, Franz. 2010. “We Live in a Permanent State of War.” In S. Knauss and A. D. Ornella (eds.), Fascinatingly Disturbing: Interdisciplinary Perspectives on Michael Haneke’s Cinema [pp 13–33]. Eugene, OR: Wipf & Stock.
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- Higbee, Will. 2006. Kassovitz. Manchester: Manchester University Press.
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- Moscowitz, David. 2009. “‘You Talkin’ To Me?’ Mediating Postmodern Blackface in La Haine.” Critical Studies in Media Communication 26(1): 1–18.10.1080/15295030802684042
- Ockham, Joan. 2000. “Architecture in a Mode of Distraction: Eight Takes on Jacques Tati’s Playtime.” In M. Lamser (ed.), Architecture and Film, [pp 171–195]. New York, NY: Princeton Architectural Press.
- Rose, Sven-Erik. 2007. “Mathieu Kassovitz’s La Haine and the Ambivalence of French-Jewish Identity.” French Studies 61(4): 476–491.10.1093/fs/knm177
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Filmography
- François Truffaut, Les 400 cents coups, 1958.
- Jacques Tati, Mon Oncle, 1958.
- Jacques Tati, Playtime, 1967.
- Jean-Jacques Beineix, Diva, 1981.
- Jean-Jacques Beineix, 37°2 le matin, 1986.
- Luc Besson, Subway, 1985.
- Leos Carax, Les Amants du Pont-Neuf, 1991.
- Michael Haneke, Caché, 2005.
- Mathieu Kassovitz, La Haine, 1995.