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Original Articles

When good sentiments make for “bad” cinema: Reconsidering allegory in Un été à la goulette

Pages 28-37 | Published online: 10 Jan 2013

Works Cited

  • Bakrim, Mohammed. “North African Cinema: Tendencies and Perspectives.” Cinemas of the South. Fédération Internationale de la Presse Cinématographique (FIPRESCI). 2006. <http://www.fipresci.org/world_cinema/south/south_english_african_cinema_maghreb.htm>. 18 January 2012
  • Bivona, Rosalia. “La Cuisine joyeuse: identité et alterité dans Un Été à La Goulette de Férid Boughedir.” Cinémas du Maghreb. Special issue of CinémAction 111 (2004): 98–102
  • Blank, Hanne. Virgin. The Untouched History. New York: Bloomsbury, 2007
  • Brahimi, Denise. Cinémas d’Afrique francophone et du Maghreb. Paris: Éditions Nathan, 1997
  • Un Été à La Goulette. Dir. Férid Boughedir. Perf. Sonia Mankaï, Ava Cohen-Jonathan, Sarah Pariente. Canal+, 1996
  • Flinn, Margaret C. “Giving a Face to the Conflict : Contemporary Representations of Women in Franco-North African Film.” International Journal of Francophone Studies 14.3 (2011): 339–363
  • Nagbou, Mustapha. “Un Été à La Goulette: Arrête ton opportunisme, Férid!” SeptièmArt 83–84 (1996): 35–36
  • Schor, Naomi. Preface. Bad Objects. Essays Popular and Unpopular. By Schor. Durham, NC: Duke U P, 1995

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