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Contemporary French and Francophone Studies Volume 21, 2017 - Issue 2
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Le Cinéma français filme l'altérité en Corée du Nord : Le Cas du film Voir le pays du Matin Calme

Antoine CoppolaView further author information
Pages 150-158 | Published online: 04 Sep 2017

Works Cited

  • Ayfre, Amédée. “Néo-réalisme et phénoménologie.” Les Cahiers du Cinéma 17 (October 1952): 6–18.
  • Barthes, Roland. Mythologies. Paris: Seuil, 1957.
  • Debord, Guy. La Société du spectacle. Paris: Buchet-Chastel, 1967.
  • Foucault, Michel. “Les Quatre modes de véridiction antiques.” Le Gouvernement de soi et des autres: cours Collège de France. Paris: EHESS / Gallimard / Seuil, 2009.
  • Huberman, Didi. “Les Larmes sont une manifestation de la puissance politique.” Libération 2 Sept. 2016. 20–21.
  • Jay, Martin. “Scopic Regimes of Modernity.” Vision and Visuality. Ed. Hal Foster. Seattle: Bay Press, Dia Art Foundation, 1988.
  • Lanzmann, Claude. Le Lièvre de Patagonie. Paris: Gallimard, 2009.
  • Marker, Chris. Coréennes. Paris: Seuil, 1959.
  • Petrov, Leonid. “DPRK has Amended is Constitution.” Leonid Petrov Korea Vision (12 October 2009). Leonidpetrov.wordpress.com Web. ( Accessed 14 June 2017).
  • Rosset, Clément. L'Objet singulier. Paris: Éditions de Minuit, 1979.

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