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Contemporary French and Francophone Studies Volume 23, 2019 - Issue 2
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Articles

How New Wave and Rive Gauche Cinema Revolutionized Time for May ’68

James F. AustinView further author information
Pages 145-153 | Published online: 02 Dec 2019

Works Cited

  • Bounoure, Gaston. Alain Resnais. Paris, Éditions Seghers, 1962.
  • Deleuze, Gilles. The Movement-Image. Translated by Hugh Tomlinson and Barbara Habberjam, U of Minnesota P, 1986.
  • Deleuze, Gilles. The Time-Image. Translated by Hugh Tomlinson and Robert Galeta, U of Minnesota P, 1989.
  • Godard, Jean-Luc, director. À bout de souffle. Impéria Films, Société Nouvelle de Cinéma, 1960.
  • Grant, Paul Douglas. Cinéma Militant: Political Filmmaking and May 1968. Columbia UP, 2016.
  • Grosz, Elizabeth. The Nick of Time: Politics, Evolution, and the Untimely. Duke UP, 2004.
  • Layerle, Sébastien. Caméras en lutte en Mai 68: “Par ailleurs le cinéma est une arme…” Paris, Nouveau Monde Éditions, 2008.
  • Lefebvre, Henri. The Production of Space. Translated by Donald Nicholson-Smith, Blackwell, 1991.
  • Lupton, Catherine. Chris Marker: Memories of the Future. London, Reaktion, 2005.
  • Marie, Michel. La Nouvelle Vague: Une école artistique. Paris, Nathan, 1998.
  • Marker, Chris, director. La Jetée. Argos Films, 1962.
  • Resnais, Alain, director. Hiroshima mon amour. Pathé Films, 1959.
  • Resnais, Alain. L’Année dernière à Marienbad. Cocinor, 1961
  • Truffaut, François, director. Les 400 coups. Cocinor, 1959.
  • Truffaut, François. Jules et Jim. Cinédis, 1962.
  • Varda, Agnès, director. Cléo de 5 à 7. CCFC, 1959.

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