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Research Article

« Sur la banquise qui fond, formation d’un genre littéraire » : Mystique et esthétique de la catastrophe dans l’œuvre de Philippe Vasset

Works Cited

  • Adorno, Theodor W. “Le Style tardif de Beethoven.” Moments musicaux. Translated and edited by Martin Kaltenecker, Genève, Contrechamps, 2003, pp. 9–12.
  • Colon, Églantine. “Neither lieux de mémoire, nor non-lieux: Towards a Concept of Precarious Spaces in Philippe Vasset’s Un livre blanc.” French Studies, vol. 71, no. 1, 2017, pp. 66–83.
  • Lyotard, Jean-François. Le Différend. Paris, Éditions de Minuit, 1983.
  • Vasset, Philippe. Carte muette. Paris, Fayard, 2004.
  • Vasset, Philippe. La Conjuration. Paris, Fayard, 2013.
  • Vasset, Philippe. Exemplaire de démonstration. Paris, Fayard, 2003.
  • Vasset, Philippe. “L’Exofictif.” Vacarme, vol. 54, 2011, p. 29.
  • Vasset, Philippe. Un livre blanc. Paris, Fayard, 2007.
  • Vasset, Philippe. Une vie en l’air. Paris, Fayard, 2018.

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