Works Cited
- Cyrille, Dominique. “Popular Music and Martinican-Creole Identity.” Black Music Research Journal, vol. 22, no. 1, 2002, pp. 65–83, https://www.jstor.org/stable/1519965. Accessed 19 Jan. 2022.
- DeLoughrey, Elizabeth. Routes and Roots: Navigating Caribbean and Pacific Island Literatures. U of Hawai’i P, 2007, pp. 1–48.
- Gerstin, Julian Harris. Traditional Music in a New Social Movement: The Renewal of bèlè in Martinique (French West Indies). U of California P, 1996.
- Kanor, Fabienne. “Là d’où je viens.” Contemporary French and Francophone Studies: SITES, vol. 20, no. 3, 2016, pp. 404–410, https://doi.org/http://dx.doi.org/10.100/17409292.2016.1173851.
- Kanor, Fabienne (director). Des pieds, mon pied. Self produced, 2009.
- Kanor, Fabienne and Jean-Michel Casérus. (directors). Milo Pòkò Mò. Strasbourg, La Lanterne, 2008.
- LaCapra, Dominick. Writing History, Writing Trauma. The Johns Hopkins UP, 2001, pp. 1–42.
- Lénablou. “Cette injonction que l’on appelle Bigidi.” Amour, sexe genre et trauma dans la Caraïbe Francophone. Edited by Gladys M. Francis, Paris, L’Harmattan, 2016, pp. 43–56.