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Research Article

History as Ritual: Fernando Arrabal’s L’arbre de Guernica and the Panic Historical Film

Yago Parisa Department of Aesthetics and Theory of the Arts, Universidad Rey Juan Carlos, Madrid, Spain;b Department of Aesthetics and Theory of the Arts, Research Group in Visual Arts and Cultural Studies (GIAVEC), Madrid, SpainCorrespondence[email protected]
ORCID Iconhttps://orcid.org/0000-0002-3003-6675View further author information
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Published online: 19 Jun 2023

References

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  • Arrabal, C Pánico. Cameo Initial Series, 2009.
  • Asín, E.C. 2007. L’Arbre de Guernica de Fernando Arrabal o la memoria como ‘conocimiento bárbaro’. Transitions: Journal of Franco-Iberian Studies 3: 103–21.
  • Benito, R.M. 2020. Materialización formal del Movimiento Pánico en las obras de Fernando Arrabal y Alejandro Jodorowsky. PhD dissertation, Universidad de Cantabria. http://hdl.handle.net/10902/19608
  • de Guernica, L. 1975. Directed by Fernando Arrabal, performances by Mariangela Melato, Ron Faber, Cosimo Cinieri, and Rocco Fontana, Babylone Films. Luso Films: Ci-Le Films, Les Productions Jacques Roitfeld.
  • Espinosa, M.D.L.T. 2019. La influencia de las vanguardias francesas en el teatro Pánico de Fernando Arrabal. Impossibilia, Revista Internacional de Estudios Literarios 17: 219–44. doi:10.32112/2174.2464.2019.293.
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  • Grindon, L. 2010. Shadows on the Past: Studies in the Historical Fiction Film. Philadelphia, Pennsylvania: Temple University Press.
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  • Ruiz-Del-Olmo, F.-J., and J. Del Río. 2018. Entre la tragedia griega y las películas de carretera: Iré como un caballo loco (1973) de Fernando Arrabal. Alpha: Revista de Artes, Letras y Filosofía (47): 135–47. doi:10.32735/s0718-220120180004700169.
  • Sánchez, D.S. 2014. El teatro pánico de Fernando Arrabal. Suffolk, UK: Tamesis Books.
  • White, H. 1988. Historiography and historiophoty. The American Historical Review 93, no. 5: 1193–99. doi:10.2307/1873534.
  • White, H. 2014. The Modernist Event. In The Persistence Of History: Cinema, Television and the Modern Event, ed. V. Sobchack, 17–38. Abingdon, UK: Routledge.

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