Repatriation, Revival and Transmission: The Politics of a Sámi Musical Heritage

References

• Ashcroft , Bill , Gareth Griffiths and Hellen Tiffin 2006 [1995] . The Post-colonial Studies Reader , Second Edition . Oxford and New York : Routledge .
   Google Scholar
• Berlin , Gabriele and Artur Simon 2002 . Music Archiving in the World: Papers Presented at the Conference on the Occasion of the 100th Anniversary of the Berlin Phonogramm-Archiv . Berlin : Verlag für Wissenschaft und Bildung .
   Google Scholar
• Bjørklund , Ivar 2000 . Sápmi: Becoming a Nation: The Emergence of a Sami National Community . Tromsø : Samisk Etnografisk Fagenhet, Tromsø Museum .
   Google Scholar
• Bohlman , Philip V. 1988 . The Study of Folk Music in the Modern World , Bloomington , Ind : Indiana University Press .
   Google Scholar
• Bohlman , Philip V. 2002 . World Music: A Very Short Introduction , Oxford and New York : Oxford University Press .
   Google Scholar
• Brown , Michael F. 2003 . Who Owns Native Culture? , Cambridge , Mass : Harvard University Press .
   Google Scholar
• Clifford , James. 1988 . The Predicament of Culture: Twentieth-century Ethnography, Literature, and Art , Cambridge , Mass. and London : Harvard University Press .
   Google Scholar
• Clifford , James. 1997 . Routes: Travel and Translation in the Late Twentieth Century , Cambridge , Mass. and London : Harvard University Press .
   Google Scholar
• Collins John 1993 . ‘ The Problem of Oral Copyright: The Case of Ghana ’. In Music and Copyright , edited by S. Frith , 146 58 . Edinburgh : Edinburgh University Press .
   Google Scholar
• Diamond , Beverley. 2007 . “‘Allowing the Listener to Fly as they want to”: Sámi Perspectives on Indigenous CD Production in Northern Europe’ . World of Music , 49 ( 1 ) : 23 – 48 .
   Web of Science ®Google Scholar
• Edström , Karl-Olof . 1978 . ‘ Den Samiska Musikkulturen: En källkritisk Översikt ’ [The Sámi Music Culture: A Source-critical Overview]. Ph.D. diss. , Göteborgs Universitet , Göteborg .
   Google Scholar
• Eidheim , Harald. 1971 . Aspects of the Lappish Minority Situation , Oslo : Universitetsforlaget .
   Google Scholar
• Eidheim , Harald , Ivar Bjørklund and Terje Brantenberg . 2002 . ‘ Museene, Publikum og Antropologien: Et Formidlingsprojekt ved Tromsø Museum ’ [Museums, the Public and Anthropology: A Mediation Project at Tromsø Museum] . Norsk Antropologisk Tidsskrift 13 3 : 124 – 36 .
   Google Scholar
• Fanon , Frantz . 1961 . The Wretched of the Earth . Translated by J.-P. Sartre . New York : Grove Press .
   Google Scholar
• Fjellheim , Frode . 1991a . ‘ Liner notes to Sangen vi glemte ’ [The Song We Forgot]. Indre Billefjord: Iđut (ICD911) .
   Google Scholar
• Fjellheim , Frode 2004a . Med Joik som Utgangspunkt [With Joik as a Point of Departure] . Trondheim : Vuelie .
   Google Scholar
• Gaski , Harald 1996 . In the Shadow of the Midnight Sun: Contemporary Sami Prose and Poetry . Karasjok : Davvi Girji .
   Google Scholar
• Gaski , Harald . 1999 . ‘ The Secretive Text: Yoik Lyrics as Literature and Tradition ’. Nordlit 5 : 3 27 .
   Google Scholar
• Gaski , Harald 2000 . ‘ The Secretive Text: Yoik Lyrics as Literature and Tradition ’. In : Sámi Folkloristics J. Pentikäinen , Gaski H , V. Hirvonen , J. Sergejeva and K. Stoor , 191 – 214 . Turku : Nordic Network of Folklore .
   Google Scholar
• Gaski , Harald . 2004 . ‘When the Thieves became Masters in the Land of the Shamans’ . Nordlit , 15 : 35 – 45 .
   Google Scholar
• Gaski , Harald . 2008 . “ ‘Yoik: Sami Music in a Global World’ ” . In Indigenous Peoples: Self-determination, Knowledge, Indigeneity , Edited by: Minde , H. , Gaski , H. , Jentoft , S. and Midré , G. 347 – 60 . Delft : Eburon .
   Google Scholar
• Gaup , Elisabeth Utsi . 1989 . Suga suga su [Row Row Them] . Kautokeino : DAT .
   Google Scholar
• Goertzen , Chris. 1997 . Fiddling for Norway: Revival and Identity , Chicago and London : The University of Chicago Press .
   Google Scholar
• Graff , Ola . 1991 . ‘ Samisk Joik—Viddas egen Musikk? Ei Betrakning over Joikens Forhold til Naturen ’ [Sámi Joik—The Tundras own Music? A Consideration of Joik's Relation to Nature] . Musikk Fokus 1991 7 : 18 – 22 .
   Google Scholar
• Graff , Ola 2003 . ‘ Joik ’. In EKKO1: Musikk Orienteering VK1 G. Brunsvik , I. Danbolt , R. Egenberg , O. Graff , L. Solberg , H. Sørnæs and V . Vårdel , 260 – 79 . Oslo : Gyldendal Norsk Forlag ASA .
   Google Scholar
• Graff , Ola 2004 . ‘ “Om Kjæresten min vil jeg joike”: Undersøkelser over en utdødd sjøsamisk Joiketradisjon ’ [‘About my Lover I Will Joik’: Investigations into an Extinct Sea Sámi Joik Tradition] . Karasjok : Davvi Girji .
   Google Scholar
• Handler , Richard. 1988 . Nationalism and the Politics of Culture in Quebec , Madison : University of Wisconsin Press .
   Google Scholar
• Hansen , Lene. 2008 . Storm på Kysten [Storm at the Coast] . Tromsø : Margbok .
   Google Scholar
• Jernsletten , Nils. 1997 . ‘ Sami Traditional Terminology ’. In Sami Culture in a New Era: The Norwegian Sami Experience , H. Gaski , 86 – 108 . Karasjok : Davvi Girji .
   Google Scholar
• Johnskareng , Astrid , Magnus Vuolab , Ellen Brita Anti , Máijá Riittá Anti Rasmus and Elle Márgget Nystad . 2008 . Muohtanásttážat: Muitalus- ja Lávlagirji [The Little Snow-Stars: Storytelling and Song Book] . Karasjok : Davvi Girji .
   Google Scholar
• Jones-Bamman Richard Wiren . 1993 . ‘ “As long as we continue to joik, we'll remember who we are”: Negotiating Identity and the Performance of Culture: The Saami Joik ’. Ph.D. diss ., University of Washington , Washington .
   Google Scholar
• Jones-Bamman , Richard Wiren . 2003 . ‘Following in the Footsteps of a Giant: When Fieldwork Past Influences Fieldwork Present, Karl Tirén and Die Lappische Volksmusik’ . British Journal of Ethnomusicology , 12 ( 1 ) : 35 – 54 .
   Google Scholar
• Jones-Bamman Richard Wiren 2006 [2001] . ‘ From “I'm a Lapp” to “I am Saami”: Popular Music and Changing Images of indigenous Ethnicity in Scandinavia ’. In Ethnomusicology: A Contemporary Reader J.. C. Post , 351 – 67 . London and New York : Routledge .
   Google Scholar
• Keskitalo , Jan Henry . 1997 . ‘ Sami Post-secondary Education—Ideals and Realities ’. In Sami Culture in a New Era: the Norwegian Sami Experience , H. Gaski , 155 – 71 . Karasjok : Davvi Girji .
   Google Scholar
• Kjellström , Rolf , Ternhag , Gunnar and Rydving , Håkan . 1988 . Om Jojk [On Joik] , Hedemora : Gidlunds Bokförlag .
   Google Scholar
• Kolb , David A. 1984 . Experiential Learning: Experience as the Source of Learning and Development , Upper Saddle River , N.J : Prentice Hall .
   Google Scholar
• Lagercrantz , Eliel . 1968 . Lappische Volksdichtung IV: Seelappische Gesangsmotive des Varangergebietes [Lapp Folk-Poems IV: Sea Lapp Song Motives of the Varanger Region] . Helsinki : Mémoires de la Société Finno-Ougrienne .
   Google Scholar
• Larsen , Ove . 2005 . ‘ Sørsamisk Musikkultur—Aktuelt Uttrykk med historisk Røtter’ [South Sámi Music—Contemporary Expression with Historical Roots] . Studia Musicologica Norvegica 31 : 85 – 102 .
   Google Scholar
• Launis , Armas. 1908 . Lappische Juoigos-Melodien . Edited by F. Litteraturgesellschaft. Northern Series No. 3. Helsingfors: FF-Publications .
   Google Scholar
• Lehtola , Veli-Pekka . 2002 . ‘ The Sami Siida and the Nordic States from the Middle Ages to the Beginning of the 1900s ’. In Conflict and Cooperation in the North , K. Karppi and J. Eriksson , 183 – 94 . Umeå : Kulturgräns Norr .
   Google Scholar
• Livingstone , Tamara E. 1999 . ‘Music Revivals: Towards a General Theory’ . Ethnomusicology , 43 ( 1 ) : 66 – 85 .
   Web of Science ®Google Scholar
• Macdonald , Sharon and Gordon Fyfe 1996 . Theorizing Museums: Representing Identity and Diversity in a Changing World . Oxford : Blackwell .
   Google Scholar
• Mills , Sherylle. 1996 . ‘Indigenous Music and the Law: An Analysis of National and International Legislation’ . Yearbook of Traditional Music , 28 : 57 – 86 .
   Web of Science ®Google Scholar
• Minde , Henry. 2003 . ‘Assimilation of the Sami—Implementation and Consequences’ . Acta Borealia , 20 ( 2 ) : 121 – 46 .
   Google Scholar
• Niemi , Einar . 1997 . ‘ Sami History and the Frontier Myth ’. In Sami Culture in a New Era: The Norwegian Sami Experience , H. Gaski , 62 – 85 . Karasjok : Davvi Girji .
   Google Scholar
• Peers , Laura and Alison K. Brown 2003 . Museums and Source Communities: A Routledge Reader . London and New York : Routledge .
   Google Scholar
• Pirttijärvi , Ulla . 1996 . Hoŋkoŋ Dohkká [The Hong Kong Doll] . Kautokeino : DAT .
   Google Scholar
• Ramnarine , Tina K. 2003 . Ilmatar's Inspirations: Nationalism, Globalization, and the changing Soundscapes of Finnish Folk Music , Chicago and London : University of Chicago Press .
   Google Scholar
• Ruong , Israel . 1985 [1969] . Om Joikning. Att minnas, känna och återge [On Joiking: To Remember, Know and Reflect] . Stockholm : Institutet för Folklivsforskning .
   Google Scholar
• Rydving , Håkan . 1993 . The End of Drum-time: Religious Change among the Lule Saami, 1670s–1740s , Third Edition . 12 Uppsala : Uppsala Universitet .
   Google Scholar
• Seeger , Anthony and Shubha Chaudhuri 2004 . Archives for the Future: Global Perspectives on Audiovisual Archives in the 21st Century . Calcutta : Seagull Books .
   Google Scholar
• Solbakk , John T. 2007 . ‘ Sámi Traditional Knowledge as Valuable Creative Work ’. In Traditional Knowledge and Copyright , Solbakk J T , 4 – 13 . Karasjok : Sámikopiija .
   Google Scholar
• Stockmann , Doris . 1994 . ‘ Synthesis in the Culture of Scholarship: Problems in Investigating and Documenting the Archaic and Modern Styles of Yoiking by the Sami in Scandinavia ’. In Music Cultures in Contact: Convergences and Collisions , M. J. Kartomi and S. Blum , 1 12 . Sydney : Currency Press .
   Google Scholar
• Stoor , Krister . 2007 . ‘ Juoiganmuitalusat—Jojkberättelser: En Studie av Jojkens narrative Egenskaper ’ [Joik Storytelling: A Study of Joik's Narrative Function]. Ph.D. diss ., Umeå Universitet , Umeå .
   Google Scholar
• Taylor , Diana. 2003 . Performing Cultural Memory in the Americas , Durham , N.C. and London : Duke University Press .
   Google Scholar
• Taylor , Timothy D . 2003 . ‘ A Riddle Wrapped in a Mystery: Transnational Music Sampling and Enigma's “Return to Innocence” ’. In Music and Technoculture , Lysloff . R T A and Gay L C Jr. Middletown : Wesleyan University Press . 64 92
   Google Scholar
• Ternhag , Gunnar. 2000 . Jojksamlaren Karl Tirén [Joik Collector Karl Tirén] . Umeå : Dialekt-, Ortnamns- och Folkminnesarkivet i Umeå .
   Google Scholar
• Tirén , Karl . 1943 . Die Lappische Volksmusik [The Lapp Folk Music] . Edited by N. Museet. Acta Lapponica III . Stockholm : Hugo Gebers Förlag .
   Google Scholar
• Valkeapää , Nils-Aslak. 1984 . ‘Ett Sätt att lugna Renar’ [One Way to calm Reindeer] . Café Existens , 24 : 43 – 7 .
   Google Scholar
• Wiklund , Karl B . 1906 . Lapparnes Sång og Poesi [The Lapps’ Song and Poetry] . Uppsala: K. W. Appelbergs Boktryckeri .
   Google Scholar
• Wustmann , Erich. 1956 . Klingende Wildnis. Erlebnisse in Lappland [Sounding Wilderness: Experiences in Lapland] , Eisenach , Kassel : Erich Röth .
   Google Scholar
• Ziegler , Susanne . 2007 . ‘ Wax Cylinder Recordings of Sami Music in the Berlin Phonogramm-Archiv ’. European Meetings in Ethnomusicology 12 : 212 26 .
   Google Scholar