References
- Adir, Avi. 2009. Boomerang Dream. Avi Adir.
- Aksoy, Bülent. 2002. ‘Cumhuriyet Döneminde Devlet Radyosunun Türk Musikisi Üzerindeki Etkileri’ [The State Radio's Influences over Turkish Music in the Republican Era]. In Türkler [Turks]. Vol. 18, 329–38. Ankara: Semih Ofset.
- Ayvazoğlu, Beşir. 2008. Ney'in Sırrı [Secret of the Ney]. Istanbul: Kapı Yayınları.
- Bates, Eliot. 2011. Music in Turkey. New York: Oxford University Press.
- Bates, Eliot. 2012. ‘The Social Life of Instruments’. Ethnomusicology 56(3): 363–95. 10.5406/ethnomusicology.56.3.0363
- Baumann, Max P., ed. 2000. ‘Local Musical Traditions in the Globalization Process’. The World of Music 42(3): 121–44.
- Behar, Cem. [2005] 2008. Musikiden Müziğe. Osmanlı/Türk Müziği [From Musiki to Music: Ottoman/Turkish Music]. Istanbul: YKY.
- Behar, Cem. [1998] 2012. Aşk Olmazsa Meşk Olmaz [Without Love, There is no Meşk]. Istanbul: YKY.
- Charry, Eric. 1994. ‘The Grand Mande Guitar Tradition of the Western Sahel and the Savannah’. The World of Music 36(2): 21–61.
- Dawe, Kevin. 2001. ‘People, Objects, Meaning: Recent Work on the Study and Collection of Musical Instruments’. Galpin Society Journal 54: 219–32. 10.2307/842454
- Dawe, Kevin. 2010. The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance. Farnham, UK: Ashgate.
- Dawe, Kevin, and Andy Bennett. 2001. Guitar Cultures. Oxford and New York: Berg.
- Dede, Mercan. 2007. 800. Doublemoon.
- Değirmenci, Koray. 2013. Creating Global Music in Turkey. Plymouth: Lexington Books.
- Erguner, Kudsi. 2005. Journeys of a Sufi Musician. London: SAQI.
- Erguner, Süleyman. 1999. ‘XVIII. Yüzyilda Musikimiz, Ney ve Neyzenler’ [Ney and Neyzens in 18th Century Music]. In Osmanlı Ansiklopedisi. Vol. 10, edited by Güler Eren, 691–706. Ankara: Yeni Türkiye Yayınları.
- Erguner, Süleyman. 2002. Ney Metod [Ney Method]. Istanbul: Erguner Müzik.
- Erguner, Süleyman. 2005. Neyzen: ‘Süleyman-Ulvi’ Erguner. Istanbul: Düzey Matbaa.
- Eyre, Banning. 2000. In Griot Time: An American Guitarist in Mali. Philadelphia: Temple University Press.
- Feldman, Walter. 1996. Music of the Ottoman Court. Berlin: Verlag für Wissenschaft und Bildung.
- Feldman, Walter. 2002. ‘Music in Performance: Who Are the Whirling Dervishes?’ In The Garland Encyclopedia of World Music: The Middle East. Vol. 6, edited by Virginia Danielson, 107–11. New York: Routledge.
- Filiz, Aziz S., and Birol Yayla. 1991. Yansimalar. Kalan.
- Filiz, Aziz S., and Birol Yayla. 1995. Bab-i Esrar. Kalan.
- Gibson, Chris, and John Connell. 2005. Music and Tourism: On the Road Again. Clevedon, UK: Channel View Press.
- Gökalp, Ziya. 1923. Türkçülüğün Esaslari. Istanbul: Varlik Yayinlari.
- Gölpınarlı, Abdülbaki. 1983. Mevlâna'dan Sonra Mevlevilik [Mevlevism after Mevlana]. Istanbul: İnkilap ve Aka Yayınevi.
- Hall, Dennis. 1994. ‘New Age Music: A Voice of Liminality in Postmodern Popular Culture’. Popular Music and Society 18(2): 13–21. 10.1080/03007769408591551
- Hendrich, Béatrice. 2011. ‘Introduction—Beyond State Islam: Religiosity and Spirituality in Contemporary Turkey.’ European Journal of Turkish Studies 13. http://ejts.revues.org/4527 (accessed 4 June 2014).
- Houston, Christopher. 2005. ‘Provocations of the Built Environment: Animating Cities in Turkey as Kemalist’. Political Geography 24: 101–19. 10.1016/j.polgeo.2004.07.008
- Houston, Christopher. 2008. Kurdistan: Crafting of National Selves. Oxford: Berg.
- Jacobson, Marion S. 2008. ‘Notes from Planet Squeezebox: The Accordion and the Process of Musical Globalization’. The World of Music 50(3): 5–14.
- Kapchan, Deborah. 2007. Moroccan Gnawa Trance and Music in the Global Marketplace. Middletown: Wesleyan University Press.
- Keister, Jay. 2004. ‘The Shakuhachi as Spiritual Tool: A Japanese Buddhist Instrument in the West’. Asian Music 35(2): 99–131.
- Kolluoğlu, Poyraz. 2010. ‘Modernism in Ottoman and Turkish Music and the Years of 1930s, 1940s’. Unpublished Master's thesis, Marmara University.
- Magowan, Fiona. 2005. ‘Playing with Meaning: Perspectives on Culture, Commodification and Contestation around the Didjeridu’. Yearbook for Traditional Music 37: 80–102.
- Manuel, Peter. 2008. ‘North Indian Sufi Popular Music in the Age of Hindu and Muslim Fundamentalism’. Ethnomusicology 52(3): 378–400.
- Markoff, Irene. 1986. ‘Musical Theory, Performance, and the Professional Bağlama Specialist in Turkey’. Unpublished PhD thesis, University of Washington.
- Matsunobu, Koji. 2012. ‘The role of Spirituality in Learning Music: A Case of North American Adult Students of Japanese Music’. British Journal of Music Education 29(2): 181–92. 10.1017/S0265051712000095
- Micus, Stephan. 1986. Ocean. ECM Records.
- Micus, Stephan. 1994. Athos. ECM Records.
- Micus, Stephan. 1997. Garden of Mirrors. ECM Records.
- Mikuskovics, Bernhard, and Bernd Meyer. 2007. Enigmatic Genes. SOASONGS.
- Mohaved, Azin. 1993. ‘The Persian Ney: A Study of the Instrument and its Musical Style’. Unpublished PhD thesis, University of Illinois.
- Nettl, Bruno, ed. 1985. The Western Impact on World Music. New York: Schirmer Books.
- Neuenfeldt, Karl. 1994. ‘The Essentialistic, the Exotic, the Equivocal and the Absurd: The Cultural Production and Use of the Didjeridu in World Music’. Perfect Beat 2(1): 88–104.
- Neuenfeldt, Karl. 1997. ‘The Didjeridu in the Desert: The Social Relations of an Ethnographic Object Entangled in Culture and Commerce’. In The Didjeridu: From Arnhem Land to Internet, edited by Karl Neuenfeldt, 107–22. Sydney: Perfect Beat Publications.
- Neuenfeldt, Karl, ed. 1998. ‘Old Instruments in New Contexts’. The World of Music 40(2): 5–8.
- Özeke, Ahmet Doğan. 2000. Neyzenler Kahvesi: Bir Neyzenin Hatıraları [Neyzens' Coffee House: A Neyzen's Memoires]. Istanbul: Pan Yayıncılık.
- Özyürek, Esra. 2006. Nostalgia for the Modern: State Secularism and Everyday Politics in Turkey. Durhamm N.C.: Duke University Press.
- Parla, Taha, and Andrew Davison. 2004. Corporatist Ideology in Kemalist Turkey. Syracuse, N.Y.: Syracuse University Press.
- Peirce, Leslie. 2004. ‘Changing Perceptions of the Ottoman Empire: The Early Centuries’. Mediterranean Historical Review 19(1): 6–28. 10.1080/0951896042000256625
- Polak, Rainer. 2000. ‘A Musical Instrument Travels Around the World: Jenbe Playing in Bamako, West Africa and Beyond’. The World of Music 42(3): 7–46.
- Poulos, Panagiotis. 2011. ‘Rethinking Orality in Turkish Classical Music: A Genealogy of Contemporary Musical Assemblages’. Middle East Journal of Culture and Communication 4: 164–83. 10.1163/187398611X571337
- Rahaim, Matt. 2011. ‘That Ban(e) of Indian Music: Hearing Politics in the Harmonium’. The Journal of Asian Studies 70(3): 657–82.
- Schimmel, Anna. 2005. ‘The Role of Music in Islamic Mysticism’. In Sufism, Music and Society in Turkey and the Middle East, edited by Anders Hammarlund, Tord Olsson and Elisabeth Özdalga, 8–17. Istanbul: Swedish Research Institute.
- Seyama, Toru. 1998. ‘The Re-contextualisation of the Shakuhachi (Syakuhati) and its Music from Traditional/Classical into Modern/Popular’. The World of Music 40(2): 69–83.
- Shannon, Jonathan. 2003. ‘Sultans of Spin: Syrian Sacred Music on the World Stage’. American Anthropologist 105(2): 1–12.
- Stokes, Martin. 1992. The Arabesk Debate: Music and Musicians in Modern Turkey. Oxford: Oxford University Press.
- Stokes, Martin. 2014. ‘New Islamist Popular Culture in Turkey’. In Music, Culture and Identity in the Muslim World: Performance, Politics and Piety, edited by Kamal Salhi, 15–34. New York: Routledge.
- Tanrıkorur, Cinuçen. 2003. Osmanlı Dönemi Türk Musikisi [Turkish Music in the Ottoman Era]. Istanbul: Dergâh Yayınları.
- Tekelioğlu, Orhan. 1996. ‘The Rise of a Spontaneous Synthesis: The Historical Background of Turkish Popular Music’. Middle Eastern Studies 32(2): 194–216. 10.1080/00263209608701111
- Temiz, Okay, and Aka Gündüz Kutbay. 1989. Zikir. Kent Elektronik.
- The Erguner Brothers. 1988. The Mystic Flutes of the Sufis: Preludes to Ceremonies of the Whirling Dervishes. JVC.
- Thomas, Nicholas. 1991. Entangled Objects: Exchange, Material Culture, and Colonialism in the Pacific. Cambridge, MA: Harvard University Press.
- Tüfekçioğlu, Zeynep. 2011 ‘Sufism in Turkish Crime Fiction: the Mystery of Shams-i Tabrizi in Ahmet Ümit's Bab-ı Esrar’. European Journal of Turkish Studies 13. http://ejts.revues.org/4532 (accessed 4 June 2014).
- Ünver, Süheyl. 1964. ‘Osmanlı İmparatorluğu Mevlevihaneleri ve Son Şeyhleri’ [Ottoman Empire Mevlevihanes and Their Last Sheikhs], Mevlâna Güldestesi [Mevlana Anthology], 30–9. Konya: Konya Turizm Derneği Yayınları.
- Üstel, Füsun. 1994. ‘1920'li ve 30'lu Yıllarda Milli Musiki İnkılabı’ [National Music Revolution in the 1920s and 30s]. Defter [Notebooks] 22: 41–53.
- Vicente, Victor A. 2007. ‘The Aesthetics of Motion in Musics for the Mevlana Celal ed-Din Rumi’. Unpublished PhD thesis, University of Maryland.
- Vicente, Victor A. 2013. Dancing for Rumi: The Cultural, Spiritual, and Kinetic Dimensions of the Global Sufi Music Phenomenon. Saarbrücken, Germany: Lambert Academic Press.
- Yavuz, Hakan. 2009. Secularism and Muslim Democracy in Turkey. Cambridge: Cambridge University Press.