388
Views
1
CrossRef citations to date
0
Altmetric
Articles

Cultural memory, underground and mainstream culture reminiscences in the Czech Republic

ORCID Icon

References

  • Assmann, Jan. 1992. Das kulturell Gedächtnis: Schrift, Erinnerung und politische Identität in frühen Hochkulturen. Beck: Münich.
  • Assmann, Jan. 2008. ‘Communicative and Cultural Memory’. In Cultural Memory Studies. An International and Interdisciplinary Handbook, edited by A. Erll and A. Nünning, 109–18. Berlin and New York: Walter de Gruyter.
  • Bal, Mieke and Sherry Marx-MacDonald. 2002. Travelling Concepts in the Humanities: A Rough Guide. Toronto: University of Toronto Press.
  • Bar-Siman-Tov, Yaacov. 2004. From Conflict Resolution to Reconciliation. New York: Oxford University Press.
  • Bar-Siman-Tov, Yaacov and Gemma H. Bennink. 2004. ‘The Nature of Reconciliation as an Outcome and as a Process’. In From Conflict Resolution to Reconciliation, edited by Y. Bar-Siman-Tov, 11–38. New York: Oxford University Press.
  • Bar-Tal, Daniel. 2000. ‘From Intractable Conflict through Conflict Resolution to Reconciliation: Psychological Analysis’. Political Psychology 21(2): 351–65. doi: 10.1111/0162-895X.00192
  • Bolton, Jonathan. 2012. Worlds of Dissent. Charter 77, The Plastic People of the Universe and Czech Culture under Communism. Cambridge and London: Harvard University Press.
  • Boym, Svetlana. 2001. The Future of Nostalgia. New York: Basic Books.
  • Brinner, Benjamin. 2009. Playing Across a Divide: Israeli-Palestinian Musical Encounters. New York: Oxford.
  • Čermák, Miloš. 2001. Nanebevzetí Karla Kryla. Praha: Academia.
  • Chadima, Mikoláš. 1992. Alternativa: Svědectví o českém rock & rollu sedmdesátých let. Od rekvalifikací k „nové vlně se starým obsahem”. Brno: Host.
  • Denčevová, Ivana. 2012. Tváře undergroundu. Radioservis: Praha.
  • Denčevová, Ivana and Michal Stehlík. 2014. Fenomén Karel Kryl. Praha: Radioservis.
  • Erll, Astrid. 2011. Memory in Culture. New York: Macmilan Palgrave.
  • Erll, Astrid and Ansgar Nünning. 2008. Cultural Memory Studies. An International and Interdisciplinary Handbook. Berlin and New York: Walter de Gruyter.
  • Esposito, Elena. 2008. ‘Social Forgetting: A System-theory Approach’. In Cultural Memory Studies. An International and Interdisciplinary Handbook, edited by A. Erll and A. Nünning, 181–90. Berlin and New York: Walter de Gruyter.
  • Fikejz, Miloš. 2009. Český film: herci a herečky. I. díl: A–K. Praha: Libri.
  • Göth, Jindřich. 2014. ‘Komerčák a máma undergroundu’. Instinkt 13(5): 10–15.
  • Green, Anna. 2011. ‘Can Memory be collective’. In The Oxford Handbook of Oral History, edited by Donald A. Ritchie, 96–111. New York: Oxford University Press.
  • Hagen, Trever. 2016. ‘The Afterlife and Renaissance of the Plastic People of the (Twenty-first-century) Universe: Continuity and Memory in Bohemia’. In Routledge International Handbook of Memory Studies, edited by A. L. Tota and T. Hagen, 158–67. London and New York: Routledge.
  • Hagen, Trever. 2019. Living in the Merry Ghetto: The Music and Politics of the Czech Underground. New York: Oxford University Press.
  • Halbwachs, Maurice. 1994. Les cadres sociaux de la mémoire. Paris: Albin Michel.
  • Houda, Přemysl. 2008. Šafrán: kniha o sdružení písničkářů. Praha: Galén.
  • Houda, Přemysl. 2011. ‘Pódia znovu jen pro prověřené. „Normalizace“ oficiální populární hudby v Československu 70. let’. Soudobé dějiny XVIII (3): 310–29.
  • Jirous, Ivan Martin. 2006. ‘Report on the Third Czech Musical Revival’. In Views from Inside. Czech Underground Literature and Culture (1948–1989): Manifestoes – Testimonies – Documents, edited by M. Machovec, 7–32. Prague: Charles University.
  • Jirous, Ivan Martin. 2008. Pravdivý příběh Plastic People. Praha: Torst.
  • Jirous, Ivan Martin. 2010. Pravdivý příběh Plastic People (Audio CD). Praha: Radioservis.
  • Jirsa, Tomáš. 2017. ‘Charting Post-underground Nostalgia. Anachronistic Practices of the Post-velvet Revolution Rock Scene’. Iluminace 107: 65–86.
  • Jurková, Zuzana. 2014. Prague Soundscapes. Praha: Karolinum.
  • Jurková, Zuzana. 2018. ‘Our National Heroes. Music and Collective Remembering’. Urban People 20 (2): 325–52.
  • King, Roberta and Sooi Ling Tan, eds. 2014. (Un)Common Sounds: Songs of Peace and Reconciliation among Muslims and Christians. Eugene: Wipf and Stock Publishers.
  • Klenke, Kerstin. 2019. The Sound State of Uzbekistan: Popular Music and Politics in the Karimov Era. London: Routledge.
  • Kudrna, Ladislav, ed. 2016. Reflexe undergroundu. Praha: Ústav pro studium totalitních režimů.
  • Machovec, Martin. 2012. Hnědá kniha“ o procesech s českým undergroundem. Praha: Ústav pro studium totalitních režimů.
  • Machovec, Martin. 2015. ‘Podzemí a underground. Postavení undergroundové komunity v české společnosti 70. a 80.let a specifické hodnoty undergroundové kultury’. Paměť a dějiny 2015 (1): 4–13.
  • Maderová, Blanka, Zuzana Jurková and Karel Veselý. 2013. Dotknout se světa. Česká hudební alternativa 1968–2013/To Touch the World. Czech Musical Alternative 1968–2013. Praha: Fakulta humanitních studií.
  • Mayer, Françoise. 2004. Les Tchèques et leur communisme. Mémoire et identités politiques. Paris: Editions de l’École des Hautes Études en Sciences Sociales.
  • McDermott, Kevin. 2015. Communist Czechoslovakia, 1945–89: A Political and Social History. London: Macmillan.
  • Merriam, Alan P. 1964. Anthropology of Music. Evanston: Northwestern University Press.
  • Mitchell, Tony. 1992. ‘Mixing Pop and Politics: Rock Music in Czechoslovakia before and after the Velvet Revolution’. Popular Music 11 (2): 187–203. doi: 10.1017/S0261143000004992
  • O’Connell, John Morgan and Salwa El-Shawan Castelo-Branco. 2010. Music and Conflict. Urbana. Chicago and Springfield: University of Illinois Press.
  • Olick, Jeffrey K. 2008. ‘From Collective Memory to the Sociology of Mnemonic Products and Practices’. In Cultural Memory Studies. An International and Interdisciplinary Handbook, edited by A. Erll and A. Nünning, 151–62. Berlin and New York: Walter de Gruyter.
  • Olick, Jeffrey K. and Joyce Robbins. 1998. ‘Social Memory Studies: From ‘Collective Memory’ to the Historical Sociology of Mnemonic Practices’. Annual Review of Sociology 24 (1): 105–40. doi: 10.1146/annurev.soc.24.1.105
  • Pažout, Jaroslav. 2017. Trestněprávní perzekuce odpůrců režimu v Československu v období takzvané normalizace (1969–1989). Praha: Ústav pro soudobé dějiny AV ČR.
  • Quinlan, Mary Kay and Barbara W. Sommer. 2009. The Oral History Manual. Lanham: AltaMira Press.
  • Ramet, Sabrina Petra. 1994. ‘Rock Music in Czechoslovakia’. In Rocking the State: Rock Music and Politics in Eastern Europe and Russia, edited by Sabina Petra Ramet, 55–73. Boulder: Westview Press.
  • Rohál, Robert. 2011. Jiřina Švorcová a ti druzí. Praha: Nakladatelství XYZ.
  • Růžička, Daniel. 2005. Major Zeman. Propaganda nebo krimi? Praha: Práh.
  • Ryback, Timothy W. 1990. Rock Around the Bloc: The History of Rock Music in Eastern Europe and the Soviet Union. Oxford: Oxford University Press.
  • Rychlík, Břetislav, František Čuňas Stárek and David Boháč. 2014. Fenomén underground. TV documentary. Czech Television.
  • Sedláček, Robert. 2013. České století. TV documentary. Czech Television.
  • Skilling, Gordon, H. 1980. ‘Charter 77 and the Musical Underground’. Canadian Slavonic Papers/Revue Canadienne des Slavistes, Conference Papers 1979 22 (1): 1–14. doi: 10.1080/00085006.1980.11091606
  • Slobin, Mark, ed. 1996. Retuning Culture: Musical Changes in Central and Eastern Europe. London and Durham: Duke University Press.
  • Szemere, Anna. 2001. Up from the Underground. The Culture of Rock Music in Postsocialist Hungary. Pennsylvania: The Pennsylvania State University Press.
  • Stárek, František Čuňas and Jiří Kostúr. 2010. Baráky. Soustroví svobody. Praha: Pulchra.
  • Stárek, František Čuňas and Ladislav Kudrna. 2017. „Kapela“. Pozadí akce, která stvořila Chartu 77. Praha: Academia a Ústav pro studium totalitních režimů.
  • Stárek, František Čuňas and Martin Valenta. 2018. Podzemní symfonie Plastic People. Praha: Argo a Ústav pro studium totalitních režimů.
  • Tochka, Nicholas. 2014. ‘Voicing Freedom, Sounding Dissent: Popular Music, Simulation and Citizenship in Democratizing Albania, 1991–1997’. European Journal of Cultural Studies 17 (3): 298–315. doi: 10.1177/1367549413508749
  • Tochka, Nicholas. 2016. Audible States: Socialist Politics and Popular Music in Albania. New York: Oxford University Press.
  • Turner, Victor. 1969. The Ritual Process: Structure and Anti-structure. Chicago: Aldine Publishing.
  • Urbain, Olivier, ed. 2015. Music and Conflict Transformation. Harmonies and Dissonances in Geopolitics. London and New York: I. B. Tauris in association with The Toda Institute for Global Peace and Policy Research.
  • Vaněk, Miroslav. 2010. Byl to jenom rock’n’roll? Praha: Academia.
  • Vaněk, Miroslav. 2010a. ‘Those Who Prevailed and Those Who Were Replaced: Interviewing On Both Sides of a Conflict’. In The Oxford Handbook of Oral History, edited by Donald A. Ritchie, 37–50. New York: Oxford University Press.
  • Vaněk, Miroslav. 2011. ‘Úvodem k hudebním alternativám v „normalizačním“ Československu’. Soudobé dějiny XVIII (3): 305–9.
  • Vaněk, Miroslav and Pavel Mücke. 2016. Velvet Revolutions: An Oral History of Czech Society. New York and Oxford: Oxford University Press.
  • Wood, Nancy. 1999. Vectors of Memory. Legacies of Trauma in Postwar Europe. Oxford: Berg.
  • Yurchak, Alexei. 1997. ‘The Cynical Reason of Late Socialism: Language, Ideology and Culture of the Last Soviet Generation’. Doctoral thesis, Duke University, Durham.
  • Yurchak, Alexei. 1997a. ‘The Cynical Reason of Late Socialism: Power, Pretense, and the Anek’. Public Culture 9 (2): 161–88. doi: 10.1215/08992363-9-2-161
  • Yurchak, Alexei. 1999. ‘Gagarin and the Rave Kids: Transforming Power, Identity, and Aesthetics in Post-Soviet Nightlife’. In Consuming Russia: Popular Culture, Sex, and Society Since Gorbachev, edited by Adele Marie Barker, 76–110. Durham: Duke University Press.

Electronic sources

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.