256
Views
0
CrossRef citations to date
0
Altmetric
Articles

Expressing sonic theology: understanding ritual action in a Himalayan festival

ORCID Icon

References

  • Alter, Andrew. 2003. ‘Ḍhol Sāgar: Aspects of Drum Knowledge amongst Musicians in Garhwal, North India’. European Bulletin for Himalayan Research XXIV(Spring): 63–76.
  • Alter, Andrew. 2008. Dancing with Devtās: Drums, Power and Possession in the Music of Garhwal, North India. Abingdon: Ashgate.
  • Alter, Andrew. 2009. ‘The Significance of Tantric Sects for Drum Practice in the Central Himalayas’. Yearbook for Traditional Music 24: 19–30.
  • Alter, Andrew. 2014. Mountainous Sound Spaces: Listening to History and Music in the Uttarakhand Himalayas. New Delhi: Cambridge University Press, India.
  • Alter, Stephen. 2019. Wild Himalaya: A Natural History of the Greatest Mountain Range on Earth. New Delhi: Aleph.
  • Anuragi, Keshav. 1983–84. ‘Gorakhpaṅth ke Pariprekśya meṅ Ḍholsāgar’ [The Gorakhpaṅth’s View of the Ḍholsāgar]. Chhayānaṭ 20: 43–45.
  • Beck, Guy. 1995. Sonic Theology: Hinduism and Sacred Sound. New Delhi: Motilal Banarsidass.
  • Clayton, M. 2001. ‘Introduction: Towards a Theory of Musical Meaning (In India and Elsewhere)’. British Journal of Ethnomusicology 10(1): 1–17. doi: 10.1080/09681220108567307
  • Dabral, Shivprasad. 1989. Ḍholsāgar Saṅgrah [The Ḍholsāgar Collection]. Second Edition. Dugadda: Vir-Gatha-Prakashan.
  • Fiol, Stefan. 2010. ‘Dual Framing: Locating Authenticities in the Music Videos of Himalayan Possession Rituals’. Ethnomusicology 54(1): 28–53. doi: 10.5406/ethnomusicology.54.1.0028
  • Greene, Paul. 2019. ‘Contests of Devotion in Nepal: Music and Civic Rivalry in the Buddhist Communitas’. Ethnomusicology Forum 28(2): 184–99. doi: 10.1080/17411912.2019.1708767
  • Isayeva, Natalia. 1995. From Early Vedanta to Kashmir Shaivism: Gaudapada, Bhartrhari, and Abhinavagupta. Albany: State University of New York Press.
  • Lannoy, Richard. 1971. The Speaking Tree: A Study of Indian Culture and Society. London: Oxford University Press.
  • Oppitz, Michael. 2013. Morphologie der Schamenentrommel, Vols I and II. Vienna and New York: Springer, Edition Voldemeer Zürich.
  • Sax, William. 1991. Mountain Goddess: Gender and Politics in a Himalayan Pilgrimage. New York: Oxford University Press.
  • Wegner, Gert-Matthias. 1986. The Dhimaybājā of Bhaktapur: Studies in Neware Drumming I. Stuttgart: Franz Steiner Verlag.
  • Wegner, Gert-Matthias. 1988. The Nāykhībājā of Bhaktapur: Studies in Newar Drumming II. Stuttgart: Franz Steiner Verlag.
  • Widdess, Richard. 2013. Dāphā: Sacred Singing in a South Asian City, Music, Performance and Meaning in Bhaktapur, Nepal. Farnham: Ashgate Publishing Ltd.
  • Widdess, Richard. 2006. ‘Musical Structure, Performance and Meaning: The Case of a Stick-Dance from Nepal’. Ethnomusicology Forum 15 (2): 179–213. doi: 10.1080/17411910600917964
  • Wilke, Annette and Moebus, Oliver. 2011. Sound and Communication: An Aesthetic Cultural History of Sanskrit Hinduism. Berlin and New York: Walter de Gruyter GmbH & Co.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.