References
- Boyesen, G. (1976). The primary personality and its relationship to the streamings. In D. Boadella (Ed.), In the wake of Reich (pp. 81–98). Coventure.
- Cazzato, V., & Karkou, V. (2023). Neuroscience meets dance in therapy. https://neurosciencemeetsdance.net/
- de Witte, M., Orkibi, H., Zarate, R., Karkou, V., Sajnani, N., Malhotra, B., Ho, R.T.H., Kaimal, G., Baker, F.A., & Koch, S.C. (2021). From therapeutic factors to mechanisms of change in the creative arts therapies: A scoping review. Frontiers in Psychology, 12, 678397. https://doi.org/10.3389/fpsyg.2021.678397
- Lowen, A. (1970). Pleasure: A creative approach to life. Coward-McCann.
- Ogden, P., Minton, K., & Pain, C. (2006). Trauma and the body, a sensorimotor approach to psychotherapy. W.W. Norton.
- Panksepp, J. (2009). Brain emotional systems and qualities of mental life: From animal models of affect to implications for psychotherapeutics. In D. Fosha, D. Siegel, & M.F. Solomon (Eds.), The healing power of emotion: Affective neuroscience, development and clinical practice (pp. 1–27). W.W. Norton.
- Porges, S. (2011). The polyvagal theory: Neurophysiological foundations of emotion, attachment, communication and self-regulation. W.W. Norton.
- Rothschild, B. (2000). The body remembers, the psychophysiology of trauma and trauma treatment. W.W. Norton.
- Schoop, T. (1974). Won’t you join the dance?. Mayfield Publishing.
- Whitehouse, M.S. (1956). Creative expression in physical movement is language without words. In P. Pallaro (Ed.), Authentic movement: A collection of essays by Mary Starks Whitehouse, Janet Adler and Joan Chodorow (pp. 33–40). Jessica Kingsley.
- Whitehouse, M.S. (1963). Physical movement and personality. In P. Pallaro (Ed.), Authentic movement: Essays by Mary Stark Whitehouse, Jean Adler, and Joan Chadorow (2nd ed., pp. 35–44). Jessica Kingsley.
- Whitehouse, M.S. (1999). The Tao of the body. In P. Pallaro (Ed.), Authentic movement: Essays by Mary Starks Whitehouse, Janet Adler and Joan Chodorow (pp. 41–50). Routledge.