370
Views
4
CrossRef citations to date
0
Altmetric
Articles

Determinants of theatre, dance, and art museum attendance in the United Arab Emirates

ORCID Icon &
Pages 612-625 | Received 25 Oct 2018, Accepted 16 Jan 2020, Published online: 05 Feb 2020

References

  • Anderson, S. D., Leyland, S. D., & Ling, J. (2017). Gender differences in motivation for participation in extra-curricular dance: Application of the theory of planned behaviour. Research in Dance Education, 18(2), 150–160. doi: 10.1080/14647893.2017.1330325
  • Anderson, W. (2015). Cultural tourism and poverty alleviation in rural Kilimanjaro, Tanzania. Journal of Tourism and Cultural Change, 13(3), 208–224. doi: 10.1080/14766825.2014.935387
  • Ateca-Amestoy, V. (2008). Determining heterogeneous behavior for theater attendance. Journal of Cultural Economics, 32(2), 127–151. doi: 10.1007/s10824-008-9065-z
  • Azerki, R., Cherif, R., & Piotrowski, J. (2009). Tourism specialization and economic development: Evidence from the UNESCO World Heritage List. IMF Working Paper WP/09/176.
  • Bihagen, E., & Katz-Gerro, T. (2000). Culture consumption in Sweden: The stability of gender difference. Poetics, 27(5/6), 327–349. doi: 10.1016/S0304-422X(00)00004-8
  • Borgonovi, F. (2004). Performing arts attendance: An economic approach. Applied Economics, 36(17), 1871–1885. doi: 10.1080/0003684042000264010
  • Borowiecki, K., & Marvão, C. (2017). May I have this dance? Dance participation and attendance in Denmark. Cultural Trends, 26(2), 155–167. doi: 10.1080/09548963.2017.1323849
  • Brida, J. G., Meleddu, M., & Pulina, M. (2012). Factors influencing the intention to revisit a cultural attraction: The case of study of the Museum of Modern and Contemporary Art in Rovereto. Journal of Cultural Heritage, 13(2), 167–174. doi: 10.1016/j.culher.2011.08.003
  • Buigut, S., & Amaize, O. (2016). UAE public participation in the musical arts. Poetics, 58, 43–51. doi: 10.1016/j.poetic.2016.08.001
  • Cameron, C. A., & Trivedi, P. K. (2005). Microeconometrics: Methods and applications. New York, NY: Cambridge University Press.
  • Cameron, C. A., & Trivedi, P. K. (2013). Regression analysis of count data (2nd ed.). New York, NY: Cambridge University Press.
  • Cappellari, L., & Jenkins, S. P. (2003). Multivariate probit regression using simulated maximum likelihood. The Stata Journal: Promoting Communications on Statistics and Stata, 3(3), 278–294. doi: 10.1177/1536867X0300300305
  • Castiglione, C., & Infante, D. (2016). Rational addiction and cultural goods: The case of the Italian theatregoer. Journal of Cultural Economics, 40(2), 163–190. doi: 10.1007/s10824-015-9247-4
  • Cellini, R., & Cuccia, T. (2013). Museum and monument attendance and tourism flow: A time series analysis approach. Applied Economics, 45(24), 3473–3482. doi: 10.1080/00036846.2012.716150
  • Chan, T. W., & Goldthorpe, J. H. (2005). The social stratification of theatre, dance and cinema attendance. Cultural Trends, 14(3), 193–212. doi: 10.1080/09548960500436774
  • Cheng, T., & Wen, W. (2011). Determinants of performing arts attendance in Taiwan: A multivariate probit analysis. Applied Economics Letters, 18(15), 1437–1442. doi: 10.1080/13504851.2010.543060
  • Cortes-Jimenez, I., & Pulina, M. (2010). Inbound tourism and long-run economic growth. Current Issues in Tourism, 13(1), 61–74. doi: 10.1080/13683500802684411
  • Crompton, J. L., & McKay, S. L. (1997). Motives of visitors attending festivals events. Annals of Tourism Research, 24(2), 425–439. doi: 10.1016/S0160-7383(97)80010-2
  • Frateschi, C., Lazzaro, E., & Palma-Martos, L. (2009). A comparative econometric analysis of museum attendance by locals and foreigners: The cases of Padua and Seville. Estudios De Economía Aplicada, 27(1), 177–198.
  • Gray, L. (2017). Contemporary art and global identity in the Arabian Peninsula and Azerbaijan. Journal of Arabian Studies, 7(suppl. 1), 65–83. doi: 10.1080/21534764.2017.1356034
  • Grisolía, J. M., & Willis, K. G. (2011). An evening at the theatre: Using choice experiments to model preferences for theaters and theatrical productions. Applied Economics, 43(27), 3987–3998. doi: 10.1080/00036841003742637
  • Grisolía, J. M., Willis, K., Wymer, C., & Law, A. (2010). Social engagement and regional theatre: Patterns of theatre attendance. Cultural Trends, 19(3), 225–244. doi: 10.1080/09548963.2010.495277
  • Hansen, M. E. (2018). Analysing visits to English museums 1850-2015: A research note. Cultural Trends, 27(4), 296–305. doi: 10.1080/09548963.2018.1503793
  • Hellström, J., & Nordström, J. (2008). A count data model with endogenous household specific censoring: The number of nights to stay. Empirical Economics, 35(1), 179–192. doi: 10.1007/s00181-007-0155-0
  • Jung, B. C., Jhun, M., & Song, S. H. (2006). Testing for overdispersion in a censored Poisson regression model. Statistics, 40(6), 533–543. doi: 10.1080/02331880601012884
  • Lattarulo, L., Mariani, M., & Razzolini, L. (2017). Nudging museums attendance: A field experiment with high school teens. Journal of Cultural Economics, 41(3), 259–277. doi: 10.1007/s10824-016-9285-6
  • Lazzaro, E., & Frateschi, C. (2017). Couple’s arts participation: Assessing individual and joint time use. Journal of Cultural Economics, 41(1), 47–69. doi: 10.1007/s10824-015-9264-3
  • Leroux, J., & Moureau, N. (2013). Introduction to theatre at primary school: A short-term evaluation of a French experience. International Journal of Education Through Art, 9(2), 219–233. doi: 10.1386/eta.9.2.219_1
  • Marquis, M. (2013). Bringing culture to macroeconomics. Atlantic Economic Journal, 41(3), 301–315. doi: 10.1007/s11293-013-9377-z
  • Martin, A. J., Anderson, M., & Adams, R. (2012). What determines young people’s engagement with performing arts events? Leisure Sciences, 34(4), 314–331. doi: 10.1080/01490400.2012.687631
  • Masters, T., Russell, R., & Brooks, R. (2011). The demand for creative arts in regional Victoria, Australia. Applied Economics, 43(5), 619–629. doi: 10.1080/00036840802584976
  • Mirgani, S. (2017). Introduction: Art and cultural production in the GCC. Journal of Arabian Studies, 7(suppl. 1), 1–11. doi: 10.1080/21534764.2017.1358939
  • NEA. (2017). The 2017 survey of public participation in the arts (2017). Washington, DC: National Endowment for the Arts. Retrieved from https://www.arts.gov/artistic-fields/research-analysis/arts-data-profiles/arts-data-profile-18
  • PACE. (2012). The right of everyone to take part in cultural life. Parliamentary Assembly, Council of Europe, Report Doc number 12815. January 09, 2012. Retrieved from http://assembly.coe.int/nw/xml/XRef/Xref-DocDetails-en.asp?FileID=13201&lang=en
  • Palma, M. L., Palma, L., & Aguado, L. F. (2013). Determinants of cultural and popular celebration attendance: The case study of seville spring fiestas. Journal of Cultural Economics, 37(1), 87–107. doi: 10.1007/s10824-012-9167-5
  • Pap, A., Dlac˘ić, J., & Ham, M. (2017). What makes the theatre audience return? The role of engagement in predicting future behaviour. Tourism in Southern & Eastern Europe, 4, 423–435. doi: 10.20867/tosee.04.38
  • Paredes, C. L. (2016). The consumption of out-of-home highbrow leisure by ethnicity and national origin: Attendance at museums and live theatres in Houston. Ethnic and Racial Studies, 39(7), 1150–1169. doi: 10.1080/01419870.2015.1103885
  • Pew Research Center. (2012). Assessing the representativeness of public opinion surveys. Washington, DC: Pew Research Center. Retrieved from http://www.people-press.org/category/publications/2012/page/6/
  • Prieto-Rodríquez, J., & Fernández-Banco, V. (2000). Are popular and classical music listeners the same people? Journal of Cultural Economics, 24(2), 147–164. doi: 10.1023/A:1007620605785
  • Raciborski, R. (2011). Right-censored Poisson regression model. The Stata Journal: Promoting Communications on Statistics and Stata, 11(1), 95–105. doi: 10.1177/1536867X1101100106
  • Schimmelpfennig, J. (1997). Demand for ballet: A non-parametric analysis of the 1995 royal ballet Summer Season. Journal of Cultural Economics, 21(2), 119–127. doi: 10.1023/A:1007431510546
  • Seaman, B. (2006). Empirical studies of demand for the performing arts. In V. A. Ginsburg & D. Throsby (Eds.), Handbook of the economics of the arts and culture (Vol. 1, chapter 14, pp. 415–472). Amsterdam: Elsevier, North Holland.
  • Streeten, P. (2006). Culture and economic development. In V. A. Ginsburg & D. Throsby (Eds.), Handbook of the economics of the arts and culture (Vol. 1, chapter 13, pp. 399–412). Amsterdam: Elsevier, North Holland.
  • Throsby, D. (2006). Introduction and overview. In V. A. Ginsburg & D. Throsby (Eds.), Handbook of the economics of the arts and culture (Vol. 1, chapter 1, pp. 3–22). Amsterdam: Elsevier, North Holland.
  • Wen, W., & Cheng, T. (2013). Performing arts attendance in Taiwan: Who and how often? Journal of Cultural Economics, 37(2), 309–325. doi: 10.1007/s10824-012-9180-8
  • Willis, K. G., Snowball, J. D., Wymer, C., & Grisolía, J. (2012). A count data travel cost model of theatre demand using aggregate theatre booking data. Journal of Cultural Economics, 36(2), 91–112. doi: 10.1007/s10824-011-9157-z
  • World Political Review. (2019). United Arab Emirates population 2019. Retrieved from http://worldpopulationreview.com/countries/united-arab-emirates-population/
  • Zieba, M. (2016). Determinants of demand for theatre tickets in Austria and Switzerland. Austrian Journal of Statistics, 40(3), 209–219. doi: 10.17713/ajs.v40i3.212

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.