‘Listen to the story’: narrative and song in Rāmcand Bālak’s Sītācarit, a Jain Rāmāyaṇa in Brajbhāṣā

References

• Anonymous. 1761. ‘Rām-Lakṣmaṇa Kathā’. Manuscript. Jaipur. 3673/1. Apabhraṃśa Sāhitya Akādamī.
   Google Scholar
• Bakhtin, M. M. 1981. The Dialogic Imagination: Four Essays. University of Texas Press Slavic Series. Austin: University of Texas Press.
   Google Scholar
• Bangha, Imre. 2015. “The Transmission of the Devotional Songs of Ānandghan.” In Jaina Painting and Manuscript Culture: In Memory of Paolo Pianarosa, edited by Julia A. B. Hegewald, 337–364. Berlin: EB-Verlag.
   Google Scholar
• Bālak, Rāmcand. 1711. ‘Sītācarit’. Manuscript. Bina. 10Y23.5-B. Śrī Anekānt Gyān Mandir.
   Google Scholar
• Bālak, Rāmcand. 1727. ‘Sītācarit’. Manuscript. Agra. 225/25. M. D. Jain Shodh Samsthan.
   Google Scholar
• Bālak, Rāmcand. 1729. ‘Sītācarit’. Manuscript. Jaipur. 2363/2006. Śrī Digambar Jain Mandir Baḍā Terapanthiya.
   Google Scholar
• Bālak, Rāmcand. 1757. ‘Sītācarit’. Manuscript. Agra. 845/196. M. D. Jain Shodh Samsthan.
   Google Scholar
• Bālak, Rāmcand. 1759. ‘Sītācarit’. Manuscript. Agra. 889/209. M. D. Jain Shodh Samsthan.
   Google Scholar
• Bālak, Rāmcand. 1761. ‘Sītācarit’. Manuscript. Jaipur. 2368/2083. Śrī Digambar Jain Mandir Baḍā Terapanthiya.
   Google Scholar
• Bālak, Rāmcand. 1831. ‘Sītācarit’. Manuscript. Jalesar, UP. 334/88. M. D. Jain Shodh Samsthan, Agra.
   Google Scholar
• Behl, Aditya. 2007. “Presence and Absence in Bhakti: An Afterword.” International Journal of Hindu Studies 11 (3): 319–324. doi: 10.1007/s11407-008-9051-2
   Google Scholar
• Boulton, Maureen Barry McCann. 1993. The Song in the Story: Lyric Insertions in French Narrative Fiction, 1200–1400. Philadelphia: University of Pennsylvania Press.
   Google Scholar
• Busch, Allison. 2011. Poetry of Kings: The Classical Hindi Literature of Mughal India. Oxford: Oxford University Press.
   Google Scholar
• Cort, John E. 2002. “Singing the Glory of Asceticism: Devotion of Asceticism in Jainism.” Journal of the American Academy of Religion 70 (4): 719–742. doi: 10.1093/jaar/70.4.719
   Web of Science ®Google Scholar
• Cort, John E. 2013. ““Today I Play Holī In My City”: Digambar Jain Holī Songs From Jaipur.” International Journal of Jaina Studies (Online) 9 (7): 1–50.
   Google Scholar
• Detige, Tillo. 2014. “Worshipping Bhaṭṭārakas.” Jaina Studies: Newsletter of the Centre of Jaina Studies 9: 27–30.
   Google Scholar
• d’Hubert, Thibaut. 2016. “Patterns of Composition in the Seventeenth-century Bengali Literature of Arakan’.” In Tellings and Texts: Music, Literature and Performance in North India, edited by Francesca Orsini and Katherine Butler Schofield, 423–443. Cambridge: Open Book Publishers.
   Google Scholar
• Genette, Gérard. 1980. Narrative Discourse: An Essay in Method. Ithaca, NY: Cornell University Press.
   Google Scholar
• Hawley, John Stratton. 2015. A Storm of Songs: India and the Idea of the Bhakti Movement. Cambridge, MA: Harvard University Press.
   Google Scholar
• Horstmann, Monika. 2016. “The Example in Dadupanthi Homiletics.” In Tellings and Texts: Music, Literature and Performance in North India, edited by Francesca Orsini and Katherine Butler Schofield, 21–59. Cambridge: Open Book Publishers.
   Google Scholar
• Jakobson, Roman. 1960. “‘Closing Statement: Linguistics and Poetics’.” In Style in Language, edited by Thomas A. Sebeok, 350–377. Cambridge, MA: MIT Press.
   Google Scholar
• Kaufmann, Walter. 1968. The Ragas of North India. Asian Studies Research Institute Oriental Series. Calcutta: Oxford & IBH.
   Google Scholar
• Kulkarni, V. M. 1990. The Story of Rāma in Jain Literature: As Presented by the Śvetāmbara and Digambara Poets in the Prakrit, Sanskrit and Apabhraṁśa Languages. Saraswati Oriental Studies. Ahmedabad: Saraswati Pustak Bhandar.
   Google Scholar
• Lutgendorf, Philip. 1991. The Life of a Text: Performing the Rāmcaritmānas of Tulsidas. Berkeley: University of California Press.
   Google Scholar
• McGregor, R. S. 1984. Hindi Literature From Its Beginnings to the Nineteenth Century. A History of Indian Literature. Wiesbaden: Otto Harrassowitz.
   Google Scholar
• Miner, Allyn. 2016. “Raga in the Early Sixteenth Century.” In Tellings and Texts: Music, Literature and Performance in North India, edited by Francesca Orsini and Katherine Butler Schofield, 385–406. Cambridge: Open Book Publishers.
   Google Scholar
• Orsini, Francesca. 2016. “Texts and Tellings: Kathas in the Fifteenth and Sixteenth Centuries.” In Tellings and Texts: Music, Literature and Performance in North India, edited by Katherine Butler Schofield, 327–357. Cambridge: Open Book Publishers.
   Google Scholar
• Orsini, Francesca. 2017. “The Social History of a Genre: Kathas Across Languages in Early Modern North India.” The Medieval History Journal 20 (1): 1–37. doi: 10.1177/0971945817707589
   Google Scholar
• Plau, Adrian. Forthcoming. “The Deeds of Sita: A Critical Edition and Literary Contextual Analysis of the “Sītācarit” by Rāmcand Bālak.” PhD diss. London: SOAS, University of London.
   Google Scholar
• Ravisẹnạ. 2000. Padmapurāṇam. Edited by Pannālāl Jain. 3 Vols. Delhi: Bharatiya Jnanpith.
   Google Scholar
• Rowell, Lewis. 1992. Music and Musical Thought in Early India. Chicago Studies in Ethnomusicology. Chicago, IL: University of Chicago Press.
   Google Scholar
• Taylor, Jane H. M. 1990. “The Lyric Insertion: Towards a Functional Model.” In Courtly Literature: Culture and Continuity. Selected Papers From the 5th Triennial Conference of the International Courtly Literature Society, Dalfsen, the Netherlands, 9–16 August, 1986, edited by Keith Busby and Erik Kooper, 9–16. Amsterdam: J. Benjamins Pub. Co.
   Google Scholar