References
- Agamben, Giorgio. 1998. Homo Sacer: Sovereign Power and Bare Life. Translated by Daniel Heller-Roazen. Stanford: Stanford University Press.
- Bennington, Geoffrey. 1995. “Postal Politics and the Institution of the Nation.” In Nation and Narration, edited by Homi K. Bhabha, 121–137. London: Routledge.
- Beverley, John. 1992. “The Margin at the Centre: On Testimonio (Testimonial Narrative).” In De/Colonizing the Subject: The Politics of Gender in Women’s Autobiography, edited by Sidonie Smith and Julia Watson, 91–114. Minneapolis: University of Minnesota Press.
- Caruth, Cathy. 1996. Unclaimed Experience: Trauma, Narrative, and History. Baltimore: Johns Hopkins University Press.
- Chute, Hillary. 2008. “Comics as Literature? Reading Graphic Narrative.” PMLA 123 (2): 452–465.10.1632/pmla.2008.123.issue-2
- Clark, J. Spencer. 2013. “Encounters with Historical Agency: The Value of Nonfiction Graphic Novels in the Classroom.” History Teacher 46 (4): 489–508.
- DeLombard, Jeanne. 2001. “‘Eye-witness to the Cruelty’: Southern Violence and Northern Testimony in Frederick Douglass’s 1845 Narrative.” American Literature 73 (2): 245–275.10.1215/00029831-73-2-245
- Felman, Shoshana. 1992. “Education and Crisis, Or, the Vicissitudes of Teaching.” In Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History, edited by Shoshana Felman and Dori Laub, 1–56. New York: Routledge.
- Ghosh, Vishwajyoti, ed. 2013. This Side, That Side. Restorying Partition: Graphic Narratives from Pakistan, India, Bangladesh. New Delhi: Yoda.
- Hirsch, Marianne. 1992–93. “Family Pictures: Maus, Mourning, and Post-Memory.” Discourse 15 (2): 3–29.
- Hirsch, Marianne. 2008. “The Generation of Postmemory.” Poetics Today 29 (1): 103–128.10.1215/03335372-2007-019
- Lander, Ben. 2005. “Graphic Novels as History: Representing and Reliving the Past.” Left History 10 (2): 113–125.
- McCloud, Scott. 1994. Understanding Comics. New York: Harper Perennial.
- McGlothlin, Erin. 2003. “No Time Like the Present: Narrative and Time in Art Spiegelman's Maus.” Narrative 11 (2): 177–198.10.1353/nar.2003.0007
- Nayar, Pramod K. 2006. “Bama’s Karukku: Dalit Autobiography as Testimonio.” The Journal of Commonwealth Literature 41 (2): 83–100.10.1177/0021989406065773
- Nayar, Pramod K. 2012. “The Poetics of Postcolonial Atrocity: Dalit Life Writing, Testimonio, and Human Rights.” Ariel 42 (3–4): 237–264.
- Nayar, Pramod K. 2016. The Indian Graphic Novel: Nation, History and Critique. New Delhi: Routledge.
- Orbán, Katalin. 2007. “Trauma and Visuality: Art Spiegelman’s Maus and In the Shadow of No Towers.” Representations 97: 57–89.10.1525/rep.2007.97.1.57
- Pandey, Gyanendra. 2001. Remembering Partition. Cambridge: Cambridge University Press.10.1017/CBO9780511613173
- Schaffer, Kay, and Sidonie Smith. 2004. Human Rights and Narrated Lives. London: Palgrave Macmillan.10.1057/9781403973665
- White, Hayden. 1984. “The Question of Narrative in Contemporary Historical Theory.” History and Theory 23 (1): 1–33.10.2307/2504969
- Wright, Terence. 2008. Visual Impact: Culture and the Meaning of Images. Oxford: Berg.
- Yudice, George. 1991. “Testimonio and Postmodernism.” Latin American Perspectives 18 (3): 15–31.10.1177/0094582X9101800302