46
Views
1
CrossRef citations to date
0
Altmetric
Articles

“Abhi Toh Main Jawan Hoon” (For I am forever young): Reflections on the agentic cinematic presence of Zohra Sehgal in British Indian films

&

References

  • Allen, S., dir. 1978. Mind Your Language. UK: London Weekend Television.
  • Annakin, K., dir. 1967. The Long Duel. UK: London Independent Producers.
  • Arthurs, J. 1999. “Revolting Women: The Body in Comic Performance.” In Women’s Bodies: Discipline and Transgression, edited by Jane Arthurs and Jean Grimshaw, 137–164. London: Cassell.
  • Bakhtin, M. 1965. Rabelais and His World. London: Penguin.
  • Balki, R., dir. 2007. Cheeni Kum (Less sugar). India: MAD Entertainment Ltd.
  • Ballard, R. 2002. “The South Asian Presence in Britain and its Transnational Connections.” In Culture and Economy in the Indian Diaspora, edited by B. Parekh, G. Singh, and S. Vertovec, 197–222. London: Routledge.
  • Berges, P. M., dir. 2005. The Mistress of Spices. USA: Balle Pictures.
  • Bhansali, S. L., dir. 1999. Hum Dil De Chuke Sanam (I Have Given My Heart Away, Darling). India: Bhansali Productions.
  • Bhansali, S. L., dir. 2007. Saawariya (My love). India: Columbia Pictures.
  • Bockman, J. 2013. “Neoliberalism.” Contexts 12 (3): 14–15. https://doi.org/10.1177/1536504213499873.
  • Brah, A. 1996. Cartographies of Diaspora: Contesting Identities. London: Routledge.
  • Braidotti, R. 2011. Nomadic Theory: The Portable Rosi Braidotti. Chichester: Columbia University Press.
  • Ceuterick, M. 2020. Affirmative Aesthetics and Wilful Women: Gender, Space and Mobility in Contemporary Cinema. Cham Basingstoke: Palgrave Macmillan.
  • Chadha, G., dir. 1992. Acting Our Age. UK: Umbi Films.
  • Chadha, G., dir. 1993. Bhaji on the Beach. UK: Channel Four Films.
  • Chadha, G., dir. 2002. Bend it like Beckham. UK: Kintop Pictures.
  • Chadha, G. 2021. “’Savour the NFT’: Gurinder Chadha on Watching and Shooting Films at Her Favourite Cinema.” British Film Institute. https://www.bfi.org.uk/sight-and-sound/interviews/gurinder-chadha-favourite-cinema-nft-national-film-theatre-bfi-southbank-gurinder-chadha.
  • Chadha, G., dir. 2004. Bride and Prejudice. UK: Miramax Films.
  • Chambers, C. 2011. “Black and Asian Theatre in Britain.” London: Routledge.
  • Clifford, J. 1997. Routes: Travel and Translation in the Late 20th Century. Boston: Harvard University Press.
  • Cole, N., dir. 2012. All in Good Time. UK: Left Bank Pictures.
  • Datta, A. 2021. Gender, Space and Agency in India: Exploring Regional Genderscapes. New York: Routledge.
  • Delhi Theatre Guide. 2019. “Zohra Sehgal Recites ‘Abhi to Main Jawan Hun’ (With Lyrics).” YouTube, 4:30. Accessed May 6, 2019. https://www.youtube.com/watch?v=uWSgmqO10Rg.
  • Depp, C. A., and D.V. Jeste, eds. 2010. Successful Cognitive and Emotional Aging. Washington: American Psychiatric Publishing.
  • Desai, J. 2004. Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film. London: Routledge.
  • Dey, D., and P. Tripathi. 2021. “Reconceptualising the (In) Visible Aging Self of Women in Select Bengali Films.” South Asian Popular Culture 19 (3): 261–275. https://doi.org/10.1080/14746689.2021.1965312.
  • Dey, D., and P. Tripathi. 2022a. “Ageing Identities and Narratives of Loss: (Re) Contextualising Cognitive Degeneration in ‘Reel’ Space and ‘Real’ Lives”. Jindal Global Law Review 13 (2): 329–346. https://doi.org/10.1007/s41020-022-00179-4.
  • Dey, D., and P. Tripathi. 2022b. “ ‘Queen of Misery’ Nirupa Roy: Re-Reading the Filmic Mother of 1980s through Alternate Care Dynamics.” Quarterly Review of Film and Video 1–17. https://doi.org/10.1080/10509208.2022.2154526.
  • Dhawan, N. B. 2010. “The Married ‘New Indian Woman’: Hegemonic Aspirations in New Middle-Class Politics”. South African Review of Sociology 41 (3): 45–60. https://doi.org/10.1080/21528586.2010.516122.
  • Dolan, J. 2017. Contemporary Cinema and “Old Age”: Gender and the Silvering of Stardom. London: Palgrave Macmillan.
  • Eliaz, M., M. Greenspan, I. Kaplan, and dirs. 1977. Parosi (Neighbours). UK: BBC Studios Productions.
  • Fernández-Ballesteros, R., A. Benetos, and J.M. Robine. 2019. The Cambridge Handbook of Successful Aging. Cambridge: Cambridge University Press.
  • Gavron, S., dir. 2007. Brick Lane. UK: Film4 Productions.
  • Genz, S. 2006. “Third Way/Ve: The Politics of Postfeminism.” Feminist Theory 7 (3): 333–353. https://doi.org/10.1177/1464700106069040.
  • Gilleard, C., and P. Higgs. 2013. Ageing, Corporeality and Embodiment. New York: Anthem Press.
  • Giovanna, M. 2014. “Remembering Zohra Sehgal: The Asli Jewel in the Crown.” Firstpost. Accessed August 30, 2022. https://www.firstpost.com/entertainment/remembering-zohra-sehgal-the-asli-jewel-in-the-crown-290500.html.
  • Havighurst, R. J. 1961. “Successful Aging.” The Gerontologist 1 (1): 8–13. https://doi.org/10.1093/geront/1.1.8.
  • Hüseyin, M., dir. 2002. Anita and Me. UK: BBC Films.
  • Hussain, Y. 2005. Writing Diaspora: South Asian Women, Culture, and Ethnicity. Aldershot: Ashgate.
  • Hussein, W.(2016). “Waris Hussein interviewed by Ritu Menon, London, June 15, 2016.“ In Zohra! A Biography in Four Acts edited by R. Menon (2021), 375. Abingdon: Routledge and New Delhi: Speaking Tiger.
  • IANS. 2014. “Zohra Sehgal was a Born Show-Woman, Says Gurinder Chadha.” Business Standard India, July 13. https://www.business-standard.com/article/news-ians/zohra-sehgal-was-a-born-show-woman-says-gurinder-chadha-114071300251_1.html.
  • Jones, I.R., I. Hyde, C. Martin, and C.R. Victor. 2008. Ageing in a Consumer Society: From Passive to Active Consumption in Britain. Bristol: Policy Press.
  • Kim, Y. 2011. Transnational Migration, Media and Identity of Asian Women. London: Routledge.
  • Lloyd, P., dir. 2008. Mamma Mia. UK: Littlestar Productions.
  • Madden, J., dir. 2011. The Best Exotic Marigold Hotel. UK: Dune Entertainment.
  • Markson, E. 2003. “The Female Aging Body through Film.” In Aging Bodies: Images and Everyday Experiences, edited by Christopher Faircloth, 77–102. California: AltaMira Press.
  • McDowell, L. 2013. Working Lives: Gender, Migration and Employment in Britain, 1945–2007. Chichester: John Wiley & Sons.
  • Mehta, R. B., and R.V. Pandharipande, eds. 2010. Bollywood and Globalization: Indian Popular Cinema, Nation and Diaspora. London: Anthem Press.
  • Menon, Ritu. 2021. Zohra! A Biography in Four Acts. New Delhi: Speaking Tiger.
  • Merchant, I., dir. 1983. The Courtesans of Bombay. UK: Merchant Ivory Productions.
  • Mishra, V., P. Jeffery, and B Shoesmith. 2009. “The Actor as Parallel Text in Bombay Cinema.” Quarterly Review of Film and Video 11 (3): 49–67. https://doi.org/10.1080/10509208909361314.
  • Morahan, C., dir. 1984. The Jewel in the Crown. UK: Granada Television.
  • Morahan, C., dir. 1994. The Jewel in the Crown. UK: Granada Television.
  • Mortimer, C. 2022. Spinsters, Widows and Chars: The Ageing Woman in British Film. Edinburgh: Edinburgh University Press.
  • Mundhra, J., dir. 2006. Provoked. UK: Private Moments Ltd.
  • Naficy, H. 2001. An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton: Princeton University Press.
  • Newman, S., C. E. Webber, and D. Wilson, dirs. 1964. Doctor Who. UK: BBC Studios Productions.
  • Oonk, G. 2007. Global Indian Diasporas: Exploring Trajectories of Migration and Theory. Amsterdam: Amsterdam University Press.
  • Panayi, P. 2020. Migrant City: A New History of London. New Haven, CT: Yale University Press.
  • Punathambekar, A., J. Giese, and D. Bisht. 2022. “Curating New Ethnicities in a Digital Era: Women and Media Work in the British South Asian Diaspora.” International Journal of Cultural Studies 25 (6): 616–634. https://doi.org/10.1177/13678779221120435.
  • Puwar, N., and P. Raghuram. 2003. South Asian Women in the Diaspora. Oxford: Berg Publishers.
  • Radhakrishnan, R. 1996. Diasporic Mediations: Between Home and Location. Minneapolis, MN: University of Minnesota Press.
  • Ramsay, R. 2023. “Dissecting the Gaze in Selected British Asian Films.” MAI: Feminism and Visual Culture. https://maifeminism.com/dissecting-the-gaze-in-selected-british-asian-films/.
  • Ranasinha, R. 2016. Contemporary Diasporic South Asian Women’s Fiction: Gender, Narration and Globalisation. London: Palgrave Macmillan.
  • Ratnam, M., dir. 1998. Dil Se (From the Heart; 1998). India: Madras Talkies.
  • Richardson, N. 2019. Ageing Femininity on Screen: The Older Woman in Contemporary Cinema. London: Bloomsbury Publishing.
  • Rosário, F., and I. V. Álvarez, eds. 2019. New Approaches to Cinematic Space. New York: Routledge.
  • Rowe, J. W., and R. L. Kahn. 1987. “Human Aging: Usual and Successful.” Science 237 (4811): 143–149. https://doi.org/10.1126/science.3299702.
  • Scott, P. 1966. The Raj Quartet. London: Penguin Books.
  • Seah, M. 2017. “Astounding Asians: Zohra Segal”. Anthro Magazine. https://anthromagazine.org/astounding-asians-zohra-segal/.
  • Sehgal R. 2017. “Zohra Sehgal: The Jewel in the Crown of Indian Cinema”. Media India Group. Accessed August 29, 2022. https://mediaindia.eu/cinema/zohra-sehgal-the-jewel-in-the-crown-of-indian-cinema/.
  • Sehgal, Z. 2010. Close-Up: Memoirs of a Life on Stage and Screen. New Delhi: Women Unlimited.
  • Sharma, P., dir. 1967. A Touch of Brightness. London: BBC Radio.
  • Shimoni, S. 2023. “Happy and Entrepreneurial within the “Here and Now”: The Constitution of the Neoliberal Female Ageing Subject.” Feminist Media Studies 23 (1): 344–359. https://doi.org/10.1080/14680777.2021.1979067.
  • Singh, A. 2013. Indian Diaspora: Voices of Grandparents and Grandparenting. Rotterdam: Sense Publishers.
  • Stuart, A., dir. 1977. Mind Your Language. UK: London Weekend Television.
  • Sutton, S., dir. 1964. The Indian Tales of Rudyard Kipling. UK: BBC Films.
  • Tincknell, E. 2020. “Monstrous Aunties: The Rabelaisian Older Asian Woman in British Cinema and Television Comedy”. Feminist Media Studies 20 (1): 135–150. https://doi.org/10.1080/14680777.2019.1599038.
  • Wakefield, L., dir. 1992-94. Firm Friends. UK: Zenith Entertainment.
  • Whelehan, I. 2010. “Not to be Looked at: Older Women In Recent British Cinema.” In British Women’s Cinema, edited by M. Bell and M. Williams, 170–188. Abingdon: Routledge.
  • Zhao, S., dir. 1981. The Good Person of Szechwan/The Good Woman of Sichuan. UK: Splendid Productions.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.