81
Views
0
CrossRef citations to date
0
Altmetric
Articles

Translation of Charles Cros, ‘process for recording and reproducing colors, forms and movements’ (1867) with an introduction

References

  • Amette, Amédée. 1857. “Partie officielle.” Gazette hebdomadaire, bulletin de l'enseignement médical 4 (35): 1.
  • Anon. 1861. “Plessimétrisme.” In Journal de médecine, de chirurgie et de pharmacologie. Vol. 33, 216. Brussels: Kircher.
  • Anon. 1866. “Correspondence.” The Photographic News 10 (409): 320.
  • Anon. 1867. Bulletin de la Société française de photographie, 172. Vol. 13. Paris: Gauthier-Villars.
  • Anon. 1869. “no. 268, télégraphe autographique à mouvements conjugés.” In Bulletin des lois de l’Empire français. Vol. 32, 423. Paris: Imprimerie impériale.
  • Anon. 1879. “Report about the Photographic Society of France.” The British Journal of Photography 26: 248.
  • Anon. 1887. “Nouvelles diverses.” L’Art Musical 11: 85.
  • Batchelor, Charles. 1875-1878. “Notebooks,” “Letter to the Editor of English Mechanic and World of Science”. Edison Papers Digital Edition. Accessed 17 August 2021. http://edison.rutgers.edu/digital/document/MBN002andMBLB1240 .
  • Becquerel. 1876. Compte-rendus hebdomadaires des séances de l’Académie des sciences, 1514–1515. Vol. 82. Paris: Gauthier-Villars.
  • Benjamin, Walter. 1999. The Arcades Project. Translated by Howard Eiland and Kevin McLaughlin. Cambridge: Harvard University Press.
  • Brehm, Brett. 2017. “Paleophonic Futures: Charles Cros’s Audiovisual Worlds.” Nineteenth-Century French Studies 45 (3–4): 179–197. doi:https://doi.org/10.1353/ncf.2017.0004.
  • Brevet no. 1319. 1865. “Procédés et appareils de sténographie musicale destinés à la représentation graphique de la musique jouée sur les instruments à clavier.” In Bulletin Des Lois de l’Empire Français, Partie Principale. Vol. 27, 275. Paris: Imprimerie nationale.
  • Brown, Precious, and Céline Ruivo. 2013. “Le Procédé Audibert: Présentation du fonds d’archives Maurice Audibert déposé à la Cinémathèque française.” 1895 71: 183–186. doi:https://doi.org/10.4000/1895.4785.
  • Carpentier, Jules. 1895. Notice sur les titres et les travaux. Paris: A. Lahure.
  • Cros, Charles 1867. “Procédé d’enregistrement et de reproduction des couleurs, des formes et des mouvements.” In Cros, Charles and Tristan Corbière. 1970. 493–498.
  • Cros, Charles. 1869. “General Solution of the Problem of Heliochromy.” The British Journal of Photography 16: 426–427.
  • Cros, Charles. 1872. “Un Drame interastral.” La Renaissance littéraire et artistique 18: 139–141.
  • Cros, Antoine. 1874. Les Fonctions supérieures du système nerveux: Recherches des conditions organiques et dynamiques de la Pensée. [The Superior Functions of the Nervous System: Research on the Organic and Dynamic Conditions of Thinking]. Paris: J.-B. Baillière et fils.
  • Cros, Charles. 1879. “Note upon the Classification of Colours, and upon the Reproduction of Them by Means of Photography.” The British Journal of Photography 26: 29–30.
  • Cros, Antoine. 1890. Le Problème: Nouvelles hypothèses sur la destinée des êtres. [The Problem: New Hypotheses on the Fate of Beings]. Paris: Georges Carré.
  • Cros, Charles. 1992. Inédits Et Documents, Edited by Pierre E. Richard. n.p: Éditions Atelier du Gué.
  • Cros, Charles, and Tristan Corbière. 1970. Œuvres complètes. Paris: Gallimard/Pléïade.
  • Du Moncel, Théodose. 1878. Le Téléphone, le microphone et le phonographe. Paris: Hachette.
  • Dumont, Henry. 1862. ““Appareil cylindrique pour obtenir rapidement douze clichés successifs”, séance du 20 décembre 1861.” Bulletin de la Société française de photographie 8: 34–36.
  • Edison, Thomas Alva. 1867. “List, Thomas Alva Edison, 1867.” Edison Papers Digital Edition, Accessed 6 August 2021. http://edison.rutgers.edu/digital/document/NP001C .
  • Edison, Thomas Alva. 1868a. “Article, Milton F Adams, May 25th, 1868.” Edison Papers Digital Edition. Accessed 5 August 1868a. http://edison.rutgers.edu/digital/document/PA044.
  • Edison, Thomas Alva. 1868b. “Agreement, John W Lane, Thomas Alva Edison, June 22nd, 1868.” Edison Papers Digital Edition. Accessed 5 August 1868b. http://edison.rutgers.edu/digital/document/W100CAB .
  • Edison, Thomas Alva. 1868c. Thomas Edison to van Duzer, Sept. 5, 1868. Edison Papers Digital Edition. Accessed 17 August 1868c. http://edison.rutgers.edu/digital/document/X088DA .
  • Forestier, Louis. 1969. Charles Cros, l’homme et l’oeuvre. Paris: Minard.
  • Friedman, Joseph Salomon. 1968. History of Color Photography. New York: Focal Press.
  • Harrison, W. 1879. “Mr. Cros on the Sensitiveness of Coloured Films.” The British Journal of Photography 26: 136.
  • Isler-de Jongh, Ariane. 1982. “Inventeur-savant et inventeur-innovateur: Charles Cros et Louis Ducos du Hauron, les Commencements de la photographie en couleur.” Revue d’histoire des sciences 35 (3): 247–273. doi:https://doi.org/10.3406/rhs.1982.1849.
  • Johnson, E. J., and Elihu Thomson. 1876. “The Alleged Etheric Force: Test Experiments as to Its Identity with Induced Electricity.” Journal of the Franklin Institute. Edison Papers Digital Edition. Accessed 17 August 2021. http://edison.rutgers.edu/digital/document/SM005015a .
  • Kittler, Friedrich A. 1999. Gramophone, Film, Typewriter. Translated by Geoffrey Winthrop-Young and Michael Wutz, 21–22. Stanford: Stanford University Press.
  • Lyu, Claire. 2000. “Stéphane Mallarmé as Miss Satin: The Texture of Fashion and Poetry.” L’Esprit Créateur 40 (3): 61–71. doi:https://doi.org/10.1353/esp.2010.0040.
  • Marey, Étienne-Jules. 1895. Movement. Translated by Eric Pritchard. New York: D. Appleton and Company.
  • Prescott, George B. 1877. Electricity and the Electric Telegraph. New York: Appleton.
  • Robertson, T. 1867. La Photographie mise à la portée de tout le monde. [Photography for Everyone]. Paris: P. Asselin.
  • Sabine, Robert. 1868. “Report on Telegraph Apparatus and Processes (Class 64).” In Reports on the Paris Universal Exhibition 1867, 521–607 [570–1]. Vol. 4. London: George E. Eyre and William Spottiswoode.
  • Saussy, Haun. 2011. “Interplanetary Literature [2011 ACLA Presidential Address].” Comparative Literature 63 (4): 438–447. doi:https://doi.org/10.1215/00104124-1444495.
  • Snow, C. P. 1959. The Two Cultures and the Scientific Revolution. Cambridge: Cambridge University Press.
  • Sterne, Jonathan. 2003. The Audible Past: Cultural Origins of Sound Reproduction. Durham: Duke University Press.
  • Tresch, John. 2012. The Romantic Machine: Utopian Science and Technology after Napoleon. Chicago: Chicago University Press.
  • Turner, R. Steven. 1993. In the Eye’s Mind: Vision and the Helmholtz-Hering Controversy. Princeton: Princeton University Press.
  • Turquety, Benoît. 2019. Inventing Cinema: Machines, Gestures and Media History. Amsterdam: Amsterdam University Press.
  • Versnaeyen, K. 1879. “Reproduction of Colour by Photography.” Photographic News 23: 254–255.
  • Von Helmholtz, Hermann. 1876. Optique physiologique. Translated by Émile Javal. Paris: Victor Masson.
  • ‘Watchman’. 1890. “Color Photography.” The Beacon 2: 7–8.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.