26
Views
0
CrossRef citations to date
0
Altmetric
Archive Feature

Working on marginalised cinema audiences with the Jewish historical press website: illustrated on the quest for Jewish patrons of the palace venue in 1920s Warsaw

ORCID Icon

References

  • Anon. 1922a. “dos geheynmis fun der tramvey-statsie.” Heynt, 12 November 5.
  • Anon. 1922b. “Kino Palace.” Heynt, 22 June 4.
  • Anon. 1924. “Kino Palace. Tzvey Velten.” Der Moment, 10 February 6.
  • Anon. 1929. “vos hert zikh mit’n traditsionelen masken-bal fun der iud. prese?” Heynt, 27 January 10.
  • Ashkenazi, O. 2012. Weimar Film and Modern Jewish Identity. New York: Palgrave Macmillan.
  • Bauer, E. 2017. “The Jews and the Silver Screen: Poland at the End of the 1920s.” Journal of Modern Jewish Studies 16 (1): 80–99. doi:10.1080/14725886.2016.1204762.
  • Corrsin, S.D. 1998. “Literacy Rates and Questions of Language, Faith and Ethnic Idenity in Population Censuses in the Patritioned Polish Lands and Interwar Poland (1880s-1930s).” The Polish Review 43 (2): 131–160.
  • Feld, H. 1982. “Jews in the Developnent of the German Film Industry.” Notes from the Recollections of a Berlin Film Critic 27 (1): 337–368. doi:10.1093/leobaeck/27.1.337.
  • Fuks, M. 1979. Prasa żydowska w Warszawie 1823–1939. Warszawa: PWN.
  • Gabler, N. 1988. An Empire of Their Own. How the Jews Invented Hollywood. 1st ed. New York: Crown Publishers.
  • Gross, N. 1990. Tôledôt haq-qôlnôaʻ ha-yehûdî be-Pôlîn, 1910–1950. Jerusalem: Magnes Press.
  • Gross, N. 2002. Film żydowski w Polsce. 1st ed. Kraków: Rabid.
  • Hansen, M. 1991. Babel and Babylon. Spectatorship in American Silent Film. Cambridge, Mass: Harvard University Press.
  • Haumann, H. 2002. A History of East European Jews. Budapest New York: Central European University Press.
  • Lappin, E. 2004. Jews and Film. Juden und Film; Vienna, Prague, Hollywood. 1st ed. Wien: Mandelbaum.
  • Leshinski, J., 1932. “Yeden in Film Indostrye.” YIVO.
  • Leventopoulos, M. 2021. “Thessalonique à l’épreuve de l’espagnolade. La réception de Carmen, la de Triana dans la Grèce de l’immédiat avant-guerre (1938-1940).” 1895 Revue d’histoire du cinéma, (94): 58–91. doi:10.4000/1895.8671.
  • Manchin, A. 2012. “Imagining Modern Hungary Through Film. Debates on National Identity, Moderninty and Cinema in Early Twentieth-Century Hungary.” In Cinema, Audiences and Modernity. New Perspectives on European Cinema History, edited by D. Biltereyst, 64–80. London: Routledge.
  • Nalewajko-Kulikov, J. 2016. Mówić we własnym imieniu. Prasa jidyszowa a tworzenie żydowskiej tożsamości narodowej (do 1918 roku). 1st ed. Warszawa: Wydawnictwo Neriton.
  • Paczkowski, A. 1983. Prasa codzienna Warszawy w latach 1918-1939. Warszawa: Państwowy Instytut Wydawniczy.
  • Pechenin, I. 2021. The Jewish Press in the Russian Empire in the 19th - Early 20th Centuries. Reference Guide. Hannover: Evreĭskai︠a︡ Starina.
  • Pryt, K. 2020. “Importierte Unterhaltung. Filme der deutschen Ufa in Warschau 1919-1939.” Geschichte und Gesellschaft 46 (1): 122–154. doi:10.13109/gege.2020.46.1.122.
  • Silber, M. 2012. “Cinematic Motifs as a Seismografph: Kazimierz, the Vistula and Yiddish Filmmakers in Interwar Poland.” Gal-Ed 23: 37–57.
  • Singer, B. 1995. “Manhattan Nickelodeons: New Data on Audiences and Exhibitors.” Cinema Journal 34 (3): 5–35. doi:10.2307/1225743.
  • Steckiewicz, M. 2013. “Lodż hot gehuljet. Łódź hulała. Obraz kina i kultury atrakcji w żydowskiej gazecie codziennej “Lodzer Tageblt” w latach 1908-1914.” Kultura Popularna 3 (37): 62–77. doi:10.5604/16448340.1094741.
  • Stradomski, W. 1988. “Film żydowski.” In Historia filmu polskiego, Tom II: 1930-1939, edited by B. Armatys, L. Armatys, and W. Stradomski, 305–316. Warszawa: Wydawnictwo Artystyczne i Filmowe.
  • Stratenwerth, I., and H. Simon, eds. 2004. Pioniere in Celluloid. Juden in der frühen Filmwelt. Berlin: Henschel.
  • Thissen, J. 1999. “Jewish Immigrant Audiences in New York City (1905-1914).” In American Movie Audiences from the Turn of the Century to the Early Sound Era, edited by M. Stokes and R. Maltby, 15–28. London: British Film Institute.
  • Toffell, G. 2009. “‘Come See, and Hear, the Mother tongue!’ Yiddish Cinema in Interwar London.” Screen 50 (3): 277–298. doi:10.1093/screen/hjp018.
  • Toffell, G. 2011. “Cinema-Going from Below: The Jewish Film Audience in Interwar Britain.” Participations Journal of Audience & Reception Studies 8 (2): 522–538.
  • Toffell, G. 2018. Jews, Cinema and Public Life in Interwar Britain. London: Palgrave Macmillan UK.
  • Zajiček, E. 2009. Film żydowski w Polsce, In Sto lat polskiego filmu: Kino okresu wielkiego niemowy, edited by Grażyna M. Grabowska, 52–63. Warszawa: Filmoteka Narodowa.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.