We don’t know that we don’t know what a body can do … , or Spinoza and some social lives of sonic material

Bibliography

• Augst, Bertrand. “Descartes’s Compendium on Music.” Journal of the History of Ideas 26, no. 1 (1965): 119–132. doi: 10.2307/2708403
   Web of Science ®Google Scholar
• Born, Georgina. “On Musical Mediation: Ontology, Technology and Creativity.” Twentieth-Century Music 2, no. 1 (2005): 7–36. doi:10.1017/S147857220500023X.
   Google Scholar
• Burgers, Jan, W.J. The Lute in the Dutch Golden Age: Musical Culture in the Netherlands ca. 1580–1670. Translated by Helene Reid and Susan Pond. Amsterdam: Amsterdam University Press, 2013.
   Google Scholar
• Burnham, Scott. “Form.” In The Cambridge History of Western Music Theory, edited by Thomas Christensen, 880–906. Cambridge: Cambridge University Press, 2002.
   Google Scholar
• Casarino, Cesare. “Marx Before Spinoza: Notes Toward and Investigation.” In Spinoza Now, edited by Dimitris Vardoulakis, 179–234. Minneapolis: Minnesota University Press, 2011.
   Google Scholar
• Ceccatto, Drew. “Drawn to the Sound: Musical Shepherding in Roscoe Mitchell’s Nonaah.” Ph.D. Diss. [La Jolla, Calif.], University of California, San Diego, 2018.
   Google Scholar
• Cimini, Amy. “Gilles Deleuze and the Musical Spinoza.” Chapter 6 In Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music, edited by Brian Hulse, and Nick Nesbitt, 129–144. Surrey: Ashgate, 2010.
   Google Scholar
• Cimini, Amy. “In Your Head: Notes on Maryanne Amacher’s Intelligent Life.” The Opera Quarterly 33, no. 3-4 (2017): 269–302. doi:10.1093/oq/kbx025.
   Web of Science ®Google Scholar
• Cimini, Amy. Wild Sound: Maryanne Amacher and the Tense of Audible Life. New York: Oxford University Press, Forthcoming.
   Google Scholar
• Christensen, Thomas. Rameau and Musical Thought in the Enlightenment. Cambridge: Cambridge University Press, 1993.
   Google Scholar
• Cohen, H. F. Quantifying Music: The Science of Music at the First Stage of the Scientific Revolution, 1580-1650. Boston: D. Reidel, 1984.
   Google Scholar
• Cooper, Melinda. Life as Surplus: Biotechnology & Capitalism in the Neoliberal Era. Seattle: University of Washington Press, 2008.
   Google Scholar
• Darcy, Warren, and James Hepokoski. Elements of Sonata Theory. Oxford: Oxford University Press, 2006.
   Google Scholar
• Deleuze, Gilles. Expressionism in Philosophy: Spinoza. Translated by Martin Joughin. New York: Zone, 1993.
   Google Scholar
• Deleuze, Gilles. “Lecture Transcripts on Spinoza’s Concept of Affect.” https://www.gold.ac.uk/media/images-by-section/departments/research-centres-and-units/research-centres/centre-for-invention-and-social-process/deleuze_spinoza_affect.pdf, accessed October 2019.
   Google Scholar
• Deleuze, Gilles. Spinoza: Practical Philosophy. Translated by Robert Hurley. San Francisco: City Lights, 1988.
   Google Scholar
• Demers, Joanna. Listening Through the Noise: The Aesthetics of Experimental Electronic Music. Oxford: Oxford University Press, 2010.
   Google Scholar
• Descartes, René. Compendium of Music. Translated by Walter Robert. Musicological Studies and Documents. Rome: American institute of musicology, 1961.
   Google Scholar
• Descartes, René. The Philosophical Writings: Volume 3, The Correspondence. Translated by John Cottingham, Robert Stoothoff, Dugald Murdoch, Anthony Kenny. Cambridge: Cambridge UP, 1991.
   Google Scholar
• Dietz, Bill. “Notes Without Ears.” Accessed June 6, 2015. www.tutorialdiversions.org/Documents/MA%20BD.pdf.
   Google Scholar
• Duuglas-Ittu, Kevin, von. “Spinoza on Admiratio (often translated as “Wonder”). Accessed November 23, 2018. https://kvond.wordpress.com/2008/12/14/spinoza-on-admiratio-often-translated-as-wonder/.
   Google Scholar
• Fink, Robert. “Below 100Hz: Toward a Musicology of Bass Culture.” Chapter 4 In The Relentless Pursuit of Tone: Timbre in Popular Music, edited by Robert Fink, Melinda Latour and Zachary Wallmark. Oxford: Oxford Scholarship Online, 2018.
   Google Scholar
• Frijhoff, Willem, and Marijke Speis. Dutch Culture in a European Perspective, 1650: A Hard Won Unity. London: Palgrave MacMillan, 2004.
   Google Scholar
• Frost, Samantha. Lessons From a Materialist Thinker: Hobbesian Reflections on Ethics and Politics (Cultural Memory in the Present). Stanford: Stanford University Press, 2008.
   Google Scholar
• Gabbey, Alan. “Spinoza’s Natural Science and Methodology.” In The Cambridge Companion to Spinoza, edited by Don Garrett. Cambridge: Cambridge University Press, 1996.
   Google Scholar
• Garber, Daniel. “A Free Man Thinks of Nothing Less Than Death: Spinoza on the Eternity of Mind.” In Early Modern Philosophy: Mind, Matter and Metaphysics, edited by Christina Mercer, and Eileen O’Neill. Oxford: Oxford University Press, 2005.
   Google Scholar
• Garber, Daniel. “God, Laws, and the Order of Nature: Descartes and Leibniz, Hobbes and Spinoza.” In The Divine Order, the Human Order and the Order of Nature: Historical Perspectives, edited by Eric Watkins, 45–66. Oxford: Oxford University Press, 2013.
   Google Scholar
• Garcia, Luis-Manuel. “Beats, Flesh, and Grain: Sonic Tactility and Affect in Electronic Dance Music.” Sound Studies 1, no. 1 (2015): 59–76.. doi: 10.1080/20551940.2015.1079072
   Google Scholar
• Garrett, Don. Spinoza’s Theory of Metaphysical Individuation. Oxford: Oxford Scholarship Online, 2018.
   Google Scholar
• Gaukroger, Stephen. Descartes: An Intellectual Biography. Oxford: Oxford University Press, 1995.
   Google Scholar
• Goehr, Lydia. The Imaginary Museum of Musical Works. Oxford: Oxford University Press, 1991.
   Google Scholar
• Goodman, Steve. Sonic Warfare: Sound, Affect and the Ecology of Fear. Cambridge: MIT Press, 2012.
   Google Scholar
• Gouk, Penelope. “Harmonics and the Scientific Revolution.” In The Cambridge History of Western Music Theory, edited by Thomas Christensen, 223–245. Cambridge: Cambridge University Press, 2002.
   Google Scholar
• Green, Burdette, and David Butler. “From Acoustics to Tonpsychologie.” In The Cambridge History of Western Music Theory, edited by Thomas Christensen, 246–271. Cambridge: Cambridge University Press, 2002.
   Google Scholar
• Helmreich, Stefan. “What Was Life? Answers From Three Limit Biologies.” Critical Inquiry 37, no. 4 (2011): 671–696. doi: 10.1086/660987
   Web of Science ®Google Scholar
• Hobbes, Thomas. “Elements of Philosophy. The First Section, Concerning Body.” In The English Works of Thomas Hobbes, Volume 1, edited by T. Molesworth, 485–505. London: John Bohn, 1839.
   Google Scholar
• Hobbes, Thomas. Elements of Philosophy the First Section, Concerning Body / Written in Latine by Thomas Hobbes of Malmesbury; and now Translated Into English; to Which are Added Six Lessons to the Professors of Mathematicks of the Institution of Sr. Henry Savile, in the University of Oxford. London: Printed by R. & W. Leybourn for Andrew Crooke … , 1656. Accessed October, 2019. http://name.umdl.umich.edu/A43987.0001.001.
   Google Scholar
• Hobbes, Thomas. Leviathan. Edited by Edwin Curley. London: Hackett, 1994.
   Google Scholar
• Jornick, Erik. Reading the Book of Nature in the Dutch Golden Age: 1575–1715. Trans. Peter Monson. Boston: Brill, 2010.
   Google Scholar
• Kane, Brian. “Xenakis: The First Composer of Biopolitics?” In Xenakis Matters: Contexts, Processes, Applications, edited by Sharon Kovach, 91–100. Hillsdale, NY: Pendragon, 2012.
   Google Scholar
• Kassler, Jamie. Inner Music: Hobbes, Hooke and North on Internal Character. London: Bloomsbury, 2000.
   Google Scholar
• Kravitz, L., and E. Werner. “The Silence of Maimonides.” Proceedings of the American Academy for Jewish Research 53 (1986): 179–201. doi: 10.2307/3622613
   Google Scholar
• Lockwood, Annea. Sound Map of the Hudson River (3leaves, 2012) and Glass World (E.M. Records, Early Works 1967–1982).
   Google Scholar
• Lloyd, Genevieve. Routledge Philosophy GuideBook to Spinoza and the Ethics. London: Routledge, 1996.
   Google Scholar
• Macherey, Pierre. In a Materialist Way: Selected Essays. Edited byWarren Montag. Translated by Ted Stoltze. New York: Verso, 1998.
   Google Scholar
• Maconie, Robin. “Revisiting Mikrophonie I.” The Musical Times 152, no. 1914 (2011): 95–102.
   Web of Science ®Google Scholar
• Moreno, Jairo. Musical Representations, Subjects and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau and Weber. Bloomington: Indiana University Press, 2004.
   Google Scholar
• Nadler, Stephen. Spinoza. A Life. Cambridge: Cambridge University Press, 2001.
   Google Scholar
• Negri, Antonio. Political Descartes: Reason, Ideology and Bourgeois Project. Translated by Matteo Mandarini and Alberto Toscano. London: Verso, 2007.
   Google Scholar
• O’Brien, Kerry. “Pauline Oliveros’s Sonic Meditations and Experimentalisms of the Self” (work in progress: Yale University, Department of Music).
   Google Scholar
• Parisi, Luciana. Abstract Sex: Philosophy, Bio-Technology and the Mutations of Desire. London: Continuum, 2004.
   Google Scholar
• Peden, Knox. Spinoza Contra Phenomenology: French Rationalism From Cavaillès to Deleuze. Stanford: Stanford University Press, 2014.
   Google Scholar
• Povinelli, Elizabeth. Geontologies: A Requiem for Late Liberalism. Durham: Duke University Press, 2016.
   Google Scholar
• Rancière, Jacques. The Politics of Aesthetics. New York: Continuum, 2006.
   Google Scholar
• Reiss, Timothy. Mirages of the Selfe: Patterns of Personhood in Ancient and Early Modern Europe. Stanford: Stanford University Press, 2002.
   Google Scholar
• Roads, Curtis. Microsound. Boston: MIT Press, 2001.
   Google Scholar
• Rodgers, Tara. “Introduction.” In Pink Noises: Women on Electronic Music and Sound, 1–23. Durham: Duke University Press, 2010.
   Google Scholar
• Rodgers, Tara. ““What, for me, Constitutes Life in a Sound?”: Electronic Sounds as Lively and Differentiated Individuals.” American Quarterly 63, no. 3 (2011): 509–530. doi: 10.1353/aq.2011.0046
   Web of Science ®Google Scholar
• Rombouts, Luc. Singing Bronze: A History of Carillon Music. Leuven: Leuven University Press, 2010.
   Google Scholar
• Rosenboom, David. Biofeedback and the Arts: Results of Early Experiments. Vancouver: Aesthetic Research Center of Canada, 1976.
   Google Scholar
• Rosenthal, Michael, and Yitzhak Y. Melamed. Spinoza’s ‘Theological-Political Treatise: A Critical Guide. Cambridge: Cambridge University Press, 2010.
   Google Scholar
• Sonic Field. “Infinite Sound in the Silence of a Grain.” Accessed August 27, 2018. http://sonicfield.org/2014/03/infinite-sound-in-the-silence-of-a-grain/.
   Google Scholar
• Sterne, Jonathan. “Sonic Imaginations.” In The Sound Studies Reader, edited by Jonathan Sterne, 1–18. London: Routledge, 2012.
   Google Scholar
• Xenakis, Iannis. Formalized Music: Thought and Mathematics in Composition. Bloomington: Indiana University Press, 1971.
   Google Scholar
• Xenakis, Iannis. “The Philips Pavilion and The Electronic Poem.” Arts and Architecture, 75 no. 11 (1958): 24.
   Google Scholar