Remembering nature through art: Hölderlin and the poetic representation of life

Bibliography

• Adorno, Theodor W. Drei Studien zu Hegel. Vol. 5 of Gesammelte Schriften. Edited by Rolf Tiedemann. Frankfurt am Main: Suhrkamp, 2003.
   Google Scholar
• Adorno, Theodor W. Hegel: Three Studies. Translated by Shierry Weber Nicholsen. Cambridge, MA and London: MIT Press, 1999.
   Google Scholar
• Adorno, Theodor W. “Parataxis: On Hölderlin’s Late Poetry.” In Notes to Literature, vol. 2, Translated by Shierry Weber Nicholsen, edited by Rolf Tiedemann, 109–149. New York: Columbia University Press, 1992.
   Google Scholar
• Adorno, Theodor W. “Parataxis: Zur späten Lyrik Hölderlins.” In Noten zur Literatur, vol. 11 of Gesammelte Schriften, edited by Rolf Tiedemann, 447–491. Frankfurt am Main: Suhrkamp, 2003.
   Google Scholar
• Bergh, Gerhard van den. Adornos philosophische Deuten von Dichtung: Ästhetische Theorie und Praxis der Interpretation. Der Hölderlin-Essay als Modell. Bonn: Bouvier, 1989.
   Google Scholar
• Binder, Wolfgang. “Hölderlin: ‘Der Winkel von Hardt,’ ‘Lebensalter,’ ‘Hälfte des Lebens.” In Wolfgang Binder, Hölderlin-Aufsätze, 350–361. Frankfurt am Main: Insel, 1970.
   Google Scholar
• Bowie, Andrew. Aesthetics and Subjectivity: From Kant to Nietzsche. 2nd ed. Manchester and New York: Manchester University Press, 2003.
   Google Scholar
• Eldridge, Hannah Vandegrift. Lyric Orientations: Hölderlin, Rilke, and the Poetics of Community. Ithaca: Cornell University Press and Cornell University Library, 2015.
   Google Scholar
• Eldridge, Richard. “‘Doch Sehnend Stehts/Am Ufer Du’ (‘But Longing You Stand on the Shore’).” In The Relevance of Romanticism: Essays on German Romantic Philosophy, edited by Dalia Nassar, 129–166. Oxford: Oxford University Press, 2014.
   Google Scholar
• Fischer, Luke. “Hölderlin’s Mythopoetics: From ‘Aesthetic Letters’ to the New Mythology.” In Hölderlin’s Philosophy of Nature, edited by Rochelle Tobias, 143–163. Edinburgh: Edinburgh University Press, 2020.
   Google Scholar
• Flodin, Camilla. “‘The Eloquence of Something That Has No Language’: Adorno on Hölderlin’s Late Poetry.” Adorno Studies 2, no. 1 (2018): 1–28. http://adornostudies.org/ojs/index.php/as/article/view/21.
   Google Scholar
• Flodin, Camilla. “Hölderlin’s Higher Enlightenment.” In Beyond Autonomy in Eighteenth-Century British and German Aesthetics, edited by Karl Axelsson, Camilla Flodin, and Mattias Pirholt, 258–276. New York: Routledge, 2021. https://tandfbis.s3-us-west-2.amazonaws.com/rt-files/docs/Open+Access+Chapters/9780429330254_oachapter12.pdf.
   Google Scholar
• Flodin, Camilla. “Of Mice and Men: Adorno on Art and the Suffering of Animals.” Estetika: The Central European Journal of Aesthetics 48, no. 2 (2011): 139–156.
   Web of Science ®Google Scholar
• Förster, Eckart. “‘To Lend Wings to Physics Once Again’: Hölderlin and the ‘Oldest System-Programme of German Idealism’.” European Journal of Philosophy 3, no. 2 (1995): 174–198.
   Google Scholar
• Gasché, Rodolphe. “The Theory of Natural Beauty and its Evil Star: Kant, Hegel, Adorno.” Research in Phenomenology 32 (2002): 103–122.
   Web of Science ®Google Scholar
• Hammer, Espen. Adorno’s Modernism: Art, Experience, and Catastrophe. Cambridge: Cambridge University Press, 2015.
   Google Scholar
• Hegel, G. W. F. Aesthetics: Lectures on Fine Art, vol. 1. Translated by T. M. Knox. Oxford: Clarendon Press, 1975.
   Google Scholar
• Hegel, G. W. F. Philosophy of Nature. Part two of the Encyclopaedia of the Philosophical Sciences (1830). Translated by A. V. Miller. Oxford: Clarendon, 1970.
   Google Scholar
• Henrich, Dieter. “Hegel and Hölderlin.” Translated by Taylor Carman. In The Course of Remembrance and Other Essays on Hölderlin, edited by Eckart Förster, 119–140. Stanford, CA: Stanford University Press, 1997.
   Google Scholar
• Henrich, Dieter. “Hölderlin on Judgment and Being: A Study in the History of the Origins of Idealism.” Translated by Abraham Anderson. In The Course of Remembrance and Other Essays on Hölderlin, edited by Eckart Förster, 71–89. Stanford, CA: Stanford University Press, 1997.
   Google Scholar
• Hölderlin, Friedrich. Essays and Letters. Translated and edited by Jeremy Adler and Charlie Louth. London: Penguin, 2009.
   Google Scholar
• Hölderlin, Friedrich. Hymns and Fragments. Translated by Richard Sieburth. Princeton: Princeton University Press, 1984.
   Google Scholar
• Hölderlin, Friedrich. Odes and Elegies. Translated by Nick Hoff. Middletown, CT: Wesleyan University Press, 2008.
   Google Scholar
• Hölderlin, Friedrich. Poems and Fragments. Translated by Michael Hamburger. 4th ed. London: Anvil Press Poetry, 2013.
   Google Scholar
• Hölderlin, Friedrich. Sämtliche Werke: Frankfurter Ausgabe. Vol. 14. Edited by Wolfram Groddeck and D. E. Sattler. Frankfurt am Main: Roter Stern, 1979.
   Google Scholar
• Hölderlin, Friedrich. Sämtliche Werke: Große Stuttgarter Ausgabe. Edited by Friedrich Beißner. 8 vols. Stuttgart: Kohlhammer, 1943–85.
   Google Scholar
• Kant, Immanuel. Critique of the Power of Judgment. Edited by Paul Guyer. Translated by Paul Guyer and Eric Matthews. Cambridge: Cambridge University Press, 2000.
   Google Scholar
• Kreuzer, Johann. “Adornos und Heideggers Hölderlin.” In Adorno im Widerstreit: Zur Präsenz seines Denkens, edited by Wolfram Ette, Günter Figal, Richard Klein, and Günter Peters, 363–393. Karl Alber: Freiburg/Munich, 2004.
   Google Scholar
• Louth, Charlie. “‘jene zarten Verhältnisse’: Überlegungen zu Hölderlins Aufsatzbruchstück Über Religion/Fragment philosophischer Briefe.” Hölderlin-Jahrbuch 39 (2014–2015): 124–138.
   Google Scholar
• Mörchen, Hermann. Adorno und Heidegger: Untersuchungen einer philosophischen Kommunikationsverweigerung. Stuttgart: Klett-Cotta, 1981.
   Google Scholar
• Paetzold, Heinz. “Adorno’s Notion of Natural Beauty: A Reconsideration.” In The Semblance of Subjectivity: Essays in Adorno’s Aesthetic Theory, edited by Tom Huhn and Lambert Zuidervaart, 213–235. Cambridge, MA & London, England: The MIT Press, 1997.
   Google Scholar
• Pippin, Robert. “Leaving Nature Behind, or Two Cheers for ‘Subjectivism.’.” In Reading McDowell: On Mind and World, edited by Nicholas Smith, 58–75. New York: Routledge, 2002.
   Google Scholar
• Savage, Robert. Hölderlin After the Catastrophe: Heidegger—Adorno—Brecht. Rochester, NY: Camden House, 2008.
   Google Scholar
• Savage, Robert. “The Polemic of the Late Work: Adorno’s Hölderlin.” In Language Without Soil: Adorno and Late Philosophical Modernity, edited by Gerhard Richter, 172–194. New York: Fordham University Press, 2010.
   Google Scholar
• Sophocles. The Plays and Fragments, Part 3: The Antigone. Translated by R. C. Jebb. 2nd ed. Cambridge: Cambridge University Press, 1891.
   Google Scholar
• Waibel, Violetta. “Kant, Fichte, Schelling.” In Hölderlin-Handbuch, edited by Johann Kreuzer, 90–106. Stuttgart: Metzler, 2002.
   Google Scholar