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Studies in Australasian Cinema Volume 9, 2015 - Issue 3
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Special section: Re-evaluating the Royal Commission into the Australian Moving Picture Industry, 1927–28

American combine: Australasian Films Ltd., and block bookings

Stephen GaunsonSchool of Media and Communication, RMIT University, Melbourne, AustraliaCorrespondence[email protected]
Pages 241-252 | Published online: 07 Oct 2015

References

  • Arbuckle, Roscoe “Fatty”, dir. 1927. The Red Mill. USA: Metro-Goldwyn-Mayer.
  • Australian Government. 1928a. Commonwealth of Australia: Royal Commission on the Moving Picture Industry: Minutes of Evidence. Canberra: Government Printer.
  • Australian Government. 1928b. The Royal Commission on the Moving Picture Industry in Australia 1926–1928. Canberra: Government of Commonwealth of Australia: Report of Recommendations.
  • Bertrand, Ina, and Diane Collins. 1981. Government and Film in Australia. Sydney: Currency/Australian Film Institute.
  • Bertrand, Ina, Brian McFarlane, and Geoff Mayer. 1999. The Oxford Companion to Australian Film. New York: Oxford University Press.
  • Bertrand, Ina, and William D. Routt. 1989. “The Big Bad Combine.” In The Australian Screen, edited by Albert Moran and Tom O'Regan, 3–27. Melbourne: Penguin Books.
  • Browning, Tod, dir. 1926. The Road to Mandalay. USA: Metro-Goldwyn-Mayer.
  • Butler, Alexander, dir. 1915. The Shepherd of the Southern Cross. Australia: Australasian Films Ltd.
  • Collins, Diane. 1975. “ Cinema and Society in Australia 1920–1939.” Ph.D. Thesis, University of Sydney.
  • Cunliffe-Lister, Philip. 1926. Statements Regarding Inter Imperial Trade, 21, 22 October, Appendix II. Summary of Proceedings. London: Parliament of Great Britain.
  • Dawn, Norman, dir. 1927. For the Term of His Natural Life. Australia: Australasian Films Ltd.
  • Dawn, Norman, dir. 1928. The Adorable Outcast. Australia: Australasian Films Ltd.
  • Film Daily Year Book. 1925. New York: J.W. Alicoate.
  • King, Henry, dir. 1923. The White Sister. USA: Metro-Goldwyn-Mayer.
  • King, Henry, dir. 1924. Romola. USA: Metro-Goldwyn-Mayer.
  • Leonard, Robert Z., dir. 1927. The Waning Sex. USA: Metro-Goldwyn-Mayer.
  • Longford, Raymond, dir. 1919. The Sentimental Bloke. USA: Southern Cross Feature Film Company.
  • Longford, Raymond, dir. 1923. The Dinkum Bloke. USA: Longford-Lyell Productions.
  • Maltby, Richard. 2000. “‘To Prevent the Prevalent Type of Book’: Censorship and Adaptation in Hollywood, 1924–1934.” In Film Adaptation, edited by James Naremore, 79–105. New Brunswick: Rutgers University Press.
  • Matthews, Jill Julius. 2005. Dance Hall and Picture Palace: Sydney's Romance with Modernity. Sydney: Currency Press.
  • Pike, Andrew, and Ross Cooper. 1998. Oxford Australian Film 1900–1977. Melbourne: Oxford University Press.
  • Rolfe, Alfred, dir. 1915a. How We Beat the Emden. Australia: Australasian Films Ltd.
  • Rolfe, Alfred, dir. 1915b. The Hero of Dardanelles. Australia: Australasian Films Ltd.
  • Sedgwick, Edward, dir. 1926. There You Are!. USA: Metro-Goldwyn-Mayer.
  • Stuart-Whyte, F., dir 1925. Painted Daughters. Australia: Australasian Films Ltd.
  • Trade Information Bulletin. 1929. Motion Pictures in Australia and New Zealand. 608, 12–13.
  • Tulloch, John. 1981. Legends on the Screen: The Narrative of Film in Australia 1919–1929. Sydney: Currency Press.
  • Vidor, King, dir. 1925. The Big Parade. America: Metro-Goldwyn-Mayer.

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