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Studies in Australasian Cinema Volume 10, 2016 - Issue 2: Reviewing Australian screen history
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Articles

South of Ealing: recasting a British studio’s antipodean escapade

Adrian DanksSchool of Media and Communication, RMIT University, Melbourne, AustraliaCorrespondence[email protected]
Pages 223-236 | Published online: 20 Jun 2016

References

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  • Brown, Geoff. 1984. “A Knight and His Castle.” In Michael Balcon: The Pursuit of British Cinema, edited by Jane Fluegel, 17–41. New York: The Museum of Modern Art.
  • Duguid, Mark. 2012. “The Dark Side of Ealing.” Sight and Sound 22 (11): 54–61.
  • Ellis, John. 1975. “Made in Ealing.” Screen 16 (1): 78–127. doi: 10.1093/screen/16.1.78
  • Harper, Sue, and Vincent Porter. 2003. British Cinema of the 1950s: The Decline of Deference. Oxford: Oxford University Press.
  • Kemp, Phillip. 1999. “On the Slide: Harry Watt and Ealing’s Australian Venture.” In Second Take: Australian Filmmakers Talk, edited by Raffaele Caputo, and Geoff Burton, 145–164. Sydney: Allen and Unwin.
  • Limbrick, Peter. 2010. Making Settler Cinemas: Film and Colonial Encounters in the United States, Australia and New Zealand. New York: Palgrave Macmillan.
  • Molloy, Bruce. 1990. Before the Interval: Australian Mythology and Feature Films, 1930–1960. Brisbane: University of Queensland Press.
  • Morgan, Stephen. 2012. “Ealing’s Australian Adventure.” In Ealing Revisited, edited by Mark Duguid, Lee Freeman, Keith M. Johnson, and Melanie Williams, 165–174. London: BFI.
  • Niland, D’Arcy. 1987. The Shiralee. Ringwood: Penguin Books. First published in 1955.
  • O’Regan, Tom. 1987. “Australian Film in the 1950s.” Continuum 1 (1): 1–25. doi: 10.1080/10304318809359316
  • Perry, George. 1981. Forever Ealing. London: Pavilion.
  • Verhoeven, Deb. 2006. Sheep and the Australian Cinema. Melbourne: Melbourne University Press.
  • Watt, Harry. 1949. “You Start from Scratch in Australia.” In The Penguin Film Review 9, edited by Roger Manvell, 10–16. London: Penguin Books.
  • Watt, Harry. 1958. “Films in Australia.” In International Film Annual No. 2, edited by William Whitebait, 105–108, 113. London: John Calder.
  • Watt, Harry. 1974. Don’t Look at the Camera. London: Paul Elek.
  • Webby, Elizabeth. 2004. “Ealing Studios’ Australian Adventure.” Arts: The Journal of the Sydney University Arts Association 26: 51–67.
  • Williams, Deane. 2007. “The Overlanders: Between Nations.” Studies in Australasian Cinema 1 (1): 79–89. doi: 10.1386/sac.1.1.79_1

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