Australian queer screen stakeholders and creative artists: perceptions of value, motivation and impact of LGBTQ+ Australian film

References

• Ashcraft, C. 2003. “Adolescent Ambiguities in American Pie: Popular Culture as a Resource for Sex Education.” Youth & Society 35 (1): 37–70.
   Web of Science ®Google Scholar
• Atay, A. 2019. “Defining Transnational Queer Media and Popular Culture.” Queer Studies in Media and Popular Culture 4 (3): 233–239.
   Google Scholar
• Barber, T. 2010. “Stephanie is Wired: Who Shall Turn Him On?.” In LGBT Identity and Online New Media, edited by C. Pullen and M. Cooper, 245–257. London and New York: Routledge.
   Google Scholar
• Beker, M. 2012. The Screenwriter Activist: Writing Social Issue Movies. London & New York: Routledge.
   Google Scholar
• Bennett, T. 1983. “Texts, Readers, Reading Formations.” Literature and History 9 (2): 214–227.
   Web of Science ®Google Scholar
• Bittner, R. 2016. “(Im)Possibility and (In)Visibility: Arguing Against ‘Just Happens to Be’ in Young Adult Literature.” Queer Studies in Media & Popular Culture 1 (2): 199–214.
   Google Scholar
• Bridges, T. 2014. “A Very ‘Gay’ Straight?: Hybrid Masculinities, Sexual Aesthetics, and the Changing Relationship Between Masculinity and Homophobia.” Gender & Society 28 (1): 58–82.
   Web of Science ®Google Scholar
• Butler, J. 1993. Bodies that Matter: On the Discursive Limits of ‘Sex’. London and New York: Routledge.
   Google Scholar
• Capsuto, S. 2000. Alternate Channels: The Uncensored Story of Gay and Lesbian Images on Radio and Television, 1930s to the Present. New York: Ballantine Books.
   Google Scholar
• Clarke, K., R. Cover, and P. Aggleton. 2018. “Sex, Sexuality and Ambivalence: LGBTQ Youth Negotiating Sexual Feelings, Desires and Attractions.” Journal of LGBT Youth 15 (3): 227–242.
   Web of Science ®Google Scholar
• Couldry, N., and T. Dreher. 2007. “Globalization and the Public Sphere: Exploring the Space of Community Media in Sydney.” Global Media and Communication 3 (1): 79–100.
   Google Scholar
• Cover, R. 2000. “First Contact: Queer Theory, Sexual Identity, and ‘Mainstream’ Film.” International Journal of Gender and Sexuality 5 (1): 71–89.
   Google Scholar
• Cover, R. 2019. Emergent Identities: New Sexualities, Gender and Relationships in a Digital Era. London and New York: Routledge.
   Google Scholar
• Cover, R. 2021. “Gender and Sexual Diversity and Suicide on Australian Screens: Popular Culture, Representation and Health Pedagogies.” The Journal of Popular Culture 54 (2): 365–387.
   Web of Science ®Google Scholar
• Cover, R., and D. Dau. 2021. “Placing the Queer Audience: Literature on Gender and Sexual Diversity in Film and Television and Reception.” MAI Feminism & Visual Culture 7, https://maifeminism.com/literature-on-gender-and-sexual-diversity-in-film-and-television-reception/.
   Google Scholar
• Cover, R., R. Prosser, and D. Dau. 2021. “The Corporeality of Sound: Drag Performance, Lip-Synching and the Popular Critique of Gendered Theatrics in Australian Film and Television.” Media International Australia 182 (1): 81–94.
   Web of Science ®Google Scholar
• Cover, R., M. L. Rasmussen, P. Aggleton, and D. Marshall. 2017. “Progress in Question: Temporalities of Politics, Support and Belonging in Sexual- and Gender-Diverse Pedagogies.” Continuum: Journal of Media and Cultural Studies 31 (6): 767–779.
   Web of Science ®Google Scholar
• de Boise, S. 2015. “I’m Not Homophobic, ‘I’ve Got Gay Friends’: Evaluating the Validity of Inclusive Masculinity.” Men and Masculinities 18 (3): 318–339.
   Web of Science ®Google Scholar
• Delong, R. 2016. “The Stylized Image of the White Lesbian: A Model Minority.” In Queer TV in the 21st Century: Essays on Broadcasting from Taboo to Acceptance, edited by K.P-R. Hart, 93–110. Jefferson, NC: McFarland and Company.
   Google Scholar
• Duggan, L. 2003. The Twilight of Equality? Neoliberalism, Cultural Politics and the Attack on Democracy. Boston, MA: Beacon Press.
   Google Scholar
• Dyer, R. 1993. The Matter of Images: Essays on Representation. London & New York: Routledge.
   Google Scholar
• Gill, R. 2012. “Media, Empowerment and the ‘Sexualization of Culture’ Debates.” Sex Roles: A Journal of Research 66 (11-12): 736–745.
   Web of Science ®Google Scholar
• Giroux, H. A. 2003. “Public Pedagogy and the Politics of Resistance: Notes on a Critical Theory of Educational Struggle.” Educational Philosophy and Theory 35 (1): 5–16.
   Google Scholar
• Giroux, H. A. 2004. “Cultural Studies, Public Pedagogy, and the Responsibility of Intellectuals.” Communication and Critical/Cultural Studies 1 (1): 59–79.
   Google Scholar
• Giroux, H. A. 2010. “Bare Pedagogy and the Scourge of Neoliberalism: Rethinking Higher Education as a Democratic Public Sphere.” The Educational Forum 74 (3): 184–196.
   Google Scholar
• Griffin, F. H. 2016. Feeling Normal: Sexuality and Media Criticism in the Digital Age. Bloomington, IN: Indiana University Press.
   Google Scholar
• Hart, K.-P. R. 2016. “Introduction: Media Representation and Sensitive Subjects.” In Queer TV in the 21st Century: Essays on Broadcasting from Taboo to Acceptance, edited by K.-P. R. Hart, 1–7. Jefferson, NC: McFarland & Company.
   Google Scholar
• Kerrigan, P., and A. O’Brien. 2020. “Camping it Up and Toning it Down: Gay and Lesbian Sexual Identity in Media Work.” Media, Culture & Society 42 (7-8): 1061–1077.
   Web of Science ®Google Scholar
• Lajta-Novak, J., and W. Huber. 2015. “‘Inaccurate but Truthful’: Q&A with Screenwriter Peter Morgan.” The European Journal of Life Writing 4: R1–R15.
   Google Scholar
• Marks, L. U. 2000. The Skin of the Film: Intercultural Cinema, Embodiment and the Senses. Durham, NC: Duke University Press.
   Google Scholar
• McKee, A. 2016. Fun! What Entertainment Tells Us About Living a Good Life. London: Palgrave Macmillan.
   Google Scholar
• McKinnon, S. 2016. Gay Men at the Movies: Cinema, Memory and the History of a Gay Male Community. Bristol: Intellect Books.
   Google Scholar
• Nestingen, A. 2011. Crime and Fantasy in Scandinavia: Fiction, Film and Social Change. Seattle, WA: University of Washington Press.
   Google Scholar
• Ng, E. 2021. “Queer Production Studies.” In Oxford Research Encyclopedia of Communication, edited by G. A. Yep and F. Dhaenens. Oxford: Oxford University Press. doi:https://doi.org/10.1093/acrefore/9780190228613.013.1162.
   Google Scholar
• Oswald, R. F., J. M. Routon, J. K. McGuire, and E. G. Holman. 2018. “Tolerance Versus Support: Perceptions of Residential Community Climate Among LGB Parents.” Family Relations 67 (1): 41–54.
   Web of Science ®Google Scholar
• Papanikolaou, D. 2009. “New Queer Greece: Thinking Identity Through Constantine Giannaris’s from the Edge of the City and Ana Kokkinos’s Head On.” New Cinemas 6 (3): 183–196.
   Google Scholar
• Peele, T. 2007. “Introduction: Popular Culture, Queer Culture.” In Queer Popular Culture: Literature, Media, Film and Television, edited by T. Peele, 1–8. New York: Palgrave Macmillan.
   Google Scholar
• Plummer, K. 1995. Telling Sexual Stories: Power, Change and Social Worlds. London: Routledge.
   Google Scholar
• Radway, J. 1984. Reading the Romance. Chapel Hill, NC: The University of North Carolina Press.
   Google Scholar
• Rasmussen, M. L., R. Cover, D. Marshall, and P. Aggleton. 2016. “Sexuality, Gender, Citizenship and Social Justice: Education’s Queer Relations.” In Handbook of Education for Citizenship and Social Justice, edited by A. Peterson, 73–96. London: Palgrave.
   Google Scholar
• Richards, S. 2019. “More than Just a Gay Pun: The Changing Nature of Australian Queer Film Criticism.” Studies in Australasian Cinema 13 (2-3): 51–66.
   Google Scholar
• Searle, S. 1997. Queer-ing the Screen: Sexuality and Australian Film and Television. St Kilda, VIC: Australian Teachers of Media.
   Google Scholar
• Snider, Z. 2016. “Gay it Forward: How Will & Grace Made Gay Male Couples Okay on Television.” In Queer TV in the 21st Century: Essays on Broadcasting from Taboo to Acceptance, edited by K.-P. R. Hart, 9–25. Jefferson, NC: McFarland & Company.
   Google Scholar
• Storey, J. 1993. An Introduction to Cultural Theory and Popular Culture. New York: Harvester Wheatsheaf.
   Google Scholar
• Tresca, D. 2016. “Skeletons in the Closet: The Contradictory Views of the Queer in the Works of Joss Whedon.” In Queer TV in the 21st Century: Essays on Broadcasting from Taboo to Acceptance, edited by K.-P. R. Hart, 26–40. Jefferson, NC: McFarland & Company.
   Google Scholar
• Vanlee, F. 2019. “Acknowledging/Denying LGBT+ Difference: Understanding Homonormativity and LGBT+ Homogeneity in Flemish TV Fiction Through Production Research.” European Journal of Communication 34 (5): 520–534.
   Web of Science ®Google Scholar