References
- Barney, Darin. 2008. “Politics and Emerging Media: The Revenge of Publicity.” Global Media Journal: Canadian Edition 1 (1): 89–106.
- Boyle, Deidre. 1992. “From Portapak to Camcorder: A Brief History of Guerilla Television.” Journal of Film and Video 44 (1–2): 67–79.
- Bridle, James. 2019. New Dark Age: Technology and the End of the Future. New York: Verso.
- Dean, Jodi. 2009. Democracy and Other Neoliberal Fantasies: Communicative Capitalism and Left Politics. Durham, NC: Duke University Press.
- Espinosa, Julio Garcia. 1979. “For an Imperfect Cinema,” translated by Julianne Burton, Jump Cut 20. http://www.ejumpcut.org/archive/onlinessays/JC20folder/ImperfectCinema.html.
- Gaines, Jane. 1999. “Political Mimesis.” In Collecting Visible Evidence, edited by Jane Gaines and Michael Renov, 84–102. Minneapolis: University of Minnesota Press.
- Hall, Stuart. 2010. “Life and Times of the New Left.” New Left Review 61: 177–196.
- Hamblin, Sarah. 2017. “Chris Marker’s Overnight: Cinétracts Then and Now.” The Cine-Files 12. http://www.thecine-files.com/sarah-hamblin/.
- Hamblin, Sarah. 2019. “Exhausted Montage: Political Cinema Post 68.” Cultural Politics 15 (3): 358–371.
- Keltie, Emma. 2017. The Culture Industry and Participatory Audiences. New York: Palgrave Macmillan.
- MacDougall, David. 2001. “Renewing Ethnographic Film.” Anthropology Today 17 (3): 51–21. doi: 10.1111/1467-8322.00060
- Malitsky, Joshua. 2013. Post-Revolution Nonfiction Film: Building the Soviet and Cuban Nations. Bloomington: Indiana University Press.
- Nichols, Bill. 2001. “Documentary Film and the Modernist Avant-Garde.” Critical Inquiry 27: 580–610. doi: 10.1086/449023
- O’Shaughnessy, Martin. 2007. The New Face of Political Cinema: Commitment in French Film Since 1995. New York: Berghahn Books.
- Solanas, Fernando, and Octavio Getino. 1971. “Towards a Third Cinema.” Afterimage 3: 6–35.
- Sterne, Jonathan. 2012. “What if Interactivity is the New Passivity?” Flow, April 9. https://www.flowjournal.org/2012/04/the-new-passivity/.
- Vigo, Jean. 1930. “Towards a Social Cinema.” In Film Manifestos and Global Cinema Cultures: A Critical Anthology, edited by Scott MacKenzie, 448. Los Angeles: University of California Press, 2014.
- Watson, Ryan. 2019. “In the Wakes of Rodney King: Militant Evidence and Media Activism in the Age of Viral Black Death.” The Velvet Light Trap 84: 34–49. doi: 10.7560/VLT8404
- Waugh, Thomas. 1984. “Introduction.” In Show Us Life: Toward a History and Aesthetics of the Committed Documentary, edited by Thomas Waugh, xi–xvi. Metuchen, NJ: Scarecrow Press.
- Winston, Brian. 2008. Claiming the Real II: The Documentary Film Revisited. London: BFI.