Pema Tseden's The Search: the making of a minor cinema

References

• Ahmed, S.J. 2006. “Tibetan Folk Opera: Lhamo in Contemporary Cultural Politics.” Asian Theatre Journal 23 (1): 149–178.
   Web of Science ®Google Scholar
• Asia Society. 2010. “Pema Tseden: Tibetan Films for Tibetan People.” Asia Society. Accessed10 June 2015. http://asiasociety.org/arts/film/pema-tseden-tibetan-films-tibetan-people
   Google Scholar
• Bacot, J. 1914. “Drimekunden, une version tibétaine du Vessantara Jataka.” Journal Asiatique XI (4): 221–305.
   Google Scholar
• Barclay, B. 2003. “Celebrating Fourth Cinema.” Illusions 45: 7–11.
   Google Scholar
• Barnett, R. 2011. “Documentaries by Tibetans in Tibet: The Digital Era.” Latse Journal 7: 48–56.
   Google Scholar
• Barstow, G. 2013. “Food of Sinful Demons: A History of Vegetarianism in Tibet.” PhD diss., University of Virginia.
   Google Scholar
• Bhabha, H. 1994. The Location of Culture. New York: Routledge.
   Google Scholar
• Blondeau, A.-M. 2001. “Remarks on the Relationship Between Story-Tellers, Paintings and Theater in Tibet.” Paper Presented at the Conference « l'opera tibetana, un teatro vivente » [Tibetan opera – a Living Theater], Venezia, May 5–8.
   Google Scholar
• Cone, M., and R. Gombrich. 1977; 2011. The Perfect Generosity of Prince Vessentara: A Buddhist Epic. Bristol: The Pali Text Society.
   Google Scholar
• Cowell, E.B., and W.H.D. Rouse. 1895. The Jātaka, or, Stories of the Buddha's Former Births. London: The Pali Text Society.
   Google Scholar
• Deleuze, G. 1989. Cinema 2: The Time-Image. Translated by Hugh Tomlinson and Robert Caleta. Minneapolis: University of Minnesota Press.
   Google Scholar
• Deleuze, G., and F. Guattari. 1972. Anti-Oedipus, Capitalism and Schizophrenia. Translated from French by Robert Hurley et al. Minneapolis: University of Minnesota Press.
   Google Scholar
• Deleuze, G., and F. Guattari. 1986. Kafka: Toward a Minor Literature. Translated from French by Dana Polan. Minneapolis: University of Minnesota Press.
   Google Scholar
• Ellwanger, T. 2005. “‘Oh Uncle Pema!’, The Role of Musical Agency in the Creation of a Modern Tibetan Identity.” Independent Study Project Collection, Paper 415. Accessed 20 May 2015. http://digitalcollections.sit.edu/isp_collection/415
   Google Scholar
• Eng, M. 2003. “Numéro un et Numéro deux: It was Outside, the Rejection of the Image.” In I Said I Love. That is the Promise: The Tvideo Politics of Jean-Luc Godard, edited by Gareth James and Florian Zeyfang. Berlin: b_books.
   Google Scholar
• Frangville, V. 2011. “Minority Film and Tibet in the PRC: From ‘Hell on Earth’ to the ‘Garden of Eden’.” Latse Journal 7: 8–28.
   Google Scholar
• Ghosh, B. 1997. “Himalayan Drama.” Bulletin of Tibetology 1 (1): 31–37.
   Google Scholar
• Henrion-Doucy, I. 2004. “Ache Lhamo: Playing in/on the Tibetan Theatrical Tradition.” PhD diss., Université libre de Bruxelles/ Paris EPHE.
   Google Scholar
• Kabzung, G. 2012. “Alternative Development on the Tibetan Plateau: The Case of the Slaughter Renunciation Movement.” PhD diss., University of Colorado.
   Google Scholar
• Klieger, C. 1995. “Shangri-la and Hyperreality: A Collision in Tibetan Refugee Expression.” In Tibetan Culture in the Diaspora, PIATS 7 – Vol. 4, edited by F. Korom, 33–51. Vienne: Verlag der Österreichischen Akademie der Wissenschaften.
   Google Scholar
• Knopf, K. 2008. Decolonising the Lense of Power: Indigenous Films in North America. New York: Rodopi BV.
   Google Scholar
• Lambert, G. 2006. Who's Afraid of Deleuze and Guattari? London: Continuum.
   Google Scholar
• Lo, K.C. 2013. “Reconfiguring the Chinese Diaspora Through the Eyes of Ethnic Minorities.” In Diasporic Chineseness After the Rise of China, edited by Julia Khuen et al., 170–186. Vancouver: UBC Press.
   Google Scholar
• Lyotard, J.F. 1984. The Post-Modern Condition. Translated from French by Geoff Bennington and Brian Massumi. Manchester: Manchester University Press.
   Google Scholar
• Mulvey, L. 1975. “Visual Pleasure and Narrative Cinema” Screen 16 (3): 6–18.
   Google Scholar
• Neumaier, E. 2003. “The Fleeting Windhorse: Tibetan Cultural Identity and the Challenge of Modernity.” Canadian Review of Comparative Literature 30 (3–4): 542–554.
   Google Scholar
• Robin, F. 2009. “Performing Compassion: A Counter-Hegemonic Strategy in Tibetan Cinema?” In Tibetan Arts in Transition: A Journey Through Theatre, Cinema, and Painting. Seminar Proceedings, 37–49. Rome: ASIA Onlus.
   Google Scholar
• Ross, D. 1912. The Story of Ti-Med-Kun-Den: A Tibetan Nam-Thar. Calcutta: Baptist Mission Press.
   Google Scholar
• Schell, O. 2000. Virtual Tibet: Searching For Shangri-la from the Himalayas to Hollywood. New York: Metropolitan Books.
   Google Scholar
• Smyer Yu, D. 2014. “Pema Tseden's Transnational Cinema: Screening a Buddhist Landscape of Tibet.” Contemporary Buddhism 15(1): 125–144.
   Web of Science ®Google Scholar
• Sonam, T. 2011. “Quiet Storm: Pema Tseden and the Emergence of Tibetan Cinema.” Latse Journal 7: 36–47.
   Google Scholar
• Sutton, D., and D. Martin-Jones. 2008. Deleuze Reframed: A Guide For The Arts Student. London: I.B. Tauris.
   Google Scholar
• Thar, T. (Ch. Cairangtai). 1988. “‘Zhimei gengdeng’ chutan.” (Primary exploration of Drime Kunden) Xizang yanjiu 3 (Tibetan Studies): 82–89.
   Google Scholar
• Tseden, P. 2011. “A Brief Introduction to New Student Short Films in the Tibetan Language.” Latse Journal, 7: 58–62.
   Google Scholar
• Tseden, P. 2013. Neige. Translated from Chinese by Brigitte Duzan and from Tibetan by Françoise Robin. Paris: Philippe Piquier.
   Google Scholar
• Wan, Y. 1986. Tales From Tibetan Opera. Beijing: New World Press.
   Google Scholar
• Yeh, E. 2013. “Blazing Pelts and Burning Passions: Nationalism, Cultural Politics and Spectacular Decommodification in Tibet.” The Journal of Asian Studies 72 (2): 319–344.
   Web of Science ®Google Scholar
• Yuval-Davis, N. 1998. Gender and Nation. London: Sage.
   Google Scholar