Sino-Korean screen connections: towards a history in fragments

References

• Anderson, B. 1983. Imagined Communities: Reflections on the Origins and Spread of Nationalism. London: Verso.
   Google Scholar
• Aon (n.d). “Jeon Chang-geun.” Accessed 5 March 2015. http://www.kmdb.or.kr/eng/vod/mm_basic.asp?person_id=00005008&div=1#url
   Google Scholar
• Anon. 1995. “郑基铎' (Zheng Jiduo).” In 中国电影大辞典 (China Cinema Encyclopedia). Shanghai: 上海辞书出版社 (Shanghai Dictionary Press), p.1340.
   Google Scholar
• Anon. 2012. “It's Official: China's Wanda Group to Buy AMC Entertainment.” The Hollywood Reporter. Accessed 1 March 2015. http://www.hollywoodreporter.com/news/amc-theaters-wanda-group-327076
   Google Scholar
• Anon. 2014. “Top 10 Trading Partners of the Chinese Mainland.” China Daily. Accessed 10 March 2015. http://www.chinadaily.com.cn/bizchina/2014-02/19/content_17290565.htm
   Google Scholar
• Beck, U., and E. Beck-Gernsheim 2009. “Global Generations and the Trap of Methodological Nationalism For a Cosmopolitan Turn in the Sociology of Youth and Generation.” European Sociological Review 25 (1): 25–36.
   Web of Science ®Google Scholar
• Berry, C. 2010. “What Is Transnational Cinema? Thinking from the Chinese Situation.” Transnational Cinemas 1 (2): 111–127.
   Google Scholar
• Berry, C., and M. Farquhar 2006. China on Screen: Cinema and Nation. New York: Columbia University Press.
   Google Scholar
• Breszki, P. 2016. “It's Official: China's Wanda Acquires Legendary Entertainment for $3.5 Billion.” Hollywood Reporter. Accessed 25 January 2016. http://www.hollywoodreporter.com/news/official-chinas-wanda-acquires-legendary-854827
   Google Scholar
• Cai, R. 2013. “Restaging the Revolution in Contemporary China: Memory of Politics and Politics of Memory.” China Quarterly 215 (3): 663–681.
   Web of Science ®Google Scholar
• Catsoulis, J. 2013. “In South Korea, Gangsters in Good Suits: “New World”, Directed by Park Hoon-Jung.” The New York Times. Accessed 10 March 2015. http://www.nytimes.com/2013/03/22/movies/new-world-directed-by-park-hoon-jung.html
   Google Scholar
• 程季华 (Cheng, J.). 1981. 中国电影发展史 (History of the Development of Chinese Cinema) volume 1. Beijing: 中国电影出版社 (China Film Press).
   Google Scholar
• Chernilo, D. 2006. “Social Theory's Methodological Nationalism: Myth and Reality.” European Journal of Social Theory 9 (1): 5–22.
   Google Scholar
• Choe, S. 2014. “South Korea and China Reach Trade Accord.” The New York Times. Accessed 10 March 2015. http://www.nytimes.com/2014/11/11/business/south-korea-and-china-reach-trade-accord.html?_r=0
   Google Scholar
• Chung, H.S. 2013. “The Korean Valentino: Jin Yan (Kim Yom), Sino-Korean Unity, and Shanghai Films of the 1930s.” Korean Studies 37: 150–170.
   Google Scholar
• Clark, P. 2008. The Chinese Cultural Revolution: A History. New York: Cambridge University Press.
   Google Scholar
• Duara, P. 1995. Rescuing History from the Nation: Questioning Narratives of Modern China. Chicago: University of Chicago Press.
   Google Scholar
• Giammarco, T. 2010. “Goodbye Shanghai (1934).” Seen in Jeonju. Accessed 3 March 2015. http://www.koreanfilm.org/tom/?p=1204
   Google Scholar
• Frank, A.G. 1993. “Bronze Age World System Cycles.” Current Anthropology 34: 383–429.
   Web of Science ®Google Scholar
• Fraser, N. 1981. “Foucault on Modern Power: Empirical Insights and Normative Confusions.” PRAXIS International 3: 272–287
   Google Scholar
• Frater, P. 2014. “Politics Aside, S. Korea, China Find Plenty of Reasons to Work Together in Film Business.” Variety. Accessed 7 March 2015. http://variety.com/2014/film/asia/south-korea-china-work-together-in-film-1201318663/
   Google Scholar
• Frater, P. 1998. ReORIENT: Global Economy in the Asian Age. Berkeley: University of Berkeley Press.
   Google Scholar
• Hardt, M., and A. Negri. 2001. Empire. Cambridge: Harvard University Press.
   Google Scholar
• Higbee, W., and S.H. Lim 2010. “Concepts of Transnational Cinema: Towards a Critical Transnationalism in Film Studies.” Transnational Cinemas 1 (1): 7–21.
   Google Scholar
• Hong, E. 2014. The Birth of Korean Cool: How One Nation Is Conquering the World through Pop Culture. New York: Picador.
   Google Scholar
• Kim, H. 1994. “The Establishment of South Korean-Chinese Diplomatic Relations: A South Korean Perspective.” Journal of Northeast Asian Studies 13 (2): 31–48.
   Google Scholar
• Kim, S. 2003. “The Birth of the Local Feminist Sphere in the Global Era: ‘Trans-Cinema’ and Yosongjang.” Inter-Asia Cultural Studies 4 (1): 10–24.
   Google Scholar
• Kim, S. 2009. “Politics of Representation in the Era of Globalization: Discourse about Marriage Migrant Women in Two South Korean Films.” Asian Journal of Communication 19 (2): 210–226.
   Web of Science ®Google Scholar
• Law, K., and F. Bren 2004. Hong Kong Cinema: A Cross-Cultural View. Oxford: Scarecrow Press.
   Google Scholar
• Lee, H. 2006. “Between Local and Global: The Hong Kong Syndrome in South Korea.” PhD diss., University of Southern California.
   Google Scholar
• Lee, H. 2007. “Traces of Korea at Prestigious Cannes Film Festival.” The Korea Times. Accessed 13 March 2015. http://koreatimes.co.kr/www/news/culture/2007/05/135_2961.html
   Google Scholar
• Lee, H. 2015. “South Korea's CJ CGV Becomes Top Ten Theater Chain in China.” The Hollywood Reporter. Accessed 7 March 2015. http://www.hollywoodreporter.com/news/south-koreas-cj-cgv-becomes-764295
   Google Scholar
• Lee, S. 2011. “Martial Arts Craze in Korea: Cultural Translation of Martial Arts Film and Literature in the 1960s.” In East Asian Cinema and Cultural Heritage: From China, Hong Kong, Taiwan to Japan and South Korea, edited by K.Y. Shuk-Ting, 173–195. New York: Palgrave.
   Google Scholar
• 郦之(Li, Z.). 1982. “‘金焰’ (‘Jin Yan’).” In 中国电影家列传 (Biographies of Chinese Filmmakers), edited by 中国电影家协会电影史研究部 (Film History Research Department of the China Film Association), 161–168. Volume 1. Beijing: 中国电影出版社 (China Film Press).
   Google Scholar
• Lu, S. 1997. “Chinese Cinemas (1896-1996) and Transnational Film Studies.” In Transnational Chinese Cinemas: Identity, Nationhood, Gender, edited by S. Lu, 1–34. Honolulu: University of Hawai'i Press.
   Google Scholar
• 罗颖文 (Luo, Y.). 2008. “‘朝鲜⟪卖花姑娘⟫ 为何畅销中国’ (Why is North Korea's The Flower Seller a Hit in China?)” 北京晚报 (Beijing Evening News). Accessed 9 March 2015. http://news.xinhuanet.com/audio/2008-05/30/content_8282778.htm
   Google Scholar
• Meyer, R.J. 2009. Jin Yan: The Rudolph Valentino of Shanghai. Hong Kong: Hong Kong University Press.
   Google Scholar
• Meyer, R.J. 2014. Wang Renmei: The Wildcat of Shanghai. Hong Kong: Hong Kong University Press.
   Google Scholar
• 裴开瑞,张淑娟 (Pei, K. [a.k.a. Berry, C.] and S. Zhang). 2013. “‘上海的电影与时尚;文革时间什么༈不༉能穿’ (Film and Fashion in Shanghai: What (Not) to Wear during the Cultural Revolution).” 艺术观点(ACT Magazine) (54): 46–63.
   Google Scholar
• Robertson, R. 1992. Globalization: Social Theory and Global Culture. Thousand Oaks: Sage.
   Google Scholar
• Sassen, S. 2006. Territory, Authority, Rights: From Medieval to Global Assemblages. Princeton: Princeton University Press.
   Google Scholar
• Tae, S. 2015. “1960s Hit Sorrow Even Up in Heaven Rediscovered in Taiwan.” Korean Cinema Today 47. Accessed 13 March 2015. http://koreanfilm.or.kr/webzine/sub/news.jsp?mode=A_VIEW&wbSeq=350
   Google Scholar
• Tsing, A. 2000. “The Global Situation.” Cultural Anthropology 15 (3): 327–360.
   Web of Science ®Google Scholar
• Wang, Q.E. 2001. Inventing China through History: The May Fourth Approach to Historiography. Albany: State University of New York Press.
   Google Scholar
• Xiao, L. 2014. “Second Korean Wave Sweeps China.” The Korea Herald. Accessed 10 March 2015. http://www.koreaherald.com/view.php?ud=20140304000914
   Google Scholar
• 逍逍客说 (Keshuo, X.). 2014. “‘我们为什么不敢拍抗日援朝战争’ (Why Don't We Dare to Film the War to Resist US Imperialism and Assist Korea?).” Accessed 10 March 2015. http://news.sina.com.cn/zl/zatan/2014-11-11/09582611.shtml,11/11/2014
   Google Scholar
• 邱淑婷 (Yau, K.S.T.). 2006. 港日电影关系; 寻找亚洲电影网络之源 (Hong Kong-Japanese Film Connections: Seeking the Roots of the Asian Film Network). Hong Kong: 香港中文大学,人文学科研究所,香港文化研究中心丛书, 天地图书有限公司 (Centre for Hong Kong Cultural Studies, Research Institute for the Humanities, The Chinese University of Hong Kong, and Cosmos Books Ltd).
   Google Scholar
• Yau, K.S.T. 2010. Japanese and Hong Kong Film Industries: Understanding the Origins of East Asian Film Networks. London: Routledge.
   Google Scholar
• 邱淑婷 (Yau, K.S.T.). 2012. 化敌为友;港日影人口述历史 (Turning Enemies into Friends: Oral Histories of Hong Kong and Japanese Filmmakers). Hong Kong: Hong Kong University Press.
   Google Scholar
• Yoshimoto, M. 1991. “The Difficulty of Being Radical: The Discipline of Film Studies and the Postcolonial World Order.” Boundary 2 18 (3): 242–257.
   Web of Science ®Google Scholar
• 郑培为 (Zheng, P.), and 刘桂清 (G. Liu). 1981. eds., 中国无声电影剧本 (Chinese Silent Cinema Scripts), 2531–2532. 下卷 (volume 3). Beijing: 中国电影出版社 (China Film Press).
   Google Scholar