References
- Bao, Weihong. 2015. Fiery Cinema: The Emergence of an Affective Medium in China, 1915-1945. Minneapolis: University of Minnesota Press.
- Chen, Bo. 2005. Zhongguo dianying biannian jishi: faxing fangying juan [Annual chronicles of Chinese cinema: volume on distribution and exhibition]. Beijing: Zhongyang wenxian chuban she.
- Chen, Tina Mai. 2003. “Propagating the Propaganda Film: The Meaning of Film in Chinese Communist Party Writings, 1949-1965.” Modern Chinese Literature and Culture 15 (2): 154–193.
- Chen, Tina Mai. 2007. “Textual Communities and Localized Practices of Film in Maoist China.” In Film, History, and Cultural Citizenship: Sites of Production, edited by Tina Mai Chen and David S. Churchill, 61–80. New York: Routledge.
- Chen, Yinghong. 2009. Creating the “New Man”: From Enlightenment Ideals to Socialist Realities. Honolulu: University of Hawaii Press.
- Chen, Yiyu. 2013. “Zhongguo zaoqi dianying guanzhong shi (1896–1949)” [A History of Early Chinese Film Audience, 1896–1949]. PhD diss., Chinese National Academy of Arts.
- Dazhong dianying bianji bu (Editorial Board of Popular Cinema). 2006. “Jianjue hanwei shehui zhuyi de dianying shiye” [Determined to Safeguard the Socialist Film industry]. In Zhongguo dianying yanjiu ziliao, Vol. 2, edited by Di Wu, 144–149. Beijing: Wenhua yishu chubanshe.
- “Dianying fangying gongzuo shang de yige zhongda chuangzao” [A Significant Invention in Film Exhibition]. 1964. Renmin ribao (People's Daily), December 16.
- Guan, Wenqi. 1953. “Women yiding yao bangzhu nongmin kan dong dianying” [We Must Help Peasants Understand Films]. Dazhong dianying (Popular Cinema) 6: 32–33.
- Guangdong Provincial Cultural Bureau. 1956. “Nongcun dianying fangyingdui xuanchuan gongzuo xize” [Regulations for the Propaganda Work of Rural Film Projection Teams]. Dianying Fangying Ziliao (Film Exhibition Resources) 3: 26–33.
- Gunning, Tom. 1991. D.W. Griffith and the Origins of American Narrative Film: The Early Year at Biograph. Urbana: University of Illinois Press.
- Hang, Krista Van Fleit. 2013. Literature the People Love: Reading Chinese Texts from the Early Maoist Period (1949–1966). New York: Palgrave Macmillan.
- Hansen, Miriam. 1991. Babel and Babylon: Spectatorship in American Silent Film. Cambridge, MA: Harvard University Press.
- Holm, David. 1990. Art and Ideology in Revolutionary China. Oxford: Clarendon Press; New York: Oxford University Press.
- Jin, Xian. 1951a. “Jingjin, dongbei gedi yingyuan canguanji” [Touring Film Theaters in Beijing, Tianjin, and the Northeast] (1). Dazhong dianying 7: 20–21.
- Jin, Xian. 1951b. “Jingjin, dongbei gedi yingyuan canguanji” [Touring Film Theaters in Beijing, Tianjin, and the Northeast] (2). Dazhong dianying 9: 22.
- Kenez, Peter. 1985. The Birth of the Propaganda State: Soviet Methods of Mass Mobilization, 1917-1929. London: Cambridge University Press.
- Lacasse, Germain. 2012. “The Film Lecturer.” In A Companion to Early Cinema, edited by Nicolas Dulac, André Gaudreault, and Santiago Hidalgo, 487–497. Chichester: Wiley-Blackwell.
- Li, Shu. 1953. “Xin chengli de Hubei nüzi fangying dui” [The Newly Formed All-Female Projection Team from Hubei]. Dazhong dianying 1: 18–19.
- Li, Xing. 1956. “Guanzhong xuyao kan shenmeyang de yingpian” [What Kinds of Films Does the Audience Want to Watch]? Wenhui bao (Wenhui Daily), December 17.
- Li, Keng. 1957. “Wo dui jieshuo de yidian tihui” [Some Thoughts on Lecturing]. Dianying fangying (Film Exhibition) 1: 22–25.
- Li, Aidong, ed. 2007. Dianying: women gongtong de jiyi [Film: Our Shared Memory]. Beijing: Zhongguo dianying chubanshe.
- Mao, Zedong. 1967. Selected Works of Mao Tse-Tung. Vol. III. Beijing: Foreign Languages Press.
- Meisner, Maurice. 1986. Mao's China and After. New York: Free Press; London: Collier Macmillan.
- Mittler, Barbara. 2012. A Continuous Revolution: Making Sense of Cultural Revolution Culture. Cambridge, MA: Harvard University Asia Center.
- Pingdu Film Projection Team. 1964. “Rang shehuizhuyi sixiang chuanbian xin nongcun: tan nongcun puji fangying de jige guanjian wenti” [Let Socialist Thought Spread Across the New Countryside: Discussing a Few Key Problems in the Popularization of Rural Film Exhibition]. Dianying fangying 8: 6–9.
- Qi, Zhi. 2010. Mao Zedong shidai de renmin dianying, 1949–1966 nian [People's Cinema in the Mao Era, 1949–1966]. Taipei: Xiuwei zixun keji gufen youxian gongsi.
- Qian, Zhengzhuan. 1958. “Zenyang zai yingqian xuanchuan, zai yingjian chahua” [How to Propagate Before Screenings and Insert Comments During Screenings]. Dianying fangying 10: 10–11.
- Qu, Youliang. 1960. “Dang de zhongxin gongzuo shi shenme women jiu xuanchuan shenme” [We Propagate Whatever the Party's Central Task Is]. Dianying fangying 2: 15–16.
- “Sabo chuntian de zhongzi” [Spreading the Seeds of Spring]. 1959. Renmin ribao, December 23.
- Shen, Yun. 2005. “Xin zhongguo dianying shiye de chuangjian shimo” [The Creation of the Film Industry in the New China]. Dangdai dianying (Contemporary Cinema) 4: 32–42.
- “Shenru qunzhong wei shengchan gujin, dianying fangying duiwu bianji zuguo chengxiang” [Going into the Masses to Encourage Production, Film Projection Teams Were Everywhere from Cities to the Countryside]. 1959. Renmin ribao, December 23.
- SMA (Shanghai Municipal Archive). 1952. “Shanghai shi dianyingyuan shangye tongye gonghui 1951 nian gongzuo zongjie baogao” [The Shanghai Cinema Guild Annual Report, 1951]. C48-2-313.
- SMA. 1953. “Shanghai shi wenhua ju guanyu dianying fangyingdui qingkuang de baogao” [Report by the Shanghai Municipal Cultural Bureau on Film Projection Teams]. B172-4-259.
- SMA. 1954. “Shanghai shi wenhuaju guanyu dianyingyuan xuanchuan he zuzhi guanzhong gongzuo zongjie chugao” [Preliminary Report by the Shanghai Municipal Cultural Bureau on How Film Theaters Conducted Propaganda Work and Organized Audiences]. B172-1-145-34.
- SMA. 1959. “Shanghai shi yingyuan, juchang, shuchang, youlechang, fangyingdui gongzuo huiyi: Li juzhang baogao” [Presentation by Chief Li at the Conference on the Work of Movie Theaters, Performance Venues, Entertainment Venues, and Projection Teams]. B172-5-1.
- Sun, Xuewen, and Liu Shulin. 1959. “Xuanchuan hongqi piao: qingling xiang fangying dui de xuanchuan gongzuo” [The Red Flag of Propaganda Waves: Work Experience of the Qingling Township Exhibition Team]. Dianying fangying 5: 7–9.
- Wang, Ban. 1997. The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century China. Stanford, CA: Stanford University Press.
- Wang, Hui. 2007. “Qu zhengzhihua de zhengzhi: baquan de duochong goucheng yu liushi niandai de xiaoshi” [Depoliticized Politics: Multiple Components of Hegemony and the Eclipse of the 1960s]. Kaifang shidai (Open Times) 2: 5–41.
- Wang, Zhuoyi. 2014. Revolutionary Cycles in Chinese Cinema, 1951–1979. New York: Palgrave Macmillan.
- “Weile rang nongmin kandong dianying: Haian xian disi fangyingdui zhuanxie Li Shuangshuang chahua gao jingyan jieshao” [In Order for Peasants to Understand Films: Introducing the Experience of the Fourth Projection Team of Hai'an County in Writing the Commentary for Li Shuangshuang]. 1963. Dianying fangying 3: 15–18.
- Wu, Di, ed. 2006. Zhongguo dianying yanjiu ziliao. Vol. 2. Beijing: Wenhua yishu chubanshe.
- “Xiang nongmin jinxing shehuizhuyi xuanchuan jiaoyu de jingyan” [Experience in Conducting Socialist Education to Peasants]. 1957. Dianying fangying 12: 8–9.
- Xu, Xiaxiang. 2010. “Nongcun dianying fangyingdui yu nongmin de ‘zaizao’” [Rural Film Projection Teams and the ‘Remaking’ of the Peasantry]. 21 Shiji Shuangyue Kan (Twenty-First Century Bi-monthly) 122: 47–55.
- “Yinmu gua shang Daba shan – Shaanxi Pingli xian dianying fangying dui disandui de yingxiong gushi” [Film Screens on the Daba Mountain: The Heroic Deeds of the No.3 Film Projection Team from Pingli County, Shaanxi Province]. 1960. Renmin ribao, June 13.
- Yuan, Wenshu. 1957. “Cong yingpian de piaofang jiazhi shuoqi” [Box-Office Value of Films and Others]. Wenhui bao, January 29.
- Zhang, Yingjin. 2004. Chinese National Cinema. New York: Routledge.
- Zhang, Zhen. 2005. An Amorous History of the Silver Screen: Shanghai Cinema, 1896–1937. Chicago, IL: University of Chicago Press.
- Zhao, Liyan. 1957. “Jiading xian peihe liangshi wenti xuanchuan fangfa duo” [Jiading County Uses Many Methods to Propagate about Grain Problems]. Dianying fangying 12: 10–11.
- Zhong, Dianfei. 1956. “Dianying de luogu” [Gongs and Drums of Film]. Wenhui bao, December 21.
- Zhong, Dianfei. 2006. “Lun dianying zhidao sixiang zhong de jige wenti” [A Few Problems in Film Administrative Concepts]. In Zhongguo dianying yanjiu ziliao, Vol. 2, edited by Di Wu, 20–29. Beijing: Wenhua yishu chubanshe.
- Zhongguo dianying faxing fangying tongji ziliao huibian (1958-1960), di yi ce [Sourcebook on Chinese Film Distribution and Exhibition, Volume 1]. 1961. Beijing: Zhongguo dianying faxing fangying gongsi.
- Zhou, Jianming. 1957. “Nongcun yingpian gongying de maodun” [Paradox in Supplying Films for Rural Audiences]. Dianying fangying 5: 6–7.
- Zhu, Jigong. 1959. “Fangying dui, xuanchuan dui, zhandou dui – Ji beijing jiaoqu songzhuang renmin gongshe de hongqi dianying fangyingdui” [Projection Team, Propaganda Team, Combat Team: the Red Flag Film Projection Team from Songzhuang People's Commune]. Renmin ribao, December 23.