Interstitial filmmaking, spatial displacement and quasi-family ties in Postcards from the Zoo (2012)

References

• Allen, Pamela. 2003. “Literature and the Media Contemporary Literature from the Chinese ‘Diaspora’ in Indonesia.” Asian Ethnicity 4 (3): 383–399. doi:10.1080/1343900032000117213.
   Google Scholar
• Biran, H. Misbach Yusa. 2001. “The History of Indonesian Cinema at a Glance.” In Film in South East Asia: Views from the Region: Essays on Film in Ten South East Asia-Pacific Countries , edited by David Hanan . Parkes, Australia: National Gallery of Australia.
   Google Scholar
• Biran, Misbach Yusa. 2009. Sejarah Film 1900–1950: Bikin Film di Jawa. Jakarta: Komunitas Bambu.
   Google Scholar
• Bunnell, Tim , and Miller Michelle Ann . 2011. “Jakarta in post-Suharto Indonesia: decentralisation, neo-liberalism and global city aspiration.” Space and Polity 15 (1): 35–48.
   Google Scholar
• Chang, Justin. 2012. “Review: ‘Postcards from the Zoo.” http://variety.com/2012/film/reviews/postcards-from-the-zoo-1117947096/.
   Google Scholar
• Coppel, Charles A. 2008. “Anti-Chinese Violence in Indonesia after Soeharto.” In Ethnic Chinese in Contemporary Indonesia , edited by Leo Suryadinata , 117–136. Singapore: Institute of Southeast Asian Studies.
   Google Scholar
• Edwin. 2012. “Postcards from the Zoo: A Film by Edwin.” http://www.mm-filmpresse.de/en/postcards-from-the-zoo.php.
   Google Scholar
• Ghosh, Bishnupriya , and Bhaskar Sarkar . 1995. “The Cinema of Displacement: Towards a Politically Motivated Poetics.” Film Criticism 20 (1–2): 102–113.
   Web of Science ®Google Scholar
• Heryanto, Ariel. 2008. “Citizenship and Indonesian Ethnic Chinese in Post-1998 Films.” In Popular Culture in Indonesia: Fluid Identities in Post-Authoritarian Politics , edited by Ariel Heryanto, 70–93. London: Routlege.
   Google Scholar
• Hoon, Chang-yau. 2006. “A Hundred Flowers Bloom: The Re-Emergence of the Chinese Press in post-Suharto Indonesia.” In Media and the Chinese Diaspora: Community, Communications and Commerce , 91–118. London: Routledge.
   Google Scholar
• Indelicato, Maria Elena , Ivana Pražić , and Zitong Qui . 2019. “Childhood, Animality and Emotions in Indonesian Film Director Edwin’s Babi Buta Yang Ingin Terbang/Blind Pig Wants to Fly (2008).” Transnational Screens 10 (3): 217–231. doi:10.1080/25785273.2019.1676547.
   Google Scholar
• Khoo, Gaik Cheng. 2009. “What is Diasporic Chinese Cinema in Southeast Asia?” Journal of Chinese Cinemas 3 (1): 69–71. doi:10.1386/jcc.3.1.69_7.
   Google Scholar
• Khoo, Gaik Cheng. 2010. “Spotlight on the Films of Indonesian Filmmaker Edwin.” Asian Cinema 21 (2): 135–149. doi:10.1386/ac.21.2.135_1.
   Google Scholar
• Kurniasari, Triwik. 2012. “Life in the zoo.” The Jakarta Post. http://www.thejakartapost.com/news/2012/03/25/life-zoo.html.
   Google Scholar
• Marks, Laura U. 2000. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses . Durham: Duke University Press.
   Google Scholar
• Marshall, Lee. 2012. “Postcards from the Zoo.” http://www.screendaily.com/reviews/the-latest/postcards-from-the-zoo/5038096.article.
   Google Scholar
• Mischie, Ioana. 2013. “Inhale! Interview – Edwin, the director of “Postcards from the Zoo” by Ioana Mischie.” http://inhalemag.com/inhale-interview-edwin-the-director-of-postcards-from-the-zoo/.
   Google Scholar
• Naficy, Hamid. 1993. The Making of Exile Cultures: Iranian Television in Los Angeles . Minneapolis: University of Minnesota Press.
   Google Scholar
• Naficy, Hamid. 2001. An Accented Cinema: Exilic and Diasporic Filmmaking . Princeton: Princeton University Press.
   Google Scholar
• Purdey, Jemma. 2006. Anti-Chinese Violence in Indonesia: 1996–99 . Honolulu: University of Hawaii Press.
   Google Scholar
• Said, Salim. 1991. Shadows on the Silver Screen: A Social History of Indonesian Film . Jakarta: Lontar Foundation.
   Google Scholar
• Sen, Krishna. 2006. “Chinese’Indonesians in National Cinema.” Inter-Asia Cultural Studies 7 (1): 171–184. doi:10.1080/14649370500463877.
   Web of Science ®Google Scholar
• Setijadi-Dunn, Charlotte. 2013. “Chineseness, Belonging and Cosmopolitan Subjectivities in post-Suharto Independent films.” In Chinese Indonesians Reassessed: History, Religion and Belonging , edited by Siew Min Sai and Chang Yau Hoon , 65–82. London: Routlege.
   Google Scholar
• Setijadi-Dunn, Charlotte , and Thomas Barker . 2010. “Imagining “Indonesia”: Ethnic Chinese Film Producers in Pre-Independence Cinema.” Asian Cinema 21 (2): 25–47. doi:10.1386/ac.21.2.25_1.
   Google Scholar
• Simone, AbdouMaliq , and Achmad Uzair Fauzan . 2013. “On the Way to Being Middle Class: The Practices of Emergence in Jakarta.” City 17 (3): 279–298. doi:10.1080/13604813.2013.795331.
   Google Scholar
• Suner, Asuman. 2006. “Outside in: ‘accented cinema’ at large.” Inter-Asia Cultural Studies 7 (3): 363-382.
   Google Scholar
• Tadié, Jérôme , and Risa Permanadeli . 2015. “Night and the City: Clubs, Brothels and Politics in Jakarta.” Urban Studies 52 (3): 471–485. doi:10.1177/0042098014537692.
   Web of Science ®Google Scholar
• Teo, Miaw Lee. 2019. “Fragmentation and Displacement: Edwin’s Accented Film Practice.” International Journal of Scientific & Technology Research 8 (12): 3115–3121.
   Google Scholar
• Teo, Miaw Lee. 2018. “Recuperation and Fragmented Identity: Chinese Stories in Contemporary Indonesian Film.” " PhD diss., University of New South Wales.
   Google Scholar
• Yunianto, Tunggul. 2014. “On the Verge of Displacement: Listening to Kampong Dwellers in the Emotional Economy of Contemporary Jakarta.” Thesis Eleven 121 (1): 101–121. doi:10.1177/0725513614528781.
   Google Scholar