References
- H. Cohen, Off the shelf, Visual Comput. 2(3) (1986), pp. 191–194.
- R. Dawkins, The Blind Watchmaker, Longman, London, 1986.
- R. Dawkins, The evolution of evolvability, in Artificial Life: Proceedings of an Interdisciplinary Workshop on the Synthesis and Simulation of Living Systems, C. Langton, ed., Addison-Wesley, Reading, PA, 1989, pp. 201–220.
- G. Greenfield, The next computer art, Leonardo 32(4) (1999), pp. 339–343.
- R. Mueller, Idols of computer art, Art Am. 60(3) (1972), pp. 68–73.
- N. Negroponte, The return of the Sunday painter, in The Computer Age: A Twenty-Year Review, M. Dertouzos and J. Moses, eds., MIT Press, Cambridge, MA, 1979, pp. 21–37.
- K. Sims, Artificial evolution for computer graphics, Comput. Graph. 25 (1991), pp. 319–328.
- B.R. Smith, Beyond computer art, Leonardo, Supplemental issue Volume 2, in Computer Art in Context: SIGGRAPH’89 Art Show Catalog, MIT Press, Cambridge, MA, 1989, pp. 39–41.
- C.P. Snow, The Two Cultures and the Scientific Revolution, Cambridge University Press, Cambridge, 1959.
- D. Thompson, The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art, Doubleday, Canada, 2008.
- S. Todd and W. Latham, Evolutionary Art and Computers, Academic Press, London, 1992.