References
- Azoulay, A. 2008. The Civil Contract of Photography. Cambridge: MIT Press.
- Azoulay, A. 2012. Civil Imagination: A Political Ontology of Photography. London: Verso.
- Barthes, R. 1982. Camera Lucida: Reflections on Photography. Translated by R. Howard. London: Cape.
- Bellour, R. 1987. “The Pensive Spectator.” Translated by L. Kirby. Wide Angle 19(1): 6–10.
- Benjamin, W. 1999 (1931). “Little History of Photography.” In Selected Writings Volume 2, Part 2, 1931–1934, p 507-530 edited by M. W. Jennings, H. Eiland and G. Smith, translated by E. Jephcott and K. Shorter. Cambridge: Belknap Press.
- Kamber, M. 2010. “‘Restrepo’ and the Imagery of War.” Lens, New York times. Accessed June 22. http://lens.blogs.nytimes.com/2010/06/22/behind-44
- Lavoie, V. 2012. “War and the IPhone.” Translated by J. Tittensor. Études Photographiques 29. http://etudesphotographiques.revues.org/3480
- Linfield, S. 2011. The Cruel Radiance: Photography and Political Violence. Chicago, IL: University of Chicago Press.
- Maass, P. 2012. “Perpetrators and Participants: War Photographers of the Digital Age.” Paper Presented at the Symposium “Conflict[ed] Reporting: War and Photojournalism in the Digital Age,” Media@McGill, McCord Museum, Montreal, November 2.
- Ritchin, F. 2013. Bending the Frame: Photojournalism, Documentary, and the Citizen. New York: Aperture.
- Smith, W. E., and A. M. Smith. 1975. Minamata. New York: Holt, Rinehart and Winston.
- Sontag, S. 1977. On Photography. London: Penguin.
- Sontag, S. 2003. Regarding the Pain of Others. London: Penguin.