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Articles

Nurse-Martyr-Heroine: Representations of Edith Cavell in Interwar Britain, France and Belgium

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References

  • Archives
  • House of Commons Hansard Archive (HC)
  • Imperial War Museum (IWM)
  • The National Archives (TNA)
  • Printed sources
  • Berkeley, R. 1927. History of the Rifle Brigade in the War of 1914-18. Vol. I. London: The Rifle Brigade Club.
  • Berkeley, R. n.d. Dawn. London: The London Book Co.
  • Biltereyst, D. & Depauw, L. 2006. Internationale diplomatie, film en de zaak Dawn: Over de historische receptie van en de diplomatieke problemen rond the film Dawn (1928) in België. Belgisch Tijdschrift voor Nieuwste Geschiedenis/Revue Belge d'Histoire Contemporaine, 36(1–2):127–155.
  • Collier, L. 1928. Reviews of the Weeks, Kinematograph Weekly, 12 April, 40.
  • Darrow, M. 2000. French Women and the First World War. Oxford: Berg.
  • Debruyne, E. 2015. Le réseau Edith Cavell. Des femmes et des hommes en résistance. Brussels: Racine.
  • Debruyne, E. & Fell, A.S. 2013. Model Martyrs: Remembering First World War Resistance Heroines in Belgium and France. In: P. Tame, ed. Mnemosyne and Mars: Artistic and Cultural Representations of Twentieth-Century Europe at War. Newcastle: Cambridge Scholars Press, pp. 145–165.
  • Döring, J. & Schütz, E. 2007. Benn als Reporter: Wie Miss Cavell erschossen wurde. Siegen: Universitätsverlag Siegen – universi.
  • Emmott, G. 1928. Nurse Cavell Film (Letter to the Editor), The Times, 10 February.
  • Engelen, L. 2014. Film/Cinema (Belgium). In: U. Daniel et al., eds. 1914–1918-Online: International Encyclopedia of the First World War. Berlin: Freie Universität Berlin. [accessed 14 May 2018].
  • Fell, A.S. 2018. Women as Veterans after the First World War in Britain and France. Cambridge: Cambridge University Press.
  • Hughes, A-M. 2005. War, Gender and National Mourning: The Significance of the Death and Commemoration of Edith Cavell in Britain. European Review of History/Revue Européenne D'histoire, 12(3):425–444. doi: 10.1080/13507480500428938
  • Invitation, 1 February 1916. quoted in G. Bresc-Bautier and A. Pingeot. 1986. Sculptures des jardins du Louvre, du Carrousel et des Tuileries, tome 2. Paris: Editions de la Réunion des musées nationaux: p. 360.
  • Malvern, S. 2004. “For King and Country”: Frampton’s Edith Cavell (1915–1920) and the Writing of Gender in Memorials to the Great War. In: D. Getsy, ed. Sculpture and the Pursuit of a Modern Ideal in Britain c. 1880–1930. Aldershot: Ashgate, pp. 219–284.
  • Meyer, H. 1928. Deutschland und der Cavell-Film: Eine Privatvorführung in Berlin, Berliner Tageblatt und Handels-Zeitung, 1 July.
  • Pickles, K. 2007. Transnational Outrage: The Death and Commemoration of Edith Cavell. London: Palgrave Macmillan.
  • Proctor, T. 2006. Female Intelligence: Women and Espionage in the First World War. New York: NYU Press.
  • Robertson, J.C. 1984. Dawn (1928): Edith Cavell and Anglo-German Relations. Historical Journal of Film, Radio and Television, 4(1):15–28. doi: 10.1080/01439688400260021
  • Schaepdrijver, S. de, 2015. Gabrielle Petit. London: Bloomsbury.
  • Shaw, B. 1957 [1924]. Saint Joan. London: Penguin.
  • Sniter, C. 2008. La gloire des femmes célèbres: Métamorphoses et disparité de la statuaire publique parisienne de 1870 à nos jours. Sociétés et Représentations, 26:153–170.
  • Speck, C. 2001. Edith Cavell: Martyr or Patriot. Australian and New Zealand Journal of Art, 2(1):83–98. doi: 10.1080/14434318.2001.11432688
  • Sprigge, E. 1971. Sybil Thorndike Casson. London: Victor Gollancz.
  • Stead, L. 2016. Off to the Pictures: Cinemagoing, Women's Writing and Movie Culture in Interwar Britain. Edinburgh: Edinburgh University Press.
  • Wilcox, H. 1967. Twenty-Five Thousand Sunsets: The Autobiography of Herbert Wilcox. London, Sydney, Toronto: The Bodley Head.
  • Films
  • The Cavell Case (initially The Woman the Germans Shot), dir. J. G. Adolfi. J. L. Plunkett and F. J. Carroll, USA 1918.
  • Dawn, dir. H. Wilcox. British and Dominions Film Corporation, United Kingdom 1928.
  • Femme belge/Belgische vrouw, dir. Francis Martin. Les Productions Cinématographiques Belges, Belgium 1928.
  • La Belgique martyre: Drame patriotique de la Grande Guerre 1914–1918, dir. C. Tutelier, Belgium 1919.
  • La guerre est une erreur/Oorlog is een dwaling, dir. uncredited. Presented by La Cinématographie HACKIN (of Brussels-based Mathieu Hackin), Belgium 1928.
  • La Revanche, dir. W.J. Lincoln. Cinema Films Ltd., Australia 1916.
  • The Martyrdom of Nurse Cavell, dir. J. Gavin and C. Post Mason. Australian Famous Feature Company, Australia 1916.
  • Nurse and Martyr, dir. P. Moran. Phoenix Film, United Kingdom 1915.
  • Nurse Cavell, dir. W.J. Lincoln. Cinema Films Ltd./J.C. Williamson Ltd, Australia 1916.
  • Nurse Edith Cavell, dir. H. Wilcox. Imperadio Pictures, USA 1939.
  • Petite martyre belge/Het Belgisch martelaresje, dir. F. Martin. Cineco/D.R.D., Belgium 1928.

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