References
- Alexander, W. 1975. Frontier Films, 1936–1941: The Aesthetics of Impact. Cinema Journal, 15(1):16–28.
- Barnouw, E. 1993. Documentary: A History of the Non-Fiction Film. 2nd rev. ed. New York and Oxford: Oxford University Press.
- Cartier-Bresson, H. 1996. L’imaginaire d’après nature. Paris: Fata Morgana.
- Fulcher, J.F. 2005. The Composer as Intellectual. Music and Ideology in France, 1914–1940. New York: University Press.
- Gorbman, C. 1987. Unheard Melodies: Narrative Film Music. London/Bloomington: BFI Publishing/Indiana University Press.
- Kassabian, A. 2001. Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York: Routledge.
- Kœchlin, C. 1936. Musique de film. A propos d’Harmonica. L’Humanité, 9 February, p. 8.
- Kœchlin, C. 1937. De l’art pour l’art, et de l’état des esprits à ce jour. La Revue musicale, June/July, p. 27.
- Kœchlin, C. 1938. Comment je conçois la musique de cinéma? Comment j’ai écrit celle du film Victoire de la vie?. La revue américaine, Mediatheque Gustav Mahler, Archives Charles Kœchlin, Box 24 ‘Articles divers’.
- Kubik, G. 1945. Music in Documentary Films. Music Publisher Journal, 3(13), September/October:54–56.
- Lacasse, S. 2000. Intertextuality and Hypertextuality in Recorded Popular Music. In: M. Talbot, ed. The Musical Work: Reality or Invention? Liverpool: Liverpool University Press, pp. 35–58.
- Orledge, R. 1971. Kœchlin and the Early Sound Film 1933–1938. Proceedings of the Royal Association, 98:1–16.
- Papazian, E. 2009. Manufacturing Truth: the Documentary Moment in Early Soviet Culture. Dekalh: Northern Illinois University Press.
- Riefenstahl, L. 1935. Hinter den Kulissen des Reichsparteitag-Films. Munich: Franz Eher Nachf.
- Rogers, H. 2015. Music, Sound and the Nonfiction Aesthetic. In: H. Rogers, ed. Music and Sound in Documentary Film. New York: Routledge, pp. 1–19.
- Rossi, J. 2010. Charles Kœchlin et la musique pour l’image: Victoire de la vie de Henri Cartier-Bresson. In: P. Cathé, S. Douche & M. Duchesneau, eds. Charles Koechlin, Compositeur et humaniste. Paris: Vrin, pp. 449–473.
- Rotha, P. 1965 (1st ed. 1935). Documentary Film. New York: Hastings House.
- Saguer, L. 2010. Œuvres et Jours. B. Schweye and L. Feneyrou, eds. Paris: Basalte éditeur.
- Steiner, M. 1937. Scoring the Film. In: N. Naumburg, ed. We Make the Movies. New York: Norton and Norton Company, pp. 216–238.
- Volker, R. 2003. ‘Von oben sehr erwünscht’ — Die Filmmusik Herbert Windts im NS-Propagandafilm. Trier: WVT Wissenschaftlicher Verlag Trier.
Filmography
- 400 Million, 1938, Joris Ivens, USA.
- A Day in the Country (Partie de champagne), 1936, Jean Renoir.
- Coal Face, 1936, Alberto Cavalcanti, UK.
- Defenders of the Faith, 1938, Russell Palmer, USA.
- Earthquakers, 1943, Jerry Chodorov, USA.
- Espoir, sierra de Teruel, 1940, André Malraux and Boris Peskine, France and Spain.
- Heart of Spain, 1937, Herbert Kline and Geza Karpathi, USA.
- Housing Problems, 1935. Arthur Elton and Edgar Anstey, UK.
- Komsomolsk, 1932, Joris Ivens, URSS.
- Kühle Wampe, Slátan Dudow, 1932, Allemagne.
- Land without Bread, 1932, Luis Buñuel, France and Spain.
- Life is ours (La vie est à nous), 1936, Jean Renoir, France.
- Man with a Movie Camera, 1929, Dziga Vertov, URSS.
- Memphis Belle: A Story of a Flying Fortres, 1943, William Wyler, USA.
- Men and Ships, 1940, George Gercke, USA.
- Native Land, 1942, Paul Strand and Leo Hutwitz, USA.
- New Earth, 1934, Joris Ivens, Netherlands.
- Night Mail, 1936, Harry Watt and Basil Wright, UK.
- Por la independencia de España, 1936, Alfonso Gimeno, Spain.
- Sanidad en el frente y en la retaguardia, 1937, Rafael Gil, Spain.
- Sieg des Glaubens, 1933, Leni Riefentahl, Germany.
- Spain shall live (L’Espagne vivra), 1939, Henri Cartier-Bresson, France.
- Spanish Earth, The Joris Ivens, 1937, USA.
- The Forgotten Village, 1941, Joris Ivens, USA.
- The Plow that Broke the Plains, 1936, Pare Lorentz, USA.
- The River, 1937, Pare Lorentz, USA.
- The Rules of the Game (La règle du jeu), 1939, Jean Renoir, France.
- The World at War, 1942, Sam Spewak, USA.
- Triumph des Willens, 1935, Leni Riefentahl, Germany.
- Valley Town, 1940, Willard Van Dyke, USA.
- Victory of Life (Victoire de la vie), 1938, Henri Cartier-Bresson, France.
- White Flood, 1940, Joris Ivens, USA.
- With the Abraham Lincoln Brigade In Spain, 1937, Henri Cartier-Bresson, USA.