References
- Albright, A. C. 1997. Choreographing Difference: The Body and Identity in Contemporary Dance. Middletown, CT: Wesleyan University Press.
- Brantley, B. 2009. “Afrobeat's King, Recrowned.” New York Times, September 5, 2008. Accessed January 9, 2009. http://theater.nytimes.com/2008/09/05/theater/reviews/05fela.html?pagewanted=all
- Coker, N., Jr. 2004. A Study of the Music and Social Criticism of African Musician Fela Anikulapo-Kuti. Wales: The Edwin Mellen Press.
- Daniel, Y. 2005. Dancing Wisdom: Embodied Knowledge in Haitian Vodou, Cuban Yoruba, and Bahians Candomblé. Chicago: University of Illinois Press.
- Denzer, L. 2003. “Fela, Women, Wives.” In Fela: From West Africa to West Broadway, edited by Trevor Schoonmaker, 111–134. New York: Palgrave Macmillan.
- Dixon-Gottschild, B. 1996. Digging the Africanist Presence in American Performance: Dance and Other Contexts. Westport: Praeger.
- Dumas, R. J. 2010. “ Afrobeat’s Vice President.” Wax Poetics (39): 77.
- Edwards, B. H. 2003. The Practice of Diaspora. Durham, NC: Duke University Press.
- Edwards, B. H. 2007. “Crossroads Republic.” Transition 97 (1): 94–119.
- Gilroy, P. 1993. The Black Atlantic: Modernity and Double Consciousness. Cambridge, MA: Harvard University Press.
- Goldman, V. 2003. “Thinking Africa: Afrobeat Aesthetic and the Dancing Queens.” In Fela: From West Africa to West Broadway, edited by Trevor Schoonmaker, 104–110. New York: Palgrave Macmillan.
- Goldman, D. 2010. I Want To Be Ready: Improvised Dance as a Practice of Freedom. Ann Arbor: University of Michigan Press.
- Hall, S. 1994. “Cultural Identity and Diaspora.” In Colonial Discourse and Post-colonial Theory: A Reader, edited by Patrick Williams and Chrismnan, 392–401. London: Harvester Wheatsheaf.
- Idowu, M. K. 1986. Fela: Why Blackman Carry Shit. Ikeja, Nigeria: Opinion Media Limited.
- Kraut, A. 2003. “Between Primitivism and Diaspora: The Dance Performances of Josephine Baker, Zora Neale Hurston, and Katherine Dunham.” Theatre Journal 55: 433–450. doi: 10.1353/tj.2003.0125
- Lee, F. 2009. “Finding Depth in Fela's Women.” New York Times. December 16, 2009. Accessed December 16, 2009. http://www.nytimes.com/2009/12/17/theater/17fela.html.
- Lorde, A. 1984. Sister Outsider: Essays and Speeches. Berkeley: Crossing Press.
- Moore, C. (1982) 2009. Fela: This Bitch of a Life. Reprint, Chicago, IL: Lawrence Hill Books.
- Monson, I. 2003. The African Diaspora: A Musical Perspective. New York: Routledge.
- Nzegwu, N. 2003. “School Days in Lagos.” In Fela: From West Africa to West Broadway, edited by Trevor Schoonmaker, 135–148. New York: Palgrave Macmillan.
- Olaniyan, Tejumola. 2001. “The Cosmopolitan Nativist: Fela Anikulapo-Kuti and the Antinomies of Postcolonial Modernity.” Research in African Literatures 32: 76–89. doi: 10.2979/RAL.2001.32.2.76
- Olorunyomi, S. 2003. Afrobeat and the Imagined Continent. Trenton, NJ: African World Press.
- Oribioye, S. 1997, March 15. “How Fela Defiled Muson.” Weekend Times 12–13.
- Veal, M. 2000. Fela: The Life and Times of an African Musical Icon. Philadelphia: Temple University Press.
- Weheliye, A. G. 2005. Phonographies: Grooves in Sonic Afro-modernity. Durham, NC: Duke University Press.