References
- Ani, Marimba. 1980. Let the Circle be Unbroken: The Implications of African Spirituality in the Diaspora. New York: Nkonimfo Publications.
- Ani, Marimba. 1994. “The African Aesthetic and National Consciousness.” In The African Aesthetic: Keeper of the Traditions, edited by Kariamu Welsh Asante, 63–82. Westport, CT: Praeger.
- Ariyaratne, Sunil. 1999. Baila Kaffrinha. Colombo: S. Godage & Brothers.
- Asante, Molefi K. 2007. “Afrocentricity and the Critique of Drama.” Western Journal of Black Studies 14 (2): 136–141.
- Barrett, Leonard. 1974. Soul Force. New York: Anchor Press.
- Basu, Helene. 2001. “Theatre of Memory: Ritual Kinship Performances of the African Diaspora in Pakistan.” In Culture, Creation, and Procreation: Concepts of Kinship in South Asian Practice, edited by Monika Brock, and Aparna Rao, 243–270. New York: Berghahn Books.
- Bekerie, Ayele. 2007. “The Ancient African Past and the Field of Africana Studies.” Journal of Black Studies 37 (3): 445–460. doi: 10.1177/0021934706290085
- Bratcher, Melanie. 2010. “Song and Dance Nexus in the Africana Aesthetic: An Approach.” In African American Studies, edited by Jeanette R. Davidson, 224–238. Edinburgh: Edinburgh University Press.
- Catlin-Jairazbhoy, Amy. 2006. “From Sufi Shrines to the World Stage: Sidi African Indian Music, Intervention and the Quest for ‘Authenticity’.” Musiké: International Journal of Ethnomusicological Studies 2 (1): 1–24.
- Davies, Carole Boyce. 1996. “Transformational Discourses, Afro-Diasporic Culture, and the Literary Imagination.” Macalester International 3 (20): 199–224.
- de Silva Jayasuriya, Shihan. 2003. “The African Diaspora in Sri Lanka.” In The African Diaspora in the Indian Ocean, edited by Shihan de Silva Jayasuriya, and Richard Pankhurst, 251–288. Trenton: Africa World Press.
- de Silva Jayasuriya, Shihan. 2006. “Music and Memories: Oral Traditions from an Indian Ocean Island.” Musike: International Journal of Ethnomusicological Studies 2: 25–41.
- Fernando, C. M. 1894. “The Music of Ceylon.” Journal of the Royal Asiatic Society Ceylon Branch xiii: 183–189.
- Fodeba, Keita. 1959. “The True Meaning of African Dance.” UNESCO Courier Jan. 1959: 18–23.
- Gilroy, Paul. 1993. The Black Atlantic: Modernity and Double Consciousness. Cambridge: Harvard University Press.
- Goonatilleke, Miguel. 1983. Report of an Interview with the Portuguese Speaking Community in Puttalam. Colombo: Department of National Archives.
- Green, Doris. 2002. “Traditional Dance in Africa.” In African Dance: An Artistic, Historical and Philosophical Inquiry (3rd ed.), edited by Kariamu Welsh Asante, 13–28. Trenton: Africa World Press.
- Hanchard, Michael. 2008. “Black Memory Versus State Memory: Notes Toward a Method.” Small Axe: A Caribbean Journal of Criticism 12 (2): 45–62. doi: 10.1215/-12-2-45
- Irobi, Esiaba. 2007. “What They Came with” Carnival and the Persistence of African Performance Aesthetics in the Diaspora.” Journal of Black Studies 37 (6): 896–913. doi: 10.1177/0021934705283774
- Jayasuriya, S. D. 2009. African Identity in Asia: Cultural Effects of Forced Migration. Princeton, NJ: Markus Wiener.
- Kinni-Oluysanyin, Esilokun. 2002. “A Panoply of African Dance Dynamics.” In African Dance: An Artistic, Historical and Philosophical Inquiry (3rd ed.), edited by Kariamu Welsh Asante, 29–38. Trenton: Africa World Press.
- Lovejoy, Paul E. 1997. “The African Diaspora: Revisionist Interpretations of Ethnicity, Culture and Religion Under Slavery.” Studies in the World History of Slavery, Abolition and Emancipation 2 (1): 1–23.
- Mandy, L. 2018. “The Afrikan/African Sri Lankans: A History of the Resilience and Rejuvenation of People called ‘Kapiri’ or ‘Ceylon Kaffirs’, Afrikan Sri Lankans.” https://afrikansrilankans.weebly.com/afrikan-sri-lankans–the-story.html.
- Maultsby, Portia. 2000. “Africanisms in African American Music.” In A Turbulent Voyage: Readings in African American Music (3rd ed.), edited by Floyd W. Hayes, 156–176. Lanham: Rowman and Littlefield.
- McClaurin, Irma. 1999. “Salvaging Lives in the African Diaspora: Anthropology, Ethnography, and Women's Narratives.” Souls 1 (3): 25–39. doi: 10.1080/10999949909362173
- Mercer, Kobena. 1994. Welcome to the Jungle: New Positions in Black Cultural Studies. New York: Routledge.
- Myers, Joshua M. 2012. “On Aesthetic Reasoning in Africana Studies.” The Last Generation of Black People. New York: The Liberator Magazine.
- Primus, Pearl. 2002. “African Dance.” In African Dance: An Artistic, Historical and Philosophical Inquiry (3rd ed.), edited by Kariamu Welsh Asante, 3–12. Trenton: Africa World Press.
- Raiford, Leigh. 2009. “Photography and the Practices of Critical Black Memory.” History and Theory 48 (4): 112–129. doi: 10.1111/j.1468-2303.2009.00522.x
- Scott, David. 2008. “Introduction: On the Archaeologies of Black Memory.” Anthurium: A Caribbean Studies Journal 6 (1): 1–16.
- Snipe, Tracy D. 2002. “African Dance: Bridges to Humanity.” In African Dance: An Artistic, Historical and Philosophical Inquiry (3rd ed.), edited by Kariamu Welsh Asante, 63–78. Trenton: Africa World Press.
- S’thembile West, Cynthia. 2002. “Dianne McIntyre: A Twentieth Century African-American Griot.” In African Dance: An Artistic, Historical and Philosophical Inquiry (3rd ed.), edited by Kariamu Welsh Asante, 131–144. Trenton: Africa World Press.
- Taylor, Clyde R. 1998. The Mask of Art: Breaking the Aesthetic Contract. Bloomington: Indiana University Press.
- Thompson, Robert F. 1974. African Art in Motion: Icon and Art. Los Angeles: University of California Press.
- Trouillot, Michel-Rolph. 1995. Silencing the Past: Power and the Production of History. Boston, MA: Beacon Press.
- wa Thiong’o, Ngugi. 2009. Something Torn and New: An African Renaissance. New York: Basic Civitas.
- Welsh Asante, Kariamu. 1990. “Commonalities in African Dance: An Aesthetic Foundation.” In African Culture: Rhythms of Unity, edited by Molefi Kete Asante, and Kariamu Welsh Asante, 71–82. Trenton: Africa World Press.
- Willis, Cheryl. 2002. “Tap Dance: Manifestations of the African Aesthetic.” In African Dance: An Artistic, Historical, and Philosophical Inquiry (3rd ed.), edited by Kariamu Welsh-Asante, 141–160. Trenton, NJ: Africa World Press.