143
Views
1
CrossRef citations to date
0
Altmetric
Articles

Re-thinking Copyright Through the Copy in Russia

Pages 472-487 | Received 25 Mar 2012, Accepted 03 Dec 2012, Published online: 18 Mar 2013

REFERENCES

  • American Assembly. (2011) Copyright Infringement and Enforcement in the US. A Research Note, American Assembly, Columbia University, NY.
  • Aronczyk, M., & Craig, A. (2012) ‘Introduction: Cultures of circulation’, Poetics, vol. 40, no. 2, pp. 93–100. 10.1016/j.poetic.2012.02.001
  • Athique, A. (2008) ‘The global dynamics of Indian media piracy: Export markets, playback media and the informal economy’, Media, Culture & Society, vol. 30, no. 5, pp. 699–718.
  • Benjamin, W. (2008) The Work of Art in the Age of its Technological Reproducibility, and Other Writings on Media, Belknap Press of Harvard University Press, Cambridge, MA.
  • Bennett, T., & Healy, C. (2009) ‘Introduction’, Journal of Cultural Economy, vol. 2, nos. 1–2, pp. 3–10. 10.1080/17530350903063776
  • Bennett, T., Mcfall, L., & Pryke, M. (2008) ‘Editorial’, Journal of Cultural Economy, vol. 1, no. 1, pp. 1–7. 10.1080/17530350801913551
  • Bockman, J., & Eyal, G. (2002) ‘Eastern Europe as a laboratory for economic knowledge: The transnational roots of neoliberalism’, American Journal of Sociology, vol. 108, no. 2, pp. 310–352. 10.1086/344411
  • Boon, M. (2010) In Praise of Copying, Harvard University Press, Cambridge, MA & London.
  • Boyle, J. (1997) Shamans, Software and Spleens: Law and the Construction of the Information Society, Harvard University Press, Cambridge, MA.
  • Burris, S., Drahos, P., & Shearing, C. (2005) ‘Nodal governance’, Australian Journal of Legal Philosophy, vol. 30, pp. 1–43.
  • ÇalIşkan, K. (2010) Market Threads: How Cotton Farmers and Traders Create a Global Commodity, Princeton University Press, Princeton, NJ.
  • Callon, M. (1998) ‘Introduction: The embeddedness of economic market in economics’, in The Laws of the Markets, ed. M. Callon, Sociological Review Monographs, Blackwell Publishers, pp. 2–57.
  • Callon, M., Millo, Y. & Muniesa, F. (2007) Market Devices, John Wiley and Sons Ltd., Wiley-Blackwell, Oxford, UK.
  • Cook, D. A., & Wang, W. (2004) ‘Neutralizing the piracy of motion pictures: Re-engineering the industry's supply chain’, Technology in Society, vol. 26, no. 4, pp. 567–583.
  • Coombe, R. J. (1998) The Cultural Life of Intellectual Properties: Authorship, Appropriation, and the Law, Duke University Press, Durham, NC.
  • Cross, J. C. (1998) Informal Politics: Street Vendors and the State in Mexico City, Stanford University Press, Stanford, CA.
  • Drahos, P. & Braithwaite, J. (2002) Information Feudalism: Who owns the Knowledge Economy?, Earthscan, Routledge Publishers, London & New York.
  • Firestone, T. (2010) ‘Armed injustice: Abuse of the law and complex crime in post-Soviet Russia’, Denver Journal of International Law and Policy, vol. 38, no. 4, pp. 555–580.
  • Gaonkar, D. P., & Povinelli, E. A. (2003) ‘Technologies of public forms: Circulation, transfiguration, recognition’, Public Culture, vol. 15, no. 3, pp. 385–397. 10.1215/08992363-15-3-385
  • Gillespie, T. (2007) Wired Shut: Copyright and the Shape of Digital Culture, MIT Press, Cambridge MA.
  • Golovanov, D. (2008) ‘Transformation of Authors’ Rights and Neighbouring Rights in Russia. IRIS Plus: Legal Observations of the European Audiovisual Observatory. http://www.obs.coe.int/oea_publ/iris/iris_plus/iplus2_2008.pdf.en (accessed 30 January 2012).
  • Iipa. (2010) ‘IIPA Special 301’ [Online]. Available at: http://www.iipa.com/rbc/2010/2010SPEC301ITALY.pdf (accessed 29 January 2012).
  • Johns, A. (2009) Piracy: The Intellectual Property Wars from Gutenberg to Gates, University of Chicago Press, Chicago.
  • Johns, A. (2011) ‘The property police’. in Making and Unmaking Intellectual Property: Creative Production in Legal and Cultural Perspective, eds M. Woodmansee, P. Jaszi, & M. Biagioli, University of Chicago Press, Chicago, pp. 199–213.
  • Karaganis, J. (2011) Media Piracy in Emerging Economies, SSRC Books, New York.
  • Kharkhordin, O. (1999) The Collective and the Individual in Russia: A Study of Practices, University of California Press, Stanford, CA.
  • Kiriya, I. (2012) ‘The culture of subversion and Russian media landscape’, International Journal of Communication, vol. 6, pp. 446–466.
  • Klinenberg, E., & Benzecry, C. (2005) ‘Introduction: Cultural Production in a Digital Age’, Annals of the American Academy of Political and Social Science, vol. 597, pp. 6–18.
  • Krarganis, J., & Flynn, S. (2011) ‘Chapter 2: Networked Governance and the USTR’, in Media Piracy in Emerging Economies, ed. J. Karaganis, pp. 75–98. SSRC Books, New York.
  • Larkin, B. (2004) ‘Degraded images, distorted sounds: Nigerian video and the infrastructure of piracy’, Public Culture, vol. 16, no. 2, pp. 289–314. 10.1215/08992363-16-2-289
  • Larkin, B. (2008) Signal and Noise: Media, Infrastructure, and Urban Culture in Nigeria, Duke University Press, Durham, NC.
  • Latour, B., & Lowe, A. (2010) ‘The migration of the aura or how to explore the original through its facsimilies’. in Switching Codes, ed. T. Bartscherer, University of Chicago Press, Chicago.
  • Ledeneva, A. V. (1998) Russia's Economy of Favours: Blat, Networking and Informal Exchange, Cambridge University Press, Cambridge.
  • Lee, B., & LiPuma, E. (2002) ‘Cultures of Circulation: The Imaginations of Modernity’, Public Culture, vol. 14, no. 1, pp. 191–213.
  • Lessig, L. (2005) Free Culture: The Nature and Future of Creativity, Penguin (Non-Classics), London.
  • Lessig, L. (2006) Code and Other Laws of Cyberspace, Version 2.0. http://www.code-is-law.org/ (accessed 30 January 2012).
  • Li, J. (2012) ‘Piracy cultures from “D-Buffs” to the “D-Generation”: Piracy, cinema, and an alternative public sphere in urban China’, International Journal of Communication, vol. 6, 542–563.
  • Lipuma, E., & Koelble, T. (2005) ‘Cultures of circulation and the urban imaginary: Miami as example and exemplar’, Public Culture, vol. 17, no. 1, pp. 153–180. 10.1215/08992363-17-1-153
  • Mattelart, T. (1995) Le cheval de Troie audiovisuel, Universitaires de Grenoble, Grenoble.
  • Mattelart, T. (2009) ‘Audio-visual piracy: Towards a study of the underground networks of cultural globalization’, Global Media and Communication, vol. 5, no. 3, pp. 308–326. 10.1177/1742766509346611
  • May, C. (2006) ‘The denial of history: Reification, intellectual property rights and the lessons of the past’, Capital & Class, vol. 88, pp. 33–56.
  • Mcfall, L. (2008) ‘Rethinking cultural economy: Pragmatics and politics?’, Journal of Cultural Economy, vol. 1, no. 2, pp. 233–237. 10.1080/17530350802243651
  • Mol, A. (2010) ‘Actor-Network Theory: sensitive terms and enduring tensions’, Kölner Zeitschrift für Soziologie und Sozialpsychologie. Sonderheft, vol. 50, pp. 253–269.
  • Pang, L. (2012) Creativity and its Discontents: China's Creative Industries and Intellectual Property Rights Offenses, Duke University Press Books, Durham NC.
  • Peterson, R., & Anand, N. (2004) ‘The Production of Culture Perspective’, Annual Review of Sociology, vol. 30, no. 1, pp. 311–334.
  • Sell, S. (2003) Private power, public law: the globalization of intellectual property rights, Cambridge University Press, Cambridge.
  • Sezneva, O., & Karaganis, J. (2011) ‘Chapter 4: Russia’. in Media Piracy in Emerging Economies, ed. J. Karaganis, SSRC Books, New York.
  • Stoler, A. L. (2009) Along the Archival Grain: Epistemic Anxieties and Colonial Common Sense, Princeton University Press, Princeton, NJ.
  • Sundaram, R. (2007) ‘Other networks: Media urbanism and the culture of the copy in South Asia’, in Structures of Participation in Digital Culture, ed. J. Karaganis, SSRC Books, New York.
  • Sundaram, Ravi (2010) Pirate Modernity: Delhi's Media Urbanism, Routledge, Oxford, New York.
  • Thrift, N. (2005) Knowing Capitalism, SAGE Publications Ltd., London, UK.
  • Vaidhyanathan, S. (2005) ‘Remote Control: The Rise of Electronic Cultural Policy’, The ANNALS of the American Academy of Political and Social Science Issue, vol. 597, pp. 122–133.
  • Verran, H. (2009) ‘On assemblage’, Journal of Cultural Economy, vol. 2, nos. 1–2, pp. 169–182. 10.1080/17530350903064188
  • Wang, S. (2003) Framing Piracy: Globalization and Film Distribution in Greater China, Rowman & Littlefield, Lanham, Maryland.
  • Woodmansee, M. (1996) The Author, Art, and the Market: Rereading the History of Aesthetics, Columbia University Press, New York.
  • Yar, M. (2005) ‘The global “epidemic” of movie “piracy”: Crimewave or social construction?’, Media, Culture & Society, vol. 27, no. 5, pp. 677–696.
  • Zaloom, C. (2006) Out of the Pits: Traders and Technology from Chicago to London, University of Chicago Press, Chicago.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.