A Space of One’s Own: Studio Photography and the Making of Black Urban Femininities in the 1950s East Rand

References

• Adams, Tamsyn, Sophie Feyder, and Christoph Rippe. “Photographic Traditions in South African Popular Modernities.” Material World Blog, NYU, April 2011. http://www.materialworldblog.com/2011/04/photographic-traditions-in-south-african-popular-modernities/.
   Google Scholar
• Akyeampong, Emmanuel, and Ambler, Charles. “Leisure in African History: An Introduction.” In Leisure in African History, ed. Emmanuel Akyeampong and Charles Ambler, special issue, The International Journal of African Historical Studies 35, no. 1 (2002): 1–16.
   Web of Science ®Google Scholar
• Appadurai, Arjun. “The Colonial Backdrop.” After-Image 24, no. 5 (1997): 4–7.
   Google Scholar
• Batchen, Geoffrey. Forget Me Not: Photography and Remembrance. New York: Princeton Architectural Press, 2004.
   Google Scholar
• Behrend, Heike. “Love à la Hollywood and Bombay in Kenyan Studio Photography.” Paideuma 44 (1998): 139–53.
   Google Scholar
• Behrend, Heike. “I am a Movie Star in My Street: Photographic Self-creation in Postcolonial Kenya.” In Postcolonial Subjectivities in Africa, ed. Richard Werbner, 44–62. London: Zed Books, 2002.
   Google Scholar
• Behrend, Heike, and Tobias Wendel. Snap Me One: Studio Fotografe in Afrika. München: Prestel Verlag, 1998.
   Google Scholar
• Berger, Iris. Threads of Solidarity: Women in South African Industry, 1900–1980. Bloomington: Indiana University Press, 1992.
   Google Scholar
• Bourdieu, Pierre. Un Art Moyen: Essai sur les Usages Sociaux de la Photographie [Photography: A Middle-Brow Art]. Paris: Les Editions de Minuit, 1965.
   Google Scholar
• Breckenridge, Keith. “Love Letters and Amanuenses: Beginning the Cultural History of the Working Class Private Class in Southern Africa, 1900–1933.” In Popular Culture and Democracy, ed. Liz Gunner, Deborah James, and Preben Kaarsholm, special issue, Journal of Southern African Studies 26, no. 2 (June 2000): 337–48.
   Google Scholar
• Brielmaier, Isolde. “Mombasa on Display: Photography and the Formation of an Urban Public, from the 1940s onward.” In Portraiture and Photography in Africa, ed. John Peffer and L. Elisabeth Cameron, 253–86. Bloomington, IN: Indiana University Press, 2013.
   Google Scholar
• Buckley, Liam. “Self and Accessory in Gambian Studio Photography.” Visual Anthropology Review 16, no. 2 (Fall-winter 2000–2001): 71–91.
   Google Scholar
• Campt, Tina. Image Matters: Archive, Photography, and the African Diaspora in Europe. Durham, NC: Duke UP, 2013.
   Google Scholar
• Clowes, Lindsay. “Masculinity, Matrimony and Generation: Reconfiguring Patriarchy in Drum 1951–1983.” Journal of Southern African Studies 34, no. 1 (2008): 179–92.10.1080/03057070701832965
   Web of Science ®Google Scholar
• Coplan, David. In Township Tonight! South Africa’s Black City Music and Theatre. Chicago, IL: University of Chicago Press, 1983.
   Google Scholar
• Coplan, David. “Sophiatown and South African Jazz: Re-appropriating a Cultural Identity.” Africultures, no. 66 (2006): 120–35.
   Google Scholar
• Darrah, William. Cartes de visite in Nineteenth Century Photography. Gettysburg, PA: W.C. Darrah, 1981.
   Google Scholar
• De Coning, Christian. Income and Expenditure Patterns of Urban Bantu Households: Benoni Survey. Pretoria: Bureau of Market Research, University of South Africa, 1962.
   Google Scholar
• Driver, Dorothy. “Drum Magazine (1951–9) & the Spatial Configurations of Gender.” In Text, Theory, Space: Land, Literature & History in South Africa & Australia, ed. Kate Darian-Smith, Liz Gunner, and Sarah Nuttal, 231–42. London: Routledge, 1996.
   Google Scholar
• Driver, Dorothy. “The Fabulous Fifties: Short Fiction in English.” In The Cambridge History of South African Literature, ed. David Attwell and Derel Attridge, 381–409. Cambridge: Cambridge UP, 2012.
   Google Scholar
• Fall, N’Goné. “Le Maître du Studio: un Passeur de Rêves [The Master of the Studio, a Runner of Dreams].” In Photographies Kinshasa, ed. N’Goné Fall. Trans. Polly Hammel, 32–5. Paris: Revenu Noire, 2001.
   Google Scholar
• Fenwick, Mac. “‘Tough guy, eh?’ The Gangster-Figure in Drum.” Journal of Southern African Studies 22, no. 4 (1996): 617–32.10.1080/03057079608708515
   Web of Science ®Google Scholar
• Feyder, Sophie. “Lounge Photography and the Politics of Township Interiors: The Representation of the Black South African Home in the Ngilima Photographic Collection, East Rand, 1950s.” In Documentary Photography in South Africa, ed. Diana Wylie and Andrew Bank, Special issue, Kronos 38 (November 2012): 131–53.
   Google Scholar
• Geary, Christraud, M. “Portraiture, Authorship and the Inscription of History: Photographic Practice in the Bamum Kingdom, Cameroon (1902–1980).” In Getting Pictures Right: Context and Interpretation, ed. Michael Albrecht, Veit Arlt, Barbara Müller, and Jürg Schneider, 141–63. Cologne: Rüdiger Köppe Verlag, 2004.
   Google Scholar
• Geary, Christraud M. “Roots and Routes of African Photographic Practices: From Modern to Vernacular Photography in West and Central Africa (1850–1980).” In A Companion to Modern African Art, ed. Gitti Salami and Monica Blackmun Visonà, 74–95. Oxford: Wiley, 2013.
   Google Scholar
• Glaser, Clive. “The Mask of Zorro: Sexuality and Gender Relations in the Tsotsi Subculture on the Witwatersrand.” African Studies 51, no. 1 (1992): 47–68.10.1080/00020189208707749
   Web of Science ®Google Scholar
• Haney, Erin. “If these Walls Could Talk!: Photographs, Photographer and Their Patrons in Accra and Cape Coast, Ghana 1840–1940.” PhD diss., University of London, 2004.
   Google Scholar
• Jolles, Frank. “Negotiating Relationships: Village to City, Beadwork to SMS.” Southern African Humanities 18, no. 2 (2006): 119–38.
   Google Scholar
• Malcomess, Bettina, and Dorothee Kreutzfeldt. Not No Place: Johannesburg. Fragments of Space and Time. Johannesburg: Jacana Media, 2013.
   Google Scholar
• Martin, Phyllis. Leisure and Society in Colonial Brazzaville. Cambridge: Cambridge University Press, 1995.
   Google Scholar
• Mofokeng, Santu. The Black Photo Album—Look At Me: 1890–1950. Göttingen: Steidl, 2013.
   Google Scholar
• Mutongi, Kenda. “‘Dear Dolly’s Advice’: Representations of Youth, Courtship and Sexualities in Africa, 1960–1980.” The International Journal of African Historical Studies 33, no. 1 (2000): 1–23.10.2307/220256
   PubMed Web of Science ®Google Scholar
• Nimis, Erika. “Yoruba Studio Photographers in Francophone West Africa.” In Portraiture and Photography in Africa, ed. John Peffer and Elisabeth L. Cameron, 102–40. Bloomington, IN: Indiana University Press, 2013.
   Google Scholar
• Nkosi, Lewis. Home and Exile and Other Selections. London: Longman, 1983.
   Google Scholar
• Philips, Ray. The Bantu in the City: A Study of Cultural Adjustment on the Witwatersrand. Lovedale: Lovedale Press, 1938.
   Google Scholar
• Posel, Deborah. “Marriage at the Drop of a Hat: Housing and Partnership in South Africa’s Urban African Townships, 1920s–1960s.” History Workshop Journal 61 (Spring 2006): 57–76.
   Web of Science ®Google Scholar
• Samuelson, Megan. “The Urban Palimpsest: Re-presenting Sophiatown.” Journal of Postcolonial Writing 44, no. 1 (2008): 63–75.10.1080/17449850701820764
   Google Scholar
• Schneider, Jürg. “The Photography of the Early History of African Photography.” History of Photography 34, no. 2 (2010): 134–46.10.1080/03087290903361498
   Web of Science ®Google Scholar
• Seelig, Thomas. “Introduction: Studio Africa.” In Life and After-life in Benin, ed. Alex van Gelder and Okwui Enwezor, 2–4. London: Phaidon Press, 2005.
   Google Scholar
• Simone, Abdou Maliq. For the City Yet to Come: Changing African Life in Four Cities. Durham, NC: Duke UP, 2004.10.1215/9780822386247
   Google Scholar
• Themba, Can. “Girls in High-heel Shoes.” In The World of Can Themba, ed. Essop Patel, 130–32. Johannesburg: Ravan, 1985.
   Google Scholar
• Thomas, Lynn M. “The Modern Girl and Racial Respectability in 1930s South Africa.” The Journal of African History 47, no. 3 (2006): 461–90.10.1017/S0021853706002131
   Web of Science ®Google Scholar
• Thomas, Lynn M. “Love, Sex, and the Modern Girl in 1930s Southern Africa.” In Love in Africa, ed. Jennifer Cole and Lynn Thomas, 31–57. Chicago, IL: University of Chicago Press, 2009.
   Google Scholar
• Thompson, Glen. “California Dreaming: Surfing Culture, the Sixties and the Displacement of Identity in South Africa.” Paper for the 23rd Biennial Conference of the Southern African Historical Society, University of KwaZulu Natal, Howard College Campus, Durban, South Africa, June 26–9, 2011.
   Google Scholar
• Zeleza, Tiyambe, and Cassandra R. Veney, eds., Leisure in urban Africa. Trenton: African World Press, 2003.
   Google Scholar