544
Views
3
CrossRef citations to date
0
Altmetric
Original Articles

On the Scales of Photographic Abstraction

Works cited

  • Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” Illuminations. Ed. Susan Sontag. Trans. Harry Zohn. New York: Schocken Books, 1968. 217‒251. Print.
  • Cunningham, Nathanial. Face Value: An Essay on the Politics of Photography. New York: Workingroup, 2012. Print.
  • Fisher, Andrew. “Photographic Scale.” On the Verge of Photography: Imaging Beyond Representation. Ed. A. Fisher, J. Golding, and D. Rubinstein. Birmingham: ARTicle P, 2013. 151‒70. Print.
  • Fisher, Andrew. “Scale the Photographic Horizons.” Too Big To Scale. Zurich: ZHdK, forthcoming 2016. Print.
  • Flusser, Vilém. Towards a Philosophy of Photography. Trans. Anthony Matthews. London: Reaktion Books, 1983. Print.
  • Flusser, Vilém. “Orders of Magnitude and Humanism.” Vilém Flusser: Writings. Trans. Erik Eisel. Minneapolis: U of Minnesota P, 2002. 160‒64. Print.
  • Flusser, Vilém. “Towards a Theory of Techno-imagination.” Philosophy of Photography 2.2 (2012): 195–201. Print.
  • Flusser, Vilém. Post-History. Trans. Siegfried Zielinski. Minneapolis: Univocal, 2013. Print.
  • Fuller, Matthew. Media Ecologies: Materialist Energies in Art and Technoculture. Cambridge, MA: MIT P, 2005. Print.
  • Jäger, Gottfried. “Abstract Photography.” Rethinking Photography I & II: Narration and New Reduction in Photography. Ed. Ruth Horak. Salzburg: Fotohof Edition, 2003. 162–195. Print.
  • Jäger, Gottfried, Rolf H. Krauss, and Beate Reese. Concrete Photography. Bielefeld: Kerber Verlag, 2005. Print.
  • Moholy-Nagy, Lázló. “The New Vision.” The Photography Reader. Ed. Liz Wells. London: Routledge, 2002. 92‒96. Print.
  • Osborne, Peter. “Photographic Ontology, Infinite Exchange.” Anywhere or Not At All. London and New York: Verso, 2013. 117‒32. Print.
  • Plummer, Sandra. “Photogram.” Philosophy of Photography 3.1 (2012). 173‒83. Print.
  • Roberts, John. Photography and its Violations. New York: Columbia UP, 2014. Print.
  • Sekula, Allan. “Photography Between Labour and Capital.” Mining Photographs and Other Pictures: A Selection from the Negative Archives of Sheddon Studio, Glace Bay, Cape Breton, 1948‒1968. Halifax, Nova Scotia: P of the Nova Scotia College of Art and Design, 1983. Print.
  • Toscano, Alberto. “Photography Against the Flow: Abstraction and Logistics in Allan Sekula’s Writings.” Allan Sekula: Ship of Fools/Dockers Museum. Ed. Hilde Van Gelder. Leuven: Leuven UP, 2015. 45‒54. Print.
  • Wiesing, Lambert. “What Could ‘Abstract Photography’ Be?” Artificial Presence: Philosophical Studies in Image Theory. Trans. Nils F. Schott. Stanford, CA: Stanford UP, 2010. 60‒79. Print.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.