Works cited
- Abrams, Janet, and Peter Hall, eds. Else/where: Mapping — New Cartographies of Networks and Territories. Minneapolis: U of Minnesota Design Institute, 2006. Print.
- Batchelor, David. Chromophobia. London: Reaktion, 2000. Print.
- Behrens, Roy R. False Flags: Art, Design and Modern Camouflage. Dysart, IA: Bobolink, 2002. Print.
- Bhagat, Alexis, and Lize Mogel, eds. An Atlas of Radical Cartography. Los Angeles, CA: Journal of Aesthetics and Protest Press, 2008. Print.
- Broomberg, Adam, and Oliver Chanarin. The Day Nobody Died. Barbican Art Gallery. Web. May 2016. <http://www.broombergchanarin.com/files/theday.pdf>
- Dalí, Salvador. “Total Camouflage for Total War.” The Collected Writings of Salvador Dalí. Ed. and trans. Haim Finkelstein. Cambridge: Cambridge UP, 1998. 339‒43. Print.
- Dorrian, Mark. “Transcoded Indexicality.” Log: Observations on Architecture and the Contemporary City 12 (2008): 105‒15. Print.
- Forensic Architecture, ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg P, 2014. Print.
- Graham, Stephen. Cities Under Siege: The New Military Urbanism. London: Verso, 2010. Print.
- Glueck, Grace. “Architecture by Numbers: Preston Scott Cohen, Marsha Cottrell, Michelle Fornabai, Laura Kurgan and Ben Nicholson.” New York Times. 11 June 2004. Web. May 2016. <http://www.nytimes.com/2004/06/11/arts/art-review-architecture-numbers-preston-scott-cohen-marsha-cottrell-michelle.html>
- Greenberg, Clement. “‘American-Type’ Painting.” Art and Culture: Critical Essays. Boston: Beacon P, 1965. 208‒29. Print.
- Guilbaut, Serge. “The New Adventures of the Avant-Garde in America: Greenberg, Pollock, or from Trotskyism to the New Liberalism of the ‘Vital Center’.” Trans. Thomas Repensek. Pollock and After: The Critical Debate. Ed. Francis Frascina. New York: Harper & Row, 1985. 153‒66. Print.
- Henner, Mishka. No Man’s Land (2011). Print on demand.
- Kelly, Ellsworth. “Notes on 1969.” Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Ed. Kristine Stiles and Peter Selz. Berkeley: U of California P, 1996. 92‒93. Print.
- Krauss, Rosalind. “Photography and Abstraction.” A Debate on Abstraction. New York: Hunter College Art Gallery, 1989. 63‒70. Print.
- Kurgan, Laura. Close Up at a Distance: Mapping, Technology & Politics. Cambridge, MA: Zone Books, 2013. Print.
- O’Rourke, Karen. Walking and Mapping: Artists as Cartographers. Cambridge, MA: MIT P, 2013. Print.
- Paglen, Trevor. Torture Taxi: On the Trail of the CIA’s Rendition Flights. New York: Melville House, 2006. Print.
- Paglen, Trevor. Blank Spots on the Map: The Dark Geography of the Pentagon’s Secret World. New York: Dutton, 2009. Print.
- Paglen, Trevor. Invisible: Covert Operations and Classified Landscapes. New York: Aperture, 2010. Print.
- Rafman, Jon. The Nine Eyes of Google Street View. Paris: Jean Boîte Editions, 2011. Print.
- Rickard, Doug. Doug Rickard: A New American Picture. Köln: Verlag der Buchhandlung Walther Konig, 2012. Print.
- Rothko, Mark. “The Romantics Were Prompted” (1947). Writings on Art. Ed. Miguel López-Remiro. New Haven: Yale UP, 2006. 58‒59. Print.
- Saint-Amour, P.K. “Modernist Reconnaissance.” Modernism/Modernity 10.2 (2003): 349‒80. Print.
- Saint-Amour, P.K. “Applied Modernism: Military and Civilian Uses of the Aerial Photomosaic.” Theory, Culture & Society 28.7‒8 (2011): 241‒69. Print.
- Schwartz, Hillel. The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles. Rev. and updated. Cambridge, MA: Zone Books, 2014. Print.
- Sekula, Alan. “The Instrumental Image: Steichen at War.” Artforum 14.4 (1975): 26‒35. Print.
- Shell, Hanna Rose. Hide and Seek: Camouflage, Photography, and the Media of Reconnaissance. Cambridge, MA: Zone Books, 2012. Print.
- Stein, Gertrude. Picasso. Mineola, NY: Dover, 1984 [1938]. Print.
- Steyerl, Hito. “Documentary Uncertainty.” A Prior #15. Rpt. in Re-Visiones # One (2007). Web. Feb 2015. <http://re-visiones.imaginarrar.net/spip.php?article37>
- Vaneigem, Raoul. A Cavalier History of Surrealism. Trans. Donald Nicholson-Smith. Edinburgh: AK P, 1999. Print.
- Weizman, Eyal. Forensic Architecture. Web. May 2016. <http://www.forensic-architecture.org>