730
Views
1
CrossRef citations to date
0
Altmetric
Research Article

AFTER ROBERT FRANK’S PHOTOBOOK THE AMERICANS: REMAKES, VARIATIONS, AND ICONOCLASM

ORCID Icon

References

  • Adams, J. 2016. “Photography Book the Canadians a Kind of Reimagining of the Americans.” The Globe and Mail, August 22. Accessed June 5, 2017. https://www.theglobeandmail.com/arts/art-and-architecture/photography-book-the-canadians-a-kind-of-reimagining-of-the-americans/article31468672/
  • Baker, S. 2012. “Erasing The Americans.” The 6th Floor/The New York Times, February 28. https://6thfloor.blogs.nytimes.com/2012/02/28/erasing-americans/?_r=0
  • Bello, D., C. W. Patrizia, and S. Zamir, eds. The Photobook: From Talbot to Ruscha and Beyond, New York: I.B. Tauris, 2012.
  • Benjamin, W. “The Work of Art in the Age of Mechanical Reproduction.” In Illuminations, edited by H. Arendt, translated by H. Zohn, 219–254. London: Fontana, 1973.
  • Bourriaud, N. Postproduction. Culture as Screenplay: How Art Reprograms the World. 2nd ed. New York: Sternberg Press, 2002.
  • Broomberg, A., and O. Chanarin. “Afterlife, 2009.” In L’Image déjà là: Usages de l’objet trouvé, photographie et cinéma, Les Carnets du Bal, no 2 (2011), edited by J.-P. Criqui, 172–177. Paris: Le Bal, Images en Manœuvres Editions.
  • Brows, J., W. Burton, and H. Zschiegner. Various Small Books: Referencing Various Small Books by Ed Ruscha. Cambridge, MA: MIT Press, 2013.
  • Buchloh, B. “Allégorie Et Appropriation Dans L’art Contemporain.” In Essais historiques II, Villeurbanne, Art édition, edited by B. Buchloh, translated by G. Claude, 107–153. 1992.
  • Butet-Roch, L. 2017. “Finding the True. North in Canada.” The New York Times/Lens Blogs, February 6. https://lens.blogs.nytimes.com/2017/02/06/finding-the-true-north-in-canada-globe-and-mail/?mtrref=www.google.com&gwh=B8CC081C8A91CB59260570D171F4C1E5&gwt=pay
  • Campeau, M. Photographic Darkroom, Photogenic Obsolescence. Berlin: Kehrer Verlag, 2013.
  • Casper, J., “Book Review: Less Américains.” LensCulture. https://www.lensculture.com/articles/mishka-henner-less-americains
  • Chéroux, C., and K. Ziebinska-Lewandowska. Qu’est-ce que la photographie? Paris: Editions du Centre Pompidou/Editions Xavier Barral, 2015.
  • Chéroux, C., J. Fontcuberta, E. Kessels, M. Parr, and J. Schmid. “From Here On.” In Les rencontres d’Arles 2011: non conforme, uncertified: 42e édition, edited by Rencontres internationales de la photographie, 42–90. Arles: Actes Sud, 2011.
  • Crimp, D. “Pictures.” October, vol. 8 (1979): 75–88. doi:10.2307/778227.
  • Galassi, S. G. Picasso’s Variations on the Masters. Confrontations with the Past. New York: Harry N. Abrams Inc. Publishers, 1996.
  • Goodman, N. “Variation on Variation, or Picasso Back to Bach.” In Reconceptions in Philosophy and Other Arts and Sciences, edited by N. Goodman and C. Z. Elgin, 66–82. Indianapolis, Cambridge: Hackett Publ., London: Routledge, 1988.
  • Greenough, S. “Blowing Down Bleecker Street: Destroying The Americans”. In Looking In: Robert Frank’s The Americans/Expanded Edition, edited by S. Greenough, 314–323. Washington: National Gallery of Art, 2009. Göttingen: Steidl.
  • Greenough, S. Looking In: Robert Frank’s The Americans/Expanded Edition. Washington: National Gallery of Art, 2009. Göttingen: Steidl.
  • Greenough, S. “The Americans (Les Américains), 1959, de Robert Frank.” In Schweizer Fotobücher 1927 bis heute: eine andere Geschichte der Fotografie = Livres de photographie suisses de 1927 à nos jours: une autre histoire de la photographie = Swiss Photobooks from 1927 to the Present: A Different History of Photography, edited by P. Pfrunder, 603. Baden: Lars Müller, 2012.
  • Lewallen, C. “Sherrie Levine.” Journal of Contemporary Art, vol. 6 (1993). http://www.jca-online.com/slevine.html
  • Mitchell, W. J. T., What Do Pictures Want? the Lives and Loves of Images. Chicago, London: University of Chicago Press, 2009.
  • Moine, R. Remakes. Les Films Français À Hollywood. Paris: CNRS Editions, 2007.
  • Nelson, A. “Making and Remaking the Americans”. In Looking In: Robert Frank’s The Americans/Expanded Edition, edited by S. Greenough, 459–483. Washington: National Gallery of Art. Göttingen: Steidl, 2009.
  • Nickel, D. R. “American Photographs Revisited.” In American Art, vol. 6, no 2 (1992): 78–97. doi:10.1086/424152.
  • O’Hagan, S. 2012. “Mishka Henner’s Erased Images: Art or Insult?” The Guardian, May 23.
  • Pantall, C. “Less Is More.” The British Journal of Photography, vol. 159, no 7799 (April 2012).
  • Pett, S. 2015. “Mois De La Photo: Making Sense of the Photograph in the Web Era.” The Guardian, September 15 https://www.theguardian.com/artanddesign/2015/sep/15/mois-de-la-photo-making-sense-photography
  • Reboul, S. “Typologie pragmatique de la reprise des livres d’artiste d’Ed Ruscha.” Marges, no 17 (2013): 21–35.
  • Roberts, S. “Erased De Kooning Drawing.” Rauschenberg Reasearch Project, July 2013, San Francisco Museum of Modern Art. https://www.sfmoma.org/artwork/98.298/essay/erased-de-kooning-drawing
  • Roque, G., “Introduction.” In L’image recyclée. edited by G. Roque and L. Cheles, 17–35. Pau: Presses de l’Université de Pau et des Pays de l’Adour, 2013.
  • Rosenheim Jeff, L., “Robert Frank and Walker Evans”. In Looking In: Robert Frank’s The Americans/Expanded Edition, edited by S. Greenough, 148–162. Washington: National Gallery of Art. Göttingen: Steidl, 2009.
  • Shore, R. Post-Photography. The Artist with a Camera. London: Laurence King Publ, 2014.
  • Singerman, H. “Sherrie Levine’s Art History.” October 101, no. 101 (2002): 96–121. doi:10.1162/016228702320275463.
  • Steinberg, L., “Introduction: The Glorious Company.” In Art About Art, edited by J. Lipman and R. Marshall, 8–31. New York: E. P. Dutton, 1978.
  • Trespeuch, H. “Sherrie Levine: de l’appropriationnisme au simulationnisme.” Marges, no 17 (2013): 44–53. doi:10.4000/marges.127.
  • Ute, E. “Photographs in Books.” In The Open Book. A History of the Photographic Book from 1878 to the Present, edited by A. Roth, 11–29. Göteborg: Hasselblad Center, 2004.

Credit lines

  • 1-4. Mishka Henner, Less Américains, 2012, 7.5 × 8.5 in (19x21.5 cm), self-published, 180 pages, hardcover, edition of 350. Courtesy of the artist, © Mishka Henner
  • 5-6. Roger Hargreaves, Jill Offenbeck and Stefani Petrilli (curators), The Canadians, 2016, 7.8 × 8.8 in (19.8x22.4 cm), Toronto, Bone Idle Books, 172 pages, hardcover with dust jacket. Courtesy of Bone Idle Books, © Bone Idle Books
  • 7-8. Dafydd Hughes, Every Face in The Americans, 2010, 7x7in (18x18 cm), self-published via Blurb, 126 pages, hardcover, print-on-demand. Courtesy of the artist, © Dafydd Hughes, Photos: © Silvio Lorusso
  • 9-10. Jonathan Lewis, Looking in, 2012, 13 × 20 cm, self-published, 80 pages, softcover, print-on-demand. Courtesy of the artist, © Jonathan Lewis
  • 11. Michel Campeau, series Revisiting Robert Frank and The Americans through Amateur Color Photography in the Fifties, 2014-2016, various dimensions, inkjet prints, Courtesy of the artist, © Michel Campeau
  • 12-13. Andreas Schmidt, The Americans, 2011, 7x7in (18x18 cm), self-published via Blurb, 170 pages, hardcover, print-on-demand. Courtesy of the artist, © Andreas Schmidt

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.