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Regular Articles

The archipelagic thought of Asia is One (1973) and the documentary film collective NDU

References

  • Cacciari, Massimo. 1997. L’Arcipelago. Rome: Adelphi.
  • Doi, Masanaga, Osamu Inoue, Takayuki Kan, Tetsurō Nunokawa, and Hiroaki Ōishi ( roundtable discussion). 1972. “Eiga ‘Asia wa Hitotsu’ o Tsukutte: Sakajima to Taiwan, Kokkyō o Rurō suru Minshū no Seikatsuken.” [ Making the Film ‘Asia is One’: Sakajima and Taiwan and the Sphere of Daily Existence of Nomadically Border-crossing Peoples.] Chūgoku 109: 6–31.
  • Domenig, Roland. 2012. “Faraway Yet so Close – The Journey of the Nihon Documentarist Union.” In The Legendary Filmmaking Collective NDU and Nunokawa Tetsurō, edited by Yoshio Yasui, and Noriko Tanaka, 27–30. Kobe: Cinematrix & Kobe Documentary Film Festival Committee.
  • Gabriel, Philip. 1999. “Shimao Toshio’s Quest for Yaponesia.” Japan Quarterly 46 (2): 50–59.
  • Günther, Gotthard. 2004. Die Amerikanische Apokalypse. Edited by Kurt Klagenfurt. Munich & Vienna: Profil Verlag.
  • Imafuku, Ryuta. 2008. Guntō—Sekai-ron [ Archipelago––World Theory]. Tokyo: Iwanami Shoten.
  • Inoue, Osamu. 2013. “‘Onikko-Tatakau Seinen Roudousha no Kiroku’ kara ‘Shusso no Uta: Taiwan Genjumin no Tokkan’ made: 44-nen to sore ijō, NDU Nihon Dokyumentarisuto Yunion to wa ittai nan na no ka?” [ From ‘Onikko’ to ‘Headhunter’s Song’: What has the Nihon Documentarist’s Union been for over Forty-four Years and More?] In Moyuru Kaikyō-NDU to Nunokawa Tetsurō no Eiga / Undō ni Mukete, 8–33. Tokyo: Imupakuto Shuppankai.
  • Mori, Hideto. 1963. Kanshō Bassai no Ki: Soshiki naki no Zen’ei-tachi [ The thought of the Sugarcane Cutting Season: The Vanguardists Without a System]. Tokyo: Gendai Shichō-sha.
  • Mori, Hideto. 1972. “Okinawa – Henkyō to Ihō no Aida. Higashi Yōichi, Mamiya Norio, Yamatani Tetsuo, NDU ni Okeru ‘Okinawa Eiga’ no Fukanōsei.” [ Okinawa – Between a Borderland and the Foreign. Higashi Yoichi, Mamiya Norio, Yamatani Tetsuo, NDU and the Impossibility of ‘Okinawa Films’.] Eiga Hihyō 1: 64–70.
  • NDU. 1972. “‘Ajia wa Hitotsu’: Maboroshi no Minzoku o Kakutoku se yo (Seisaku Nōto).” [ ‘Asia is One’: Grasp the Phantom of Minzoku (Production Notes).] Yami Ichizoku 3: 157–160.
  • NDU (members currently in Okinawa). 1973. “‘Eizō no Bangaichi’ kara no Hōkoku – Shinsaku ‘Ajia wa Hitotsu’ no tame no Manifesuto.” [Report from Moving Images’ No Man’s Land – A Manifesto for Our New Film ‘Asia is One’.] Eiga Hihyō (March). Reprinted in: Nakamura Noriko, Yasui Yoshio, and Onozawa Naruhiko, eds. 2013. Moyuru Kaikyō – NDU to Nunokawa Tetsurō no Eiga / Undō ni Mukete [Burning Straits – Pointing towards the Film and Activism of NDU and Nunokawa Tetsurō]. Tokyo: Impakuto Shuppankai, 168–188.
  • NDU, Pōrie Kikaku, Underground Center. 1971. “Kankyaku Undō no Henkaku to Sosei.” [ The Reform and Rebirth of the Audience Movement.] Eiga Hihyō 15: 78–83
  • Prichard, Franz. 2011. “Ruined Maps: The Urban Revolution in Japanese Fiction, Documentary, and Photography of the 1960s and 1970s.” PhD diss., University of California, Los Angeles.
  • Schmitt, Carl. 2006. The Nomos of the Earth in the International Law of Jus Publicum Europaeum. New York: Telos Press.
  • Suga, Hidemi. 2006. 1968-nen. Tokyo: Chikuma Shobō.
  • Yasui, Yoshio. 2012. “The Path of Nunokawa Tetsurō.” In The Legendary Filmmaking Collective NDU and Nunokawa Tetsurō, edited by Yoshio Yasui and Noriko Tanaka, 34–37. Kobe: Cinematrix & Kobe Documentary Film Festival Committee.
  • Yasui, Yoshio, and Noriko Tanaka, eds. 2012. The Legendary Filmmaking Collective NDU and Nunokawa Tetsurō. Kobe: Kobe Documentary Film Festival Committee.

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