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Journal of Japanese and Korean Cinema Volume 10, 2018 - Issue 2
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Book Reviews

Zainichi cinema: Korean-in-Japan film culture

Shota Tsai OgawaCinema Studies, Nagoya University, Nagoya, JapanCorrespondence[email protected]
Pages 181-184 | Published online: 20 Aug 2018

References

  • Choe, Youngmin. 2016. Tourist Distractions: Traveling and Feeling in Transnational Hallyu Cinema. Durham: Duke University Press.
  • Chung, Steven. 2014. Split Screen Korea: Shin Sang-ok and Postwar Cinema. Minneapolis: University of Minnesota Press.
  • Inuhiko, Yomota, and Saito Ayako, eds. 2004. Otoko Tachi no Kizuna, Ajia Eiga: Homosōsharu na Yokubō. Tokyo: Heibonsha.
  • Iwabuchi, Kōichi. 2004. “Political Correctness, Postcoloniality, and the Self-Representation of “Koreanness” in Japan.” In Race, Ethnicity and Migration in Modern Japan, edited by Michael Weiner, 241–263. Oxon: RoutledgeCurzon.
  • Kō, Mika. 2010. Japanese Cinema and Otherness. Oxon: Routledge.
  • Koh, H. Chun. 2009. Korean Diaspora: Central Asia, Northeast Asia and North America. New Haven, CT.: East Rock Institute.
  • Laura, Marks. 2001. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham: Duke University press.
  • Noguchi, Michihiko, Tai Eika, and Shima Kazuhiro. 2009. Hihanteki Diasupora ron to Mainoriti. Osaka: Jinkenmondaikenkyusentā.
  • Ryang, Sonia, and John Lie, eds. 2009. Diaspora Without Homeland: Being Korean in Japan. Berkeley: University of California Press.
  • Wada-Marciano, Mitsuyo. 2012. Japanese Cinema in the Digital Age. Honolulu: University of Hawaii Press.

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