415
Views
0
CrossRef citations to date
0
Altmetric
Regular Articles

Shopping, sex, and lies: Mimong/Sweet Dreams (1936) and the disruptive process of colonial girlhood

References

  • Arirang. 1926. Directed by Na Woon-gyu. Korea.
  • Augé, Marc. 1995. Non-Places: Introduction to An Anthropology of Supermodernity. Translated by John Howe. London and New York: Verso.
  • Barlow, Tani E. 1997. Formations of Colonial Modernity in East Asia. Durham: Duke University Press.
  • Barlow, Tani E. 2012. “Debates Over Colonial Modernity in East Asia and Another Alternative.” Cultural Studies 26 (5): 617–644. doi: 10.1080/09502386.2012.711006
  • Baskett, Micheal. 2009. The Attractive Empire: Transnational Film Culture in Imperial Japan. Honolulu: University of Hawai’i Press.
  • Bhabha, Homi K. 1994. Location of Culture. London and New York: Routledge.
  • Brumberg, Joan Jacobs. 1997. The Body Project: An Intimate History of American Girls. New York: Vintage.
  • Butler, Judith. 1993. Bodies That Matter. London and New York: Routledge.
  • Carter, Erica, James Donald, and Judith Squires. 1993. Space and Place: Theories of Identity and Location. London: Lawrence & Wishart Ltd.
  • Chen, Ching-chih. 1984. “Police and Community Control Systems in the Empire.” In The Japanese Colonial Empire, 1895–1954, edited by Mark Peattie, and Ramon Myers, 213–239. Princeton: Princeton University Press.
  • Chib-eobneun cheonsa/Angels in the Streets. 1941. Directed by Choi In-kyu. Korea: Korean Film Archive. DVD.
  • Choi, Jung-Bong. 2003. “Mapping Japanese Imperialism Onto Postcolonial Criticism.” Social Identities 9 (3): 325–339. doi: 10.1080/1350463032000129957
  • Choi, Hyaeweol. 2009. “‘Wise Mother, Good Wife’: A Trans-cultural Discursive Construct in Modern Korea.” Journal of Korean Studies 14 (1): 1–34. doi: 10.1353/jks.2009.0004
  • Choi, Hyaeweol. 2013. New Women in Colonial Korea: A Sourcebook. London and New York: Routledge.
  • Choi, Jinhee. 2016. “Ribbons and Frills: Shojo Sensibility and the Transnational Imaginary.” In The Routledge Handbook of East Asian Popular Culture, edited by Koichi Iwabuchi, Eva Tsai, and Chris Berry 178–190. New York: Routledge.
  • Durham, ‘Meenakshi Gigi. 2003. “The Girling of America: Critical Reflections on Gender and Popular Communication.” Popular Communication 1 (1): 23–31. doi: 10.1207/S15405710PC0101_4
  • Eohwa/Fisherman’s Fire. 1939. Directed by Ahn Chul-yeong. Korea: Korean Film Archive, DVD.
  • Handyside, Fiona, and Kate Taylor-Jones. 2016. International Cinema and the Girl: Local Issues, Transnational Contexts. London and New York: Routledge.
  • Harris, Anita. 2004. Future Girl: Young Women in the 21st Century. New York: Routledge.
  • Henry, Todd. 2005. “Sanitizing Empire: Japanese Articulations of Korean Otherness and the Construction of Early Colonial Seoul, 1905–1919.” The Journal of Asian Studies 64 (3), August: 639–675. doi: 10.1017/S0021911805001531
  • Henry, Todd. 2014. Assimilating Seoul: Japanese Rule and the Politics of Public Space in Colonial Korea, 1910–1945. Berkeley: University of California Press.
  • Hollows, Joanna. 2000. Feminism, Femininity and Popular Culture. Manchester: Manchester University Press.
  • hooks, Bell. 1992. Black Looks: Race and Representation. Boston: South End Press.
  • Horiguchi, Noriko J. 2011. Women Adrift: The Literature of Japans Imperial Body. Minneapolis: University of Minnesota Press.
  • Jeong, Kelly. 2011. Crisis of Gender and the Nation is Korean Literature and Cinema. Lanham: Lexington Books.
  • Kaplan, E. Ann. 1992. Motherhood and Representation: The Mother in Popular Culture and Melodrama. New York: Routledge.
  • Kellner, Dougles. 1995. Media Culture: Cultural Studies, Identity and Politics between the Modern and the Post-modern. London and New York: Routledge.
  • Kim, Dong Hoon. 2007. “Segregated Cinemas, Intertwined Histories: The Ethnically Segregated Film Cultures in 1920s Korea Under Japanese Rule.” Journal of Japanese and Korean Cinema 1 (1): 7–25. doi: 10.1386/jjkc.1.1.7_1
  • Kim, Janice. 2009. To Live to Work: Factory Women in Colonial Korea, I910–I945. Stanford: Stanford University Press.
  • Kim, Dong Hoon. 2017. Eclipsed Cinema: The Film Culture of Colonial Korea. Edinburgh: Edinburgh University Press.
  • Kristeva, Julia. 1982. Powers of Horror: An Essay on Abjection. Translated by Leon S. Roudiex. New York: Columbia University Press.
  • McDonald, Kate. 2017. Placing Empire: Travel and the Social Imagination in Imperials Japan. Oakland: University of California Press.
  • McHugh, Kathleen, and Nancy Abelmann. 2000. South Korean Golden Age Melodrama: Gender, Genre, and National Cinema. Detroit: Wayne State University Press.
  • Mimong/Sweet Dream. 1936. Directed by Yang Ju-nam. Seoul: Korean Film Archive. DVD.
  • Mingelo, Walter D. 2011. The Darker Side of Western Modernity: Global Futures, Decolonial Options. Durham: Duke University Press.
  • Moon, Seungsook. 2014. “The Idea and Practices of Citizenship in South Korea.” In Citizenship and Migration in the Era of Globalization, edited by Marcus Pohlmann, Jonghoe Yang, and Jong-hee Lee, 9–38. Heidelberg: Springer-Verlag Berlin 2013.
  • Radden, Jennifer. 1996. Divided Minds and Successive Selves: Ethical Issues in Disorders of Identity and Personality. Cambridge, MA: MIT Press.
  • Robinson, Micheal, and Gi-wook Shin. 1999. Colonial Modernity in Korea. Cambridge: Harvard University Press.
  • Silverberg, ‘Miriam. 1991. “The Modern Girl as Militant.” In Recreating Japanese Women, 1600–1945, edited by Gail Lee Bernstein, 239–266. Berkley: University of California Press.
  • Silverberg, Miriam. 1997. “Remembering Pearl Harbor, Forgetting Charlie Chaplin, and the Case of the Disappearing Western Woman: A Picture Story.” In Formations of Colonial Modernity in East Asia, edited by Tani Barlow, 249–294. Durham: Duke University Press.
  • Stoler, Ann Laura. 2010. Along the Archival Grain: Epistemic Anxieties and Colonial Common Sense. Princeton: Princeton University Press.
  • Swindle, Monica. 2011. “Feeling Girl, Girling Feeling: An Examination of “Girl” as Affect.” Rhizomes 22. Accessed March 12, 2016. http://www.rhizomes.net/issue22/swindle.html.
  • Taylor-Jones, Kate. 2017. Divine Work: Japanese Colonial Cinema and its Legacy. London and New York: Bloomsbury.
  • Weinbaum, Alys Eve, Lynn M. Thomas, Priti Ramamurthy, Uta G. Poiger, Madeleine Yue Dong, and Tani E. Barlow. 2008. The Modern Girl Around the World: Consumption, Modernity, and Globalization. Durham and London: Duke University Press.
  • Yecies, Brian, and Ae-Gyung Shim. 2011. Korea’s Occupied Cinemas, 1893–1948. London and New York: Routledge Press.
  • Yoo, Theodore Jun. 2014. The Politics of Gender in Colonial Korea: Education, Labor and Health 1910–1945. Berkeley: University of California Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.