Transmission Mechanisms in the Creative Economy, Fashion Design Processes and Competitiveness: The Case of Progressive Taiwanese Fashion Designers

References

• Andari, R., W. Hutton, A. O'Keefe, P. Schnepder, and H. Bakshi. 2007. Staying Ahead: The Economic Performance of the UK's Creative Industries. London: The Work Foundation.
   Google Scholar
• Appadurai, A. 1996. Cultural Dimensions of Globalization. Minneapolis: University of Minnesota.
   Google Scholar
• Barney, J., and B. 1991. “Firm Resources and Sustained Competitive Advantage.” Journal of Management 17 (1): 99–120. doi: 10.1177/014920639101700108.
   Web of Science ®Google Scholar
• Berger, S. 2006. How we compete. New York: Doubleday of Random House, Inc.
   Google Scholar
• Bourriaud, N. 2009a. Altermodern: Tate triennial. London: Tate Publishing.
   Google Scholar
• Bourriaud, N. 2009b. The Radicant. New York: Lukas & Stenberg.
   Google Scholar
• Bourriaud, N. 2010. “Returns of the Modern.” Journal of Visual Culture 9 (1): 121–129.
   Web of Science ®Google Scholar
• Brown, T. 2008. “Design Thinking.” Harvard Business Review 86: 1–9.
   Web of Science ®Google Scholar
• Burke, P. 2013. Cultural Hybridity. Cambridge: Polity Press.
   Google Scholar
• Cappetta, R., P. Cillo, and A. Ponti. 2006. “Convergent Design in Fine Fashion: An Evolutionary Model for Stylistic Innovation.” Research Policy 35 (9): 1273–1290. doi: 10.1016/j.respol.2006.02.009.
   Web of Science ®Google Scholar
• Charlesworth, J. J. 2013. “Global Versus Local [ArtReview Asia].” Accessed 24 February 2017. http://artreview.com/features/november_2013_feature_global_versus_local_by_jj_charlesworth/.
   Google Scholar
• Cillo, P., and G. Verona. 2008. “Search Styles in Style Searching: Exploring Innovation Strategies in Fashion Firms.” Long Range Planning 41 (6): 650–671. doi: 10.1016/j.lrp.2008.08.001.
   Web of Science ®Google Scholar
• Cosmides, L., and J. Tooby. 1992. “Cognitive Adaptation for Social Exchange.” In Adapted Mind, edited by J. H. Barkow, L. Cosmides, and J. Tooby. New York: Oxford University Press.
   Google Scholar
• Cooke, P., and L. De Propris. 2011. “A Policy Agenda for EU Smart Growth: The Role of Creative and Cultural Industries.” Policy Studies Journal 32 (4): 365–75.
   Google Scholar
• Cox, G. 2005. “Cox Review of Creativity in Business: Building on the UK’s Strengths in Treasury. London UK Government. Accessed 15 August 2017. http://webarchive.nationalarchives.gov.uk/20130129110402/http:/www.hm-treasury.gov.uk/d/Cox_review-foreword-definition-terms-exec-summary.pdf.
   Google Scholar
• Crawford, M., and A. D. Benedetto. 2008. New Products Management. New York: McGraw-Hill Education.
   Google Scholar
• Creswell, J. W. 2009. Research Design: Qualitative, Quantitative and Mixed Methods Approaches. 3rd ed. California: Sage Publications, Inc.
   Google Scholar
• Cunningham, D. 2010. “Altermodernism.” Journal of Visual Culture 9 (1): 121–129.
   Web of Science ®Google Scholar
• Davis, F. 1992. Fashion Culture and Identity. Chicago: University of Chicago Press.
   Google Scholar
• D'Ippolito, B. 2014. “The Importance of Design for Firms' Competitiveness: A Review of the Literature.” Technovation 34: 716–730.
   Web of Science ®Google Scholar
• Eckert, C., and M. Stacey. 2001. Designing in the Context of Fashion-Designing the Fashion Context. Delft: Delft University Press.
   Google Scholar
• Eckert, C., and M. Stacey. 2003. “Sources of Inspiration in Industrial Practice: The Case of Knitwear Design.” Journal of Design Research 3 (1): 30.
   Google Scholar
• Enwezor, O. 2010. “Modernity and Postcolonial Ambivalence.” South Atlantic Quarterly 109 (3): 595–620.
   Web of Science ®Google Scholar
• Fiss, K. 2009. “Design in a Global Context: Envisioning Postcolonial and Transnational Possibilities.” Massachusetts Institute of Technology 25 (3): 3–10.
   Google Scholar
• Gaimster, J. 2011. Visual Research Methods in Fashion. New York: Bloomsbury Publishing.
   Google Scholar
• Geczy, A., and V. Karaminas. 2012. “Fashion and Art: Critical Crossovers.” In Fashion and Art, edited by Geczy and Karaminas. London: Berg.
   Google Scholar
• Huang, S. 2011. “Nation-Branding and Transnational Consumption: Japan-Mania and Korean Wave in Taiwan.” Media, Culture & Society 33 (1): 3–18.
   Web of Science ®Google Scholar
• Kimura, T., and S. Y. Lin. 2017. “Creation of Contemporary Taiwanese Fashion: A Shift in Tainan City towards Original Design.” Fashion Practice 9 (3): 349–372. doi: 10.1080/17569370.2016.1235215.
   Web of Science ®Google Scholar
• Kotler, P., and G. Rath. 1984. “Design: A Powerful but Neglected Strategic Tool.” Journal of Business Strategy 5 (2): 16–21. doi: 10.1108/eb039054.
   Google Scholar
• Levickaite, R. 2011. “Four Approaches to the Creative Economy: General Overview.” Business, Management and Education 9 (1): 81–92.
   Google Scholar
• McEvilley, T. 1992. Art & Otherness: Crisis in Cultural Identity. Kingston, NY: Documentext/McPherson.
   Google Scholar
• Mete, F. 2006. “The Creative Role of Sources of Inspiration in Clothing Design.” International Journal of Clothing Science and Technology 18 (4): 278–293.
   Web of Science ®Google Scholar
• Mithen, S. 1996. The Prehistory of the Mind. London: Thames & Hudson.
   Google Scholar
• Morton, T. 2009. “Tate Triennial 2009, Curator Nicolas Bourriaud, Talks Botany, Modernity, Time, Class and Exhibition-making.” Accessed 11 October 2017. https://frieze.com/article/tate-triennial-2009?language=de.
   Google Scholar
• Muller, K., C. Rammer, and J. Troby. 2009. “The Role of Creative Industries in Industrial Innovation.” Innovation: Management, Policy & Practice 11: 148–169.
   Web of Science ®Google Scholar
• Norman, D., and R. Verganti. 2014. “Incremental and Radical Innovation: Design Research v.s. Technology and Meaning Change.” Design Issues 30 (1): 78–96.
   Web of Science ®Google Scholar
• Oppenheim, A. N. 1992. Questionnaire Design, Interviewing and Attitude Measurement. 1st ed. New York: Cassell Wellington House.
   Google Scholar
• Pedroni, M., and P. Volonte. 2014. “Art Seen from Outside: Non-artistic Legitimation within the Field of Fashion Design.” Poetics 43: 102–119.
   Web of Science ®Google Scholar
• Postrel, V. I. 2003. The Substance of Style: How the Rise of Aesthetic Value is Remaking Commerce, Culture, and Consciousness. New York: HarperCollins.
   Google Scholar
• Powell, N. B., and N. L. Cassill. 2006. “New Textile Product Development: Processes, Practices, and Products.” Journal of the Textile Institute 97 (2): 155–166.
   Web of Science ®Google Scholar
• Smith, T. 2012. “Currents of World Making in Contemporary Art.” World Art 1 (2): 171–188.
   Google Scholar
• Taylor, M. 2005. “Cultural Transition: Fashion’s Cultural Dialogue between Commerce and Art.” Fashion Theory 9 (4): 445–459.
   Web of Science ®Google Scholar
• Tran, Y. 2010. “Generating Stylistic Innovation: A Process Perspective.” Industry & Innovation 17 (2): 131–161. doi: 10.1080/13662711003633322.
   Web of Science ®Google Scholar
• United Nations Educational, Scientific and Cultural Organization (UNESCO). 2013. “Creative Economy Report: 2013 Special Edition.” Paris: UNESCO. Accessed 17 March 2017. http://www.unesco.org/culture/pdf/creative-economy-report-2013.pdf.
   Google Scholar
• Verganti, R. 2009. Design-Driven Innovation: Changing the Rules of Competition by Radically Innovating What Things Mean. Boston: Harvard Business Press.
   Google Scholar
• Yin, R. K.-Z. 2009. Case Study Research: Design and Methods. 4th ed. California: Sage.
   Google Scholar
• Young, R. 2015. “South Korea, Climbing the Ranks of Asia’s ‘A League’. Business of Fashion. Accessed 12 June 2017. https://www.businessoffashion.com/articles/market-gps/south-korea-climbing-the-ranks-of-asias-a-league.
   Google Scholar