Publication Cover
Muziki
Journal of Music Research in Africa
Volume 16, 2019 - Issue 2
79
Views
2
CrossRef citations to date
0
Altmetric
Articles

Abàmì Èdá: Personhood and Socio-political Commitment in Fela's Music

References

  • Ayobade, Dotun. 2017. “‘We Were Top of the World’: Fela Kuti’s Queens and the Poetics of Space.” Journal of African Cultural Studies 31 (1): 24–39. https://doi.org/10.1080/13696815.2017.1400954.
  • Bloom, Harold. 1997. Anxiety of Influence. Oxford: Oxford University Press.
  • Botchway, De-Valera N. Y. M. 2014. “Fela ‘The Black President’ as the Grist to the Mill to the Black Power Movement in Africa.” Black Diaspora Review 4 (1): 1–35.
  • Can, T. 2017. “An Àbíkú Nation: Decolonisation of Nigerian History in Ben Okri’s The Famished Road.” International Journal of Language Academy 5 (3): 265–76. https://doi.org/10.18033/ijla.3518.
  • Coker, O. 2015. “Mythic Imagination and the Postcolonial Experience in Ben Okri’s The Famished Road and Debo Kotun’s Àbíkú.” Okike: An African Journal of New Writing, no. 55, 76–92.
  • Diala, Isidore. 2013. “Colonial Mimicry and Postcolonial Re-membering in Isidore Okpewho’s Call Me by My Rightful Name.” Journal of Modern Literature 36 (4): 77–95. https://doi.org/10.2979/jmodelite.36.4.77.
  • Dosunmu, O. A. 2010. “Afrobeat, Fela and Beyond: Scenes, Style and Ideology.” DPhil diss., University of Pittsburgh.
  • Freud, S. 1914. Psychopathology of Everyday Life. Translated by A. A. Brill. New York: Macmillan Company.
  • Gansinger, A. M. Martin, and Ayman Kole. 2016. “Nigerian Music and the Black Diaspora: African Identity, Black Power, and the Free Jazz of the 1960s.” In From Tribal to Digital. Effects of Tradition and Modernity on Nigerian Media and Culture, edited by Martin A. M. Gansinge and Ayman Kole, 15–44. Saarbrücken: Scholars’ Press.
  • Johnson-Odim, C., and N. E. Mba 1997. For the Women and the Nation: Funmilayo Ransome-Kuti of Nigeria. Urbana: University of Illinois Press.
  • Johnson-Odim, Cheryl. 2009. “‘For their Freedom’: The Anti-imperialist and International Feminist Activity of Funmilayo Ransome-Kuti of Nigeria.” Women’s Studies International (32): 51–9. https://doi.org/10.1016/j.wsif.2009.01.004.
  • Maduka, T. Chidi. 1987. “African Religious Beliefs in Literary Imagination: Ogbanje and Àbík in Chinua Achebe, J. P. Clark and Wole Soyinka.” Journal of Commonwealth Literature 22 (1): 17–30. https://doi.org/10.1177/002198948702200103.
  • McCabe, D. 2002. “Histories of Errancy: Oral Yoruba Àbíkú Texts and Soyinka’s ‘Àbíkú.’” Research in African Literatures 33 (1): 45–74. https://doi.org/10.1353/ral.2002.0027.
  • Moore, Carlos. 2011. This Bitch of a Life. London: Omnibus Press. Epub.
  • Nix-Stevenson, D., and F. Ransome-Kuti. 2011. “We Had Equality Till Britain Came.” In Feminist Writings from Ancient Times to the Modern World: A Global Sourcebook and History, edited by T. K. Wayne, 544–47. Santa Barbara: Greenwood.
  • Oikelome, Albert. 2014. “‘Monday, Today, and Tomorrow’: Fela’s Prophetic Lyrics in Light of Twenty-first Century Realities.” In Education, Creativity and Economic Empowerment in Africa, edited by Falola Toyin and Jamine Abidogun, 203–20. New York: Palgrave Macmillan. https://doi.org/10.1057/9781137438508_12.
  • Olaniyan, Tejumola. 2004. Arrest the Music!: Fela and His Rebel Arts and Politics. Indiana: Indiana University Press.
  • Olatunji, Michael. 2007. “Yabis: A Phenomenon in the Contemporary Nigerian Music.” Journal of Pan African Studies 1 (9): 26–46.
  • Olori, Toye. 1997. “NIGERIA: Fela Given A Royal Send-Off.” International Press Service: News Agency, August 12, 1997. http://www.ipsnews.net/1997/08/nigeria-fela-given-a-royal-send-off/.
  • Olorunyomi, Sola. 2003. Afrobeat!: Fela and the Imagined Continent. Trenton: Africa World Press.
  • Saleh-Hanna, Viviane. 2008. “Fela Kuti’s Wahala Music: Political Resistance through Song.” In Colonial Space of Control: Criminal Justice in Nigeria, edited by Viviane Saleh-Hanna, 355. Ottawa: Ottawa University Press. https://doi.org/10.2307/j.ctt1ckph37.23.
  • Simola, R. 1999. “The Construction of a Nigerian Nationalist and Feminist, Funmilayo Ransome-Kuti.” Nordic Journal of African Studies 8 (1): 94–114.
  • Soyinka, Wole. 1981. Ake: The Years of Childhood. New York: Random House.
  • Stewart, Alexander. 2013. “Make it Funky: Fela Kuti, James Brown and the Invention of Afrobeat.” American Studies 54 (4): 99–118. https://doi.org/10.1353/ams.2013.0124.
  • Veal, Michael. 2000. Fela: The Life and Times of an African Musical Icon. Philadelphia: Temple University Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.