Publication Cover
Muziki
Journal of Music Research in Africa
Volume 16, 2019 - Issue 2
56
Views
0
CrossRef citations to date
0
Altmetric
Articles

Framing Subalternity, Precarity and Poverty in Selected Songs by Leonard Zhakata

ORCID Icon & ORCID Icon

References

  • Arbour, L. 2006. “Using Human Rights to Reduce Poverty” Development Outreach 8 (2): 5–8.
  • Ashford, A. 2005. Witchcraft, Violence and Democracy in South Africa. Chicago: University of Chicago Press.
  • Baudrillard, J. 1983. Simulations. New York: Semiotext.
  • Bradshaw, T. K. 2000. “Complex Community Development Projects: Collaboration, Comprehensive Programs and Community Coalitions in Complex Society.” Community Development Journal 35 (2): 133–45. doi: 10.1093/cdj/35.2.133
  • Boeije, H. R. 2010. Analysis in Qualitative Research. London: SAGE.
  • Bourdillon, M. F. C. 1991. The Shona Peoples: An Ethnography of the Contemporary Shona, with Special Reference to Their Religion, 3rd ed. Gweru: Mambo Press.
  • Butler, J. 2004. Precarious Life: The Powers of Mourning and Violence. London: Verso.
  • Chikowere, M. 2015. African Music, Power, and Being in Colonial Zimbabwe. Bloomington: Indiana University Press.
  • Chitofiri K., E. D. Mutasa, and T. Gwekwerere. 2017. “Fighting for Justice and Freedom through Music: The Case of Thomas Mapfumo, Hosiah Chipanga and Leonard Zhakata, ca. 1988–2015.” South African Journal of African Languages 37 (1): 59–73. https://doi.org/10.1080/02572117.2017.1316927.
  • Chong, D. 2000. Rational Lives: Norms and Values in Politics and Society. Chicago: University of Chicago Press. https://doi.org/10.7208/chicago/9780226104379.001.0001.
  • Drewett, M. 2003. “Music in the Struggle to End Apartheid,” In Policing Pop, edited by M. Cloonan and R. Garofalo, 153–65. Philadelphia: Temple University Press.
  • Dzvore, A. 2018. “Music as Life Stories: An Exploration of Leonard Karikoga Zhakata’s Sungura Lyrics on the Socio-Political Context of Zimbabwe from 2000 to February 2009.” MA thesis, University of South Africa.
  • Entman, R. M. 1993. “Framing: Towards Clarification of a Fractured Paradigm.” Journal of Communication 43 (4): 51–8. https://doi.org/10.1111/j.1460-2466.1993.tb01304.x.
  • Evans-Pritchard, E. E. 1937. Witchcraft, Magic and Oracles among the Azande. Oxford: Clarendon Press.
  • Hagberg, S. 2001. Poverty in Burkina Faso: Representations and Realities. Uppsala: Uppsala-Leuven Research in Cultural Anthropology (ULRiCA).
  • Hall, S. 1997. Representation: Cultural Representations and Signifying Practices. Thousand Oaks: SAGE in association with the Open University.
  • Iyengar, S. 1991. Is Anyone Responsible? How Television Frames Political Issues. Chicago: University of Chicago Press. https://doi.org/10.7208/chicago/9780226388533.001.0001.
  • Kamete, A. Y. 2002. Governing the Poor in Harare, Zimbabwe. Sweden: Flanders Digitaltryck.
  • Kanyenze, G., T. Kondo, P. Chitambira, and J. Martens. 2011. Beyond the Enclave: Towards a Pro-Poor and Inclusive Development Strategy for Zimbabwe. Harare: Weaver Press. https://doi.org/10.2307/j.ctvk3gmdw.
  • Kwaramba, A. 1997. “Popular Music and Society, IMK Report No. 24.” Oslo: University of Oslo.
  • Lovesey, O. 2017. “Decolonizing the Ear: Introduction to Popular Music and the Postcolonial.” Popular Music and Society 40 (1): 1–4. https://doi.org/10.1080/03007766.2016.1230695.
  • Manase, I. 2009. “Zimbabwean Urban Grooves and Their Subversive Performance Practices.” Social Dynamics 35 (1): 56–67. https://doi.org/10.1080/02533950802666923.
  • Mano, W. 2007. “Popular Music as Journalism in Zimbabwe.” Journalism Studies 8 (1): 61–78. https://doi.org/10.1080/14616700601056858.
  • Mano, W. 2011. “Popular Music as Journalism in Africa: Issues and Contexts.” In Popular Media, Democracy and Development in Africa, edited by H. Wasserman, 107–20. London: Routledge.
  • Millar, K. M. 2017. “Towards a Critical Politics of Precarity.” Sociology Compass, 11 (e12483): 1–11. https://doi.org/10.1111/soc4.12483.
  • Nyakunu, N. 2005. “Tracing the Footsteps – Censorship and Music in Zimbabwe.” Freemuse. Accessed April 3, 2009. https://web.archive.org/web/20081201133629/http:/www.freemuse.org/sw9314.asp.
  • Pongweni, A. 1982. Songs That Won the Liberation War. Harare: College Press.
  • PRP. 2012. Understanding the Drivers of Poverty in Zimbabwe: Emerging Lessons from the Protracted Relief Program. Harare: PRP Secretariat.
  • Robinson, M. 2001. “Poverty and International Covenant on Economic, Social and Cultural Rights. Statement Adopted by the Committee on Economic, Social and Cultural Rights, E/C.12/2001/10.” Accessed May 4, 2001. https://www.cesr.org/sites/default/files/CESR.
  • Snow, D. A., and R. D. Benford. 1988. “Ideology, Frame Resonance, and Participant Mobilization.” International Social Movement Research 1 (1): 197–217.
  • Tsing, A. L. 2015. The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins. Princeton: Princeton University Press. https://doi.org/10.2307/j.ctvc77bcc.
  • Vambe, M. T. 2000. “Popular Songs and Social Realities in Post-independence Zimbabwe.” African Studies Review 43 (2): 73–86. https://doi.org/10.2307/524985.
  • Vambe, M. T. 2004. “Thomas Mapfumo’s ‘Toi Toi’ in Context: Popular Music as Narrative Discourse.” African Identities 2 (1): 89–112. https://doi.org/10.1080/1472584042000238604.
  • Vori, E. 2005. “Censorship of Locally Recorded Music in Zimbabwe.” Paper presented at Music Censorship in Zimbabwe, Harare, April 28, 2005.
  • Zhakata, L. 2005. “Seminar on Music Censorship in Zimbabwe.” Mannenberg Jazz Club, Harare, April 28, 2005.
  • Zindi, F. 1985. Roots Rocking in Zimbabwe. Gweru: Mambo Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.