289
Views
0
CrossRef citations to date
0
Altmetric
Research Article

Fantasy strolling beyond the stage: A study of fan-culture geography of the Takarazuka Revue

ORCID Icon
Received 29 Jun 2021, Accepted 26 May 2024, Published online: 12 Jun 2024

References

  • Barrett, Maria. 2016. “Our Place: Class, the Theatre Audience and the Royal Court Liverpool.” Unpublished PhD Thesis, University of Warwick.
  • Benjamin, Walter. 1999. The Arcades Project. Cambridge and London: Harvard University Press.
  • Bennett, Lucy. 2014. “Tracing Textual Poachers: Reflections on the Development of Fan Studies and Digital Fandom.” Journal of Fandom Studies 2 (1): 5–10. https://doi.org/10.1386/jfs.2.1.5_1.
  • Black, Rebecca W. 2008. Adolescents and Online Fan Fiction. New York: Peter Lang Publishing.
  • Boschmann, Eric E., and Emily. Cubbon. 2014. “Sketch Maps and Qualitative GIS: Using Cartographies of Individual Spatial Narratives in Geographic Research.” The Professional Geographer 66 (2): 236–248. https://doi.org/10.1080/00330124.2013.781490.
  • Clyde, Deirdre. 2020. “Pilgrimage and Prestige: American Anime Fans and Their Travels to Japan.” Journal of Tourism and Cultural Change 18 (1): 58–66. https://doi.org/10.1080/14766825.2020.1707464.
  • Duffett, Mark. 2013. Understanding Fandom: An Introduction to the Study of Media Culture. London: Bloomsbury.
  • Galbraith, Patrick W. 2010. “Akihabara: Conditioning a public“otaku” Image.” Mechademia 5 (1): 210–230.
  • Galbraith, Patrick W. 2019. Otaku and the Struggle for Imagination in Japan. Durham and London: Duke University Press.
  • Grossberg, Lawrence. 1992. “Is There a Fan in the House?: The Affective Sensibility of Fandom.” In The Adoring Audience: Fan Culture and Popular Media, edited by Lisa Lewis, 50–65. London and New York: Routledge.
  • Gubrium, Jaber F., and James A. Holstein. 2008. “Narrative Ethnography.” In Handbook of Emergent Methods, edited by S. N. Hesse-Biber and P. Leavy, 241–264. New York: Guilford Press.
  • Hills, Matthew. 2002. Fan Cultures. New York and London: Routledge.
  • Hills, Matthew. 2018. “Implicit Fandom in the Fields of Theatre, Art, and Literature: Studying “Fans” Beyond Fan Discourses.” In A Companion to Media Fandom and Fan Studies, edited by Paul Booth, 495–509. Hoboken: Wiley Blackwell.
  • Jenkins, Henry. 1992a. “Strangers No More, We Sing’: Filking and the Social Constriction of the Science Fiction.” In The Adoring Audience: Fan Culture and Popular Media, edited by Lisa Lewis, 208–236. London and New York: Routledge.
  • Jenkins, Henry. 1992b. Textual Poachers: Television Fans & Participatory Culture. London and New York: Routledge.
  • Jindra, Michael. 1994. “Star Trek Fandom as a Religious Phenomenon.” Sociology of Religion 55 (1): 27–51. https://doi.org/10.2307/3712174.
  • Kawasaki, Kenko. 1999. Takarazuka: Shōhishakai-No Supekutakuru. [Takarazuka: The spectacle of consumer society]. Tokyo: Kōdansha.
  • Low, Setha. 2017. Spatializing Culture. The Ethnography of Space and Place. London and New York: Routledge.
  • Lynch, Kevin. 1960. The Image of the City. Cambridge and London: MIT Press.
  • Margry, Peter Jan. 2008. “The Pilgrimage to Jim Morrison’s Grave at Père Lachaise Cemetery: The Social Construction of Sacred Space.” In Shrines and Pilgrimage in the Modern World. New Itineraries into the Sacred, edited by Peter Jan Margry, 143–172. Amsterdam: Amsterdam University Press.
  • McCormick, Casey J. 2018. “Active Fandom: Labor and Love in the Whedonverse.” In A Companion to Media Fandom and Fan Studies, edited by Paul Booth, 369–384. Hoboken: Wiley Blackwell.
  • Miyamoto, Naomi. 2011. Takarazuka fan-no shakaigaku: Sutaa-wa gekijō-no soto de tsukurareru [Takarazuka Fan Sociology: Creating the Stars Outside of the Theatre Hall]. Tokyo: Seikyūsha.
  • Morikawa, Kaichiro. 2012. “Otaku and the City: The Rebirth of Akihabara.” In Fandom Unbound, 133–157. New Haven and London: Yale University Press.
  • Morishita, Nobuo. 2015. Takarazuka no keiei senryaku [Takarazuka’s marketing strategies]. Tokyo: Kadokawa.
  • Nakamura, Karen, and Hisako. Matsuo. 2003. “Female Masculinity and Fantasy Spaces: Transcending Genders in the Takarazuka Theatre and Japanese Popular Culture.” In Men and Masculinities in Contemporary Japan: Dislocating the Salaryman Doxa, edited by J. E. Roberson and N. Suzuki, 59–76. London and New York: Routledge Curzon.
  • Relph, Edward. 1976. Place and Placelessness. London: Pion.
  • Robertson, Jennifer. 1998. Takarazuka: Sexual Politics and Popular Culture in Modern Japan. Berkeley: University of California Press.
  • Rodman, Gilbert B. 2013. Elvis After Elvis: The Posthumous Career of a Living Legend. London and New York: Routledge.
  • Sabre, Clothilde. 2017. “French Anime and Manga Fans in Japan: Pop Culture Tourism, Media Pilgrimage, Imaginary.” International Journal of Contents Tourism (1): 1–19.
  • Sandvoss, Cornel. 2005. Fans: The Mirror of Consumption. Cambridge: Polity.
  • Stickland, Leonie. 2008. Gender Gymnastics: Performing and Consuming Japan’s Takarazuka Revue. Melbourne: Trans Pacific Press.
  • Till, Rupert. 2010. Pop Cult: Religion and Popular Music. London and New York: Continuum.
  • Toda, Kiyoko. 2009. “Hanshinkan modanizumu-no keisei to chiiki bunka-no sōzō [The Making of Hanshinkan Modernism and the Creation of Regional Culture].” Nara Prefectural University Kenkyukiho 19 (4): 49–77.
  • Tsuganesawa, Toshihiro. 1991. Takarazuka senryaku [Takarazuka strategies]. Tokyo: Kōdansha gendai shokan.
  • Tuan, Yi-Fu. 1977. Space and Place: The Perspective of Experience. Minneapolis: University of Minnesota Press.
  • Turner, Victor. 1969. The Ritual Process: Structure and Anti-Structure. New York: Cornell University Press.
  • Tzanelli, Rodanthi. 2004. “Constructing the ‘Cinematic tourist’: The ‘Sign industry’ of the Lord of the Rings.” Tourist Studies 4 (1): 21–42. https://doi.org/10.1177/1468797604053077.
  • Wada, Matsuo, Ed. 2015. Takarazuka fan kara yomitoku chōkōkan’yoshōhisha-e-no maaketingu [Marketing for Ultra-High Involvement Consumers Based on Analysis of Takarazuka Fans]. Tokyo: Yūhikaku.
  • Watanabe, Hiroshi. 1999. Takarazuka kageki-no henyō to nihon kindai [The Transformation of Takarazuka in the Midst of Modernization Process of Japan]. Tokyo: Shinshokan.
  • Williams, Rebecca. 2018. “Fan Pilgrimage & Tourism.” In The Routledge Companion to Media Fandom, edited byMelissa A. Click and Suzanne Scott, 98–106. London and New York: Routledge.
  • Yamanashi, Makiko. 2012. A History of the Takarazuka Revue Since 1914: Modernity, Girls’ Culture, Japan Pop. Kent: Global Oriental.
  • Yokomichi, Kiyotaka. 2007. The Development of Municipal Mergers in Japan. Tokyo: Council of Local Authorities for International Relations.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.